00:00:37.320 --> 00:00:38.440
Yes, I’m recording.

00:00:38.440 --> 00:00:42.520
Perfect. Don’t cut.
Go all the way.

00:00:42.560 --> 00:00:43.280
Ok.

00:00:43.440 --> 00:00:47.000
Ok. I need this to be very well hidden,
nobody can know that I’m wearing a mic.

00:00:48.120 --> 00:00:52.560
Right. I can stick it to your chest and
I can fasten this to your ankle if its ok with you.

00:00:52.600 --> 00:00:54.200
I don’t think anyone will notice.

00:00:54.280 --> 00:00:56.760
No, that fine by me.
As long as no one notices it.

00:00:56.800 --> 00:00:58.960
Ok.
I think we’ll be fine.

00:00:59.040 --> 00:01:01.720
Ok. Are the batteries full?

00:01:01.800 --> 00:01:06.080
Yes, I just changed them.
We can check them when we stop for lunch.

00:01:06.160 --> 00:01:09.920
Ok. If you need to change them
come talk to me about something else and we’ll do it elsewhere.

00:01:10.000 --> 00:01:11.200
Ok, got it.

00:01:11.680 --> 00:01:14.360
Good. I’ll stick this to your chest,
you pull it from inside...

00:01:14.440 --> 00:01:16.920
... and I’ll fasten the transmitter
to your ankle.

00:01:17.000 --> 00:01:18.040
Let’s do it.

00:01:25.560 --> 00:01:26.520
What’s up with you?

00:01:26.520 --> 00:01:30.200
Yes, cool. And you?

00:01:30.440 --> 00:01:31.400
Fine, fine.

00:01:35.840 --> 00:01:37.720
Now I’ll put the wire
through your pants…

00:01:37.800 --> 00:01:41.160
Yeah, there you go.

00:01:41.560 --> 00:01:43.440
- I'll fasten it here.
- Yes.

00:01:43.520 --> 00:01:46.360
- Adjusting the wire.
- Perfect.

00:01:47.000 --> 00:01:49.440
So, we’re ok like this,
you can’t see it, right?

00:01:49.480 --> 00:01:51.920
No, I can’t see it.
I’ll let you know if it shows…

00:01:51.960 --> 00:01:53.240
Let me check.

00:01:53.360 --> 00:01:57.360
Let’s see, hello.
Lucio, hello. Are we ok?

00:01:57.800 --> 00:01:59.440
- We are.
- Ok.

00:01:59.520 --> 00:02:03.400
- Let me know if it shows.
- Ok.

00:02:12.360 --> 00:02:14.160
So, are we ready?

00:02:14.240 --> 00:02:17.120
We'll try this and then
we'll be ready to start.

00:02:17.320 --> 00:02:21.800
I need you to be shooting all the time.

00:02:22.120 --> 00:02:23.400
Who?

00:02:23.400 --> 00:02:27.720
The actors. Shoot all the
time and focus on them.

00:02:28.200 --> 00:02:31.280
Keep the camera running
without them realizing.

00:02:31.280 --> 00:02:34.680
If they notice and get
nervous or uncomfortable,

00:02:34.680 --> 00:02:37.560
or ask you about it,
then turn it off.

00:02:37.560 --> 00:02:39.880
Pretend it was
a mistake.

00:02:39.880 --> 00:02:41.320
Ok. Did you
tell them?

00:02:41.320 --> 00:02:43.520
No. That’s why
I’m telling you.

00:02:43.520 --> 00:02:44.000
Alright.

00:02:45.000 --> 00:02:47.120
I’m going to tell Lucio
the same. Ok?

00:02:47.120 --> 00:02:48.760
Go ahead.

00:02:49.880 --> 00:02:51.520
Now?

00:02:51.520 --> 00:02:53.240
Yes, all the time.

00:02:56.120 --> 00:02:58.320
It doesn’t matter
if it’s sloppy.

00:02:58.320 --> 00:03:01.400
Do whatever you need to do
to keep them in frame.

00:03:02.440 --> 00:03:04.920
Like this, for example.
I leave it like this.

