Jose is an excellent student with a bright future except that he is undocumented,…
The Fight in the Fields
- Description
- Reviews
- Citation
- Cataloging
- Transcript
The Fight in the Fields: Cesar Chavez and the Farmworkers' Struggle is the first film to cover the full arc of Cesar Chávez' life. The film is not a traditional biography. It is social history with Chávez as the central figure, and the stories of many ordinary people who were part of the movement. Using archival footage, newsreel, and present-day interviews with Ethel Kennedy, former California Governor Jerry Brown, Dolores Huerta, and Chávez' brother, sister, son and daughter, among others, the documentary traces the remarkable contributions of Chávez and others involved in this epic struggle.
The Fight in the Fields follows the first successful organizing drive of farm workers in the United States, while recounting the many failed and dramatic attempts to unionize that led up to this victory. Among the many barriers to organizing was the Bracero Program, which flooded the fields with Mexican contract workers between World War II and the 1960s.
Chávez and many others helped bring about important changes in farmworkers lives. Many of these things are now taken for granted, such as getting fresh water and public toilets in the fields, and larger reforms like ensuring fair labor practices and ending the bracero program. The Fight in the Fields pays tribute to the tremendous advances made by Chávez and all the men and women of the United Farmworkers Union who fought for a stake in the American dream.
Citation
Main credits
Telles, Ray (film director)
Telles, Ray (film producer)
Tejada-Flores, Rick (film director)
Tejada-Flores, Rick (film producer)
Darrow, Henry (narrator)
Other credits
Cinematography, Vicente Franco; editing, Herb Ferrette; music, Pete Sears.
Distributor subjects
Labor History; Farmworkers; American Studies; American (U.S.) Studies; The 1960s and Vietnam Era; Latinx Studies; Citizenship, Social Movements and Activism; Working Conditions; Trade Unions; Sociology of WorkKeywords
00:00:01.260 --> 00:00:03.810
- I think they're used to
treating the Mexican American
00:00:03.810 --> 00:00:07.170
and the Filipino like slaves,
I would say so.
00:00:07.170 --> 00:00:11.909
And they don't wanna treat us like humans.
00:00:11.909 --> 00:00:16.909
- I had a dream that the
only reason the employers
00:00:16.986 --> 00:00:20.430
were so powerful was not
because they, in fact,
00:00:20.430 --> 00:00:24.420
had much power in terms
of dealing with the lives
00:00:24.420 --> 00:00:26.820
of their workers at will,
00:00:26.820 --> 00:00:29.760
but that what made them truly powerful
00:00:29.760 --> 00:00:31.245
was that we were weak.
00:00:31.245 --> 00:00:34.860
[tools clanking]
[lively Norteño music]
00:00:34.860 --> 00:00:37.854
- And it's not just a question of wages.
00:00:37.854 --> 00:00:40.740
It's a question, a basic
question of hope for the future.
00:00:40.740 --> 00:00:42.780
- Don't you believe in democracy?
00:00:42.780 --> 00:00:43.842
Then why don't you let
us have an election?
00:00:43.842 --> 00:00:45.310
[Protestors] Boycott grapes!
00:00:45.310 --> 00:00:47.018
Boycott grapes!
00:00:47.018 --> 00:00:47.851
Boycott grapes!
00:00:47.851 --> 00:00:50.100
- Cesar comes along and
says, "Hey, wait a minute.
00:00:50.100 --> 00:00:50.940
This is America.
00:00:50.940 --> 00:00:53.130
Everybody's equal, and we want our power."
00:00:53.130 --> 00:00:55.429
[Protestors] Boycott grapes!
00:00:55.429 --> 00:00:56.933
Boycott grapes!
00:00:56.933 --> 00:00:58.234
Boycott grapes!
00:00:58.234 --> 00:01:01.517
[protestors chanting]
00:01:01.517 --> 00:01:04.050
[protestors yelling]
00:01:04.050 --> 00:01:05.747
- And here's who aided us,
we had priests,
00:01:06.870 --> 00:01:09.630
and nuns who frequently had mini-skirts,
00:01:09.630 --> 00:01:14.370
and hundreds and hundreds
of Ivy League students
00:01:14.370 --> 00:01:17.844
who were out here for the
fun of fighting the growers.
00:01:17.844 --> 00:01:20.370
[vocalists singing in Spanish]
00:01:20.370 --> 00:01:22.320
- [Narrator] The story
of organizing farmworkers
00:01:22.320 --> 00:01:24.990
started long before he was born,
00:01:24.990 --> 00:01:27.434
and will go on long after his death.
00:01:27.434 --> 00:01:28.950
But during his lifetime,
00:01:28.950 --> 00:01:32.250
Cesar Chavez came to
represent that struggle.
00:01:32.250 --> 00:01:33.810
He brought the farmworkers' faces
00:01:33.810 --> 00:01:35.820
and stories to the American public
00:01:35.820 --> 00:01:37.080
and, in the process,
00:01:37.080 --> 00:01:40.680
helped them achieve a measure
of dignity and respect.
00:01:40.680 --> 00:01:43.470
This is the story of the
farmworkers' movement
00:01:43.470 --> 00:01:45.637
and of the man who inspired it.
00:01:45.637 --> 00:01:50.220
[vocalists singing in Spanish]
00:01:55.770 --> 00:01:58.982
- [Vocalist] Viva la huelga!
00:01:58.982 --> 00:02:02.565
[relaxed country-rock music]
00:02:15.360 --> 00:02:18.150
- [Narrator] California's
great Central Valley,
00:02:18.150 --> 00:02:20.455
glimmering in gold and green.
00:02:20.455 --> 00:02:24.210
This great valley provides
much of the food for the nation
00:02:24.210 --> 00:02:27.297
and great wealth for a few.
00:02:27.297 --> 00:02:29.310
For well over a century,
00:02:29.310 --> 00:02:31.920
agriculture has reigned as the largest
00:02:31.920 --> 00:02:34.623
and most powerful industry
in this golden state.
00:02:38.010 --> 00:02:42.153
But as you travel up the
valley spine, Highway 99,
00:02:43.110 --> 00:02:44.640
there is nothing which reflects
00:02:44.640 --> 00:02:47.103
a 100-year battle in these fields.
00:02:48.060 --> 00:02:51.180
No public tributes to the field workers,
00:02:51.180 --> 00:02:54.063
the Native American, the Chinese,
00:02:54.990 --> 00:02:57.393
Japanese, Mexican,
00:02:59.310 --> 00:03:01.863
Filipino, Black,
00:03:02.760 --> 00:03:04.320
and white,
00:03:04.320 --> 00:03:09.210
men, women, and children who
built this agribusiness empire
00:03:09.210 --> 00:03:10.983
with their backbreaking labor.
00:03:16.307 --> 00:03:20.940
[tense country-blues music]
00:03:20.940 --> 00:03:23.253
Hidden from view are the migrant camps,
00:03:24.630 --> 00:03:26.370
the homes and the union halls
00:03:26.370 --> 00:03:30.960
which generated long, bitter,
and often bloody struggles
00:03:30.960 --> 00:03:33.783
against conditions approaching slavery.
00:03:38.790 --> 00:03:41.430
California's agricultural boom
00:03:41.430 --> 00:03:45.093
began in the 1860s with
the end of the gold rush.
00:03:45.990 --> 00:03:49.980
Workers were needed to cultivate
huge, undeveloped tracts.
00:03:49.980 --> 00:03:51.630
With no jobs in the mines,
00:03:51.630 --> 00:03:56.280
unemployed Chinese men
provided an instant labor pool.
00:03:56.280 --> 00:04:00.480
Then, the Japanese and
the Filipinos arrived.
00:04:00.480 --> 00:04:03.944
They provided a skilled
and stable workforce
00:04:03.944 --> 00:04:06.535
for these factories in the fields.
00:04:08.010 --> 00:04:11.280
But whenever they
organized for higher wages
00:04:11.280 --> 00:04:14.280
or attempted to operate their own farms,
00:04:14.280 --> 00:04:18.453
they were met with shootings,
beatings, and deportations.
00:04:21.414 --> 00:04:25.140
[gentle country-folk music]
00:04:25.140 --> 00:04:29.040
A new wave of Mexicans
joined Mexican Americans
00:04:29.040 --> 00:04:31.110
whose ancestors had worked these lands
00:04:31.110 --> 00:04:33.039
a century before them.
00:04:33.039 --> 00:04:37.290
The newcomers provided a
large, cheap labor force
00:04:37.290 --> 00:04:40.200
which could be brought
in for temporary work,
00:04:40.200 --> 00:04:43.503
then returned to Mexico when
they were no longer needed.