00:03:04.920 --> 00:03:07.520
Yes, perfect. Set it up so that
they are in the shot.

00:03:07.520 --> 00:03:09.560
It’s ok if we have
sloppy moments.

00:03:09.560 --> 00:03:11.120
Alright.

00:03:12.720 --> 00:03:14.440
Should I go near them?

00:03:14.440 --> 00:03:17.320
Yes, that’s fine. I need them
not to notice.

00:03:17.320 --> 00:03:18.600
Alright.

00:03:18.600 --> 00:03:20.800
So I’m going to ask you
not to become friends with them.

00:03:20.800 --> 00:03:23.680
Don’t engage them socially
so that they don’t talk to you.

00:03:23.680 --> 00:03:26.040
Because when they’re
here, I’ll probably...

00:03:26.040 --> 00:03:28.400
...need you to be here.
Just like you are now.

00:03:29.440 --> 00:03:31.440
Pretending
I’m not…

00:03:31.440 --> 00:03:33.720
Yes, just rest with the
boom and try to get them.

00:03:33.720 --> 00:03:34.720
Got it.

00:03:34.720 --> 00:03:39.120
It’s better if they don’t talk to you,
so don’t be overly friendly.

00:03:42.440 --> 00:03:45.680
You can go near them
as if you were going...

00:03:45.680 --> 00:03:48.920
... to put on their mikes
or something.

00:03:48.920 --> 00:03:52.160
Be unfriendly so they
don’t trust you that much.

00:03:57.400 --> 00:03:58.680
Just…

00:03:58.680 --> 00:03:59.000
Yes, that´s all.

00:04:00.000 --> 00:04:01.400
Ok.

00:04:01.400 --> 00:04:03.760
There´s nothing except
this, that’s the idea.

00:04:03.760 --> 00:04:06.120
There’s nothing outside.

00:04:07.080 --> 00:04:10.040
We’re not going to show
any other space.

00:04:11.800 --> 00:04:14.760
We’ll focus
on this one.

00:04:15.560 --> 00:04:17.920
So, we get
in the bed.

00:04:17.920 --> 00:04:19.760
- You’ll be inside already.
- We’ll be inside.

00:04:19.760 --> 00:04:21.600
- Yes.
- Ok.

00:04:21.600 --> 00:04:24.000
Right. We won’t establish any
space other than the bed.

00:04:25.000 --> 00:04:29.680
As if it was floating in space.
This is all we’re going to show.

00:04:30.400 --> 00:04:31.000
Perfect.

00:04:32.120 --> 00:04:33.440
Are you missing
something?

00:04:33.440 --> 00:04:35.240
Missing…
No…

00:04:35.240 --> 00:04:36.560
Nothing?
Are you ok?

00:04:36.560 --> 00:04:37.880
A bit nervous.

00:04:37.880 --> 00:04:39.520
Alright, all the better.

00:04:39.520 --> 00:04:41.160
But ok.

00:05:03.440 --> 00:05:06.720
Azul, can we
get gum?

00:05:07.480 --> 00:05:09.320
- Chewing gum?
-Yes, could we get some?

00:05:09.320 --> 00:05:10.400
- Yes.
- Perfect.

00:05:10.400 --> 00:05:11.560
Spearmint?

00:05:11.560 --> 00:05:12.720
What flavor?

00:05:13.320 --> 00:05:14.480
Spearmint.

00:05:15.520 --> 00:05:16.680
Spearmint.

00:05:19.960 --> 00:05:22.480
Are we about to start, Juancho?

00:05:22.480 --> 00:05:28.120
We’re almost there.
We’ll start when her make up is done.

00:05:32.640 --> 00:05:34.520
Are we
getting there?

00:05:36.120 --> 00:05:37.600
Yes.

00:05:44.520 --> 00:05:49.200
We’ll start easy, ok?
We’ll see what you need.

00:05:49.520 --> 00:05:50.200
Ok.

00:05:50.200 --> 00:05:54.640
I want you to be there, to try
things and we’ll work from there.

00:05:56.360 --> 00:05:58.960
I like that the space
is a bit bare.

00:05:58.960 --> 00:06:03.360
Like there’s not much
more than this. Sure.

00:06:06.680 --> 00:06:08.480
We’ll see how it goes,
don’t worry.

00:06:08.640 --> 00:06:11.800
Juan, should I put shorts on?
Or should I stay like this?

00:06:12.520 --> 00:06:13.920
No, shorts.

00:06:13.920 --> 00:06:15.320
Shorts.

00:06:15.320 --> 00:06:16.720
Yes. Alright.

00:06:20.400 --> 00:06:22.200
Do you want to go in?

00:06:56.640 --> 00:06:58.920
Can you do
something for me?

00:06:58.920 --> 00:07:01.000
Can you take off your bra
from under your shirt?

00:07:03.520 --> 00:07:06.600
What? But it’s
kind of see through.

00:07:07.160 --> 00:07:09.240
Yes? No.

00:07:11.480 --> 00:07:16.480
Yes. I brought this sport bra
to use under the shirt.

00:07:19.600 --> 00:07:24.200
You can kind of see it. Alright.
We’ll see. You’re comfortable like this.

00:07:24.200 --> 00:07:25.360
Yes, so far.

00:07:25.360 --> 00:07:26.520
Alright.

00:07:27.040 --> 00:07:29.560
You’re talking to
each other.

00:07:29.560 --> 00:07:32.080
Like you’re having
a “pre sex” conversation.

00:07:32.080 --> 00:07:33.120
Ok.

00:07:33.120 --> 00:07:34.760
- Right? Intervened…
- Do I…

00:07:34.760 --> 00:07:37.640
Maybe you can take your shirt off.
Maybe during the shot. Alright?

00:07:38.320 --> 00:07:41.200
Alright. But we’re talking
and I’m already…?

00:07:41.200 --> 00:07:45.440
Talking in bed. A conversation
interrupted by kisses and caresses.

00:07:45.440 --> 00:07:47.280
Sort of intimate.

00:07:47.280 --> 00:07:50.680
Yes, exactly.
Like building trust.

00:07:52.240 --> 00:07:53.640
Perfect.

00:07:53.640 --> 00:07:57.600
That’s the main idea.
We’ll take it from there.

00:07:57.600 --> 00:07:58.680
Alright.

00:07:58.680 --> 00:08:00.360
- Are you ok?
- Yes.

00:08:00.560 --> 00:08:04.760
It’s cool that there are few of us.
We’re in an atmosphere of trust.

00:08:04.760 --> 00:08:10.520
We all talked about this. We’ll try to
give you the intimacy you need.

00:08:11.200 --> 00:08:15.880
It’s a bit like the whole crew
will be doing what you’re doing.

00:08:16.440 --> 00:08:18.120
That’s the vibe.
Ok?

00:08:18.120 --> 00:08:18.960
Yes.

00:08:18.960 --> 00:08:22.120
Well, not quite, but
we’ll be here for you.

00:08:22.120 --> 00:08:24.280
You should all
get naked then.

00:08:24.880 --> 00:08:27.840
Well, who knows?

00:08:29.000 --> 00:08:31.240
- Alright, shall we?
- Ok.

00:08:35.040 --> 00:08:37.720
Juan, we never got
the chewing gum…

00:08:38.840 --> 00:08:40.560
Here it is!

00:08:40.560 --> 00:08:42.760
You are the best. Thanks.

00:08:46.240 --> 00:08:48.280
- Yara, are you ready to go?
- Yes.

00:08:48.320 --> 00:08:52.400
They are kind of nervous, but I think
that will be sorted out once we begin, right?

00:08:52.560 --> 00:08:55.080
Ok, we’re ready.

00:08:55.760 --> 00:08:58.200
Well. Are we ready to go?
Yara?

00:08:58.240 --> 00:08:59.520
- Yes.
- Perfect.

00:08:59.640 --> 00:09:01.280
Shall we begin?

00:09:01.600 --> 00:09:03.920
Yes.
At your own pace.

00:09:03.920 --> 00:09:09.040
We’ll start and you’ll take
as long as you need. Ok?