00:04:45.150 --> 00:04:49.087
From 1910 to 1930, more
than one million people
00:04:49.087 --> 00:04:52.230
made the journey north to work
00:04:52.230 --> 00:04:55.443
and to escape the ravages
of revolution and war.
00:04:58.080 --> 00:05:01.053
For most, it was a journey
into a familiar homeland,
00:05:03.900 --> 00:05:06.483
a land which once had been Mexico.
00:05:11.640 --> 00:05:14.280
Once they embarked on the migrant trail,
00:05:14.280 --> 00:05:17.240
they would find that their
lot would be no different
00:05:17.240 --> 00:05:19.443
than those who had come before them.
00:05:22.096 --> 00:05:25.679
[gentle country-folk music]
00:05:34.383 --> 00:05:37.633
[wistful Norteño music]
00:05:47.874 --> 00:05:51.420
The North Gila Valley near Yuma, Arizona,
00:05:51.420 --> 00:05:54.990
an arid desert that starts
in the Sonora range in Mexico
00:05:54.990 --> 00:05:57.183
and stretches northward towards Canada.
00:06:01.668 --> 00:06:05.790
It was here that Juana and
Librado Chavez met and married,
00:06:05.790 --> 00:06:08.463
and it was here that their second child,
00:06:08.463 --> 00:06:13.461
Cesario Estrada Chavez, was
born on March 31st, 1927.
00:06:20.820 --> 00:06:22.470
- Well, we lived in a farm.
00:06:22.470 --> 00:06:23.580
Actually, it was a homestead
00:06:23.580 --> 00:06:25.935
that my grandfather had homesteaded,
00:06:25.935 --> 00:06:28.287
and then he sent it on to my dad.
00:06:28.287 --> 00:06:29.370
And we had a lot of fun.
00:06:29.370 --> 00:06:33.150
Like during the summer, we
just hike all over the place
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and swim in the canal
all day long, and fish.
00:06:36.330 --> 00:06:38.729
And so it was very nice.
00:06:38.729 --> 00:06:40.800
[birds chirping]
00:06:40.800 --> 00:06:42.720
- Well, all that summer before school,
00:06:42.720 --> 00:06:44.220
we played, you know, school.
00:06:44.220 --> 00:06:46.890
I was a teacher, of course,
and they were the students.
00:06:46.890 --> 00:06:49.987
And I got Cesar ready, and I told him,
00:06:49.987 --> 00:06:52.625
"When you go to school, the
teacher's gonna ask you,
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'What's your name, little boy?'"
00:06:53.810 --> 00:06:54.997
"Cesar Chavez."
00:06:54.997 --> 00:06:55.830
"How old are you?"
00:06:55.830 --> 00:06:56.663
"I'm six."
00:06:56.663 --> 00:06:58.080
You know, all those questions.
00:06:58.080 --> 00:06:58.913
He was ready.
00:06:58.913 --> 00:06:59.760
We went to school,
00:06:59.760 --> 00:07:02.490
and the teacher says,
"Okay, Cesar, let's sit here
00:07:02.490 --> 00:07:04.867
and, you know, your sister has to go."
00:07:04.867 --> 00:07:07.500
"Oh, no," he says, "I'm
sitting with my sister."
00:07:07.500 --> 00:07:09.720
Then he took off the
door and I ran after him.
00:07:09.720 --> 00:07:10.740
Then, finally, he agreed
00:07:10.740 --> 00:07:12.570
he had to go with the first graders.
00:07:12.570 --> 00:07:15.079
But he won that first
battle, right? [laughs]
00:07:15.079 --> 00:07:18.829
[contemplative piano music]
00:07:23.340 --> 00:07:25.590
- [Narrator] Juana
Chavez was a gentle woman
00:07:25.590 --> 00:07:27.123
with a deep religious faith.
00:07:27.990 --> 00:07:31.533
She gave young Cesar his
first lessons in nonviolence.
00:07:33.030 --> 00:07:34.800
- She didn't believe in violent.
00:07:34.800 --> 00:07:36.350
She would always say, you know,
00:07:37.679 --> 00:07:39.180
"If somebody wants to fight with you
00:07:39.180 --> 00:07:40.470
and you go ahead and fight back,
00:07:40.470 --> 00:07:41.670
that fighting will never end.
00:07:41.670 --> 00:07:44.700
So, you have to be the one to
stop it right then and there.
00:07:44.700 --> 00:07:46.098
Don't continue the fight."
00:07:46.098 --> 00:07:50.015
[wistful piano music]
00:07:54.000 --> 00:07:55.140
- [Narrator] Although the Chavez children
00:07:55.140 --> 00:07:56.490
were barely aware of it,
00:07:56.490 --> 00:07:59.670
the country was in the middle
of the Great Depression.
00:07:59.670 --> 00:08:02.250
All across the country,
factories were shut down,
00:08:02.250 --> 00:08:06.853
and millions had lost their
jobs, farms, and homes.
00:08:06.853 --> 00:08:09.900
The Chavez family still had their farm,
00:08:09.900 --> 00:08:12.020
but many others had nothing.
00:08:12.020 --> 00:08:15.278
[wistful piano music]
00:08:20.191 --> 00:08:23.040
[dog barking]
00:08:23.040 --> 00:08:25.530
- I even hate to think back to it.
00:08:25.530 --> 00:08:28.443
We lived on tents that
didn't have a floor.
00:08:29.640 --> 00:08:30.473
Just dirt.
00:08:30.473 --> 00:08:32.280
Mud, I would say.
00:08:32.280 --> 00:08:35.880
And we went cold and
hungry during the winter
00:08:35.880 --> 00:08:37.170
because there was no work.
00:08:37.170 --> 00:08:41.430
We survived by going
out on the ditch banks
00:08:41.430 --> 00:08:43.380
and picking mustard greens,
00:08:43.380 --> 00:08:48.024
and my brothers would go out
getting fish from the canals.
00:08:48.024 --> 00:08:51.774
[somber country-blues music]
00:08:57.570 --> 00:08:59.940
- [Narrator] California
seemed like the promised land
00:08:59.940 --> 00:09:02.940
to thousands of small
farmers and sharecroppers
00:09:02.940 --> 00:09:06.183
from Texas, Oklahoma, and Arkansas.
00:09:09.250 --> 00:09:12.000
[wind howling
00:09:14.130 --> 00:09:17.550
Driven from their farms by winds, drought,
00:09:17.550 --> 00:09:22.290
and bank foreclosures, they
formed a never-ending stream
00:09:22.290 --> 00:09:24.625
of broken-down jalopies heading west.
00:09:24.625 --> 00:09:29.625
[car engines rattling]
[gentle orchestral music]
00:09:38.238 --> 00:09:40.020
- [Archive Film Narrator] But
they go to the lettuce fields.
00:09:40.020 --> 00:09:41.850
And what do they find?
00:09:41.850 --> 00:09:44.765
Filipinos and Mexicans do the work.
00:09:44.765 --> 00:09:46.500
While the work is hard,
00:09:46.500 --> 00:09:49.530
and Filipinos and Mexicans are strong
00:09:49.530 --> 00:09:51.263
and can do it better.
00:09:51.263 --> 00:09:54.150
[gentle country-folk music]
00:09:54.150 --> 00:09:58.397
- [Narrator] In 1938, the
Chavez family lost their farm.
00:09:58.397 --> 00:10:01.350
They packed everything they
owned into an old Studebaker
00:10:01.350 --> 00:10:03.496
and set out for California.
00:10:06.510 --> 00:10:07.800
- It was awful.
00:10:07.800 --> 00:10:08.970
It was really bad,
00:10:08.970 --> 00:10:11.940
'cause we had never worked,
you know, for anybody else.
00:10:11.940 --> 00:10:14.280
We never lived out of our home.
00:10:14.280 --> 00:10:18.750
Here we came to California, and
we were lucky we got a tent,
00:10:18.750 --> 00:10:21.270
but most of the time we
were living under a tree
00:10:21.270 --> 00:10:23.040
with just a canvas on top of us,
00:10:23.040 --> 00:10:25.066
and sometimes in the car.
00:10:25.066 --> 00:10:27.721
[gentle country-folk music]
00:10:27.721 --> 00:10:30.022
[truck engine rumbling]
00:10:30.022 --> 00:10:32.429
- [Narrator] Cesar left
school after the eighth grade
00:10:32.429 --> 00:10:34.770
to work with the rest of the family,
00:10:34.770 --> 00:10:38.013
following the crops north
from Oxnard to San Jose.
00:10:39.090 --> 00:10:42.180
Sometimes they moved on
when the job was over,
Distributor: Bullfrog Films
Length: 119 minutes
Date: 1996
Genre: Expository
Language: English / English subtitles
Grade: 7-12, College, Adults
Color/BW:
/
Closed Captioning: Available
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