00:09:09.040 --> 00:09:11.080
Alright.

00:09:11.080 --> 00:09:14.360
We have a lot of time to
do this. There’s no rush.

00:09:15.680 --> 00:09:17.720
Ok.

00:09:36.400 --> 00:09:38.000
The T-shirt…

00:09:47.480 --> 00:09:52.040
Right, you were hot and
took your shirt off.

00:10:04.680 --> 00:10:07.480
- Ready? Are you ok guys?
- Yes.

00:10:07.480 --> 00:10:10.960
Alright. Silence!
Let’s roll.

00:10:11.680 --> 00:10:13.640
- Is it ok, Yara?
- Perfect.

00:10:13.640 --> 00:10:15.960
Is this ok? ´Cause I think you
can’t see me.

00:10:15.960 --> 00:10:18.480
- What?
- Me like this.

00:10:18.480 --> 00:10:22.600
No, it’s fine. You can change
your position when he takes his shirt off.

00:10:22.600 --> 00:10:24.520
Right? But it’s ok if
you start like that.

00:10:24.520 --> 00:10:26.440
Ok.

00:10:28.120 --> 00:10:30.920
Let’s go. Silence
please! Sound.

00:10:31.240 --> 00:10:32.200
Recording.

00:10:32.200 --> 00:10:34.880
24, 1, second.
Camera.

00:10:35.280 --> 00:10:37.120
Speed.

00:10:41.160 --> 00:10:42.000
Action.

00:11:19.840 --> 00:11:21.720
Cut!

00:11:22.840 --> 00:11:25.840
Alright. It looks good.

00:11:27.360 --> 00:11:30.160
Ok, let’s try one more.

00:11:30.680 --> 00:11:34.400
I was just thinking that it might
be cool if… now you’re shirtless.

00:11:34.400 --> 00:11:35.840
Right. Yes.

00:11:35.840 --> 00:11:40.960
This position is good. And Male, you should
act like you’re soothing him.

00:11:40.960 --> 00:11:46.720
Like he’s a scared dog that you just found
and you’re soothing it. Right?

00:11:46.720 --> 00:11:54.800
You’re going to go to him. You’ll calm
him down and make him trust you.

00:11:59.120 --> 00:12:00.760
- Juan.
- Yes.

00:12:00.760 --> 00:12:06.400
Can I ask you guys to get out of bed
for a while? I have to move the light.

00:12:14.440 --> 00:12:16.800
Cover yourself if you
want to, Julian.

00:12:20.760 --> 00:12:25.080
So she proposes this game.
You’re comfortable with it.

00:12:25.880 --> 00:12:33.200
It’s your first chance in a long time
to be comfortable in a situation. Ok?

00:12:34.360 --> 00:12:38.120
Yes. Where are we
shooting the ship scene?

00:12:38.840 --> 00:12:42.600
We’re still looking into that.
But perhaps towards the end.

00:12:43.000 --> 00:12:44.280
Alright.

00:12:46.840 --> 00:12:49.640
There are some options, but it’s not
decided yet. It’s a short part anyway.

00:12:50.080 --> 00:12:54.240
And it’s only the ship’s exterior.
It would be cool if we could...

00:12:56.040 --> 00:12:59.360
...take it out instead of
having it docked.

00:13:00.160 --> 00:13:03.000
That’s what we are aiming for.
Yes, that would be incredible.

00:13:19.920 --> 00:13:21.160
Cut.

00:13:21.600 --> 00:13:22.840
- Yara.
- What?

00:13:22.840 --> 00:13:25.320
Lens change? Should we
use a tighter one?

00:13:25.320 --> 00:13:27.800
Ok, I’ll cut.

00:13:28.600 --> 00:13:30.640
Why did you cut before?

00:13:30.960 --> 00:13:33.000
Because I had to
adjust things.

00:13:33.000 --> 00:13:35.040
But I need you not to cut.

00:13:35.040 --> 00:13:37.080
But I have to cut eventually.

00:13:37.080 --> 00:13:40.560
But you can adjust… What did I say?
I don’t care if it’s sloppy, I need you not to cut.

00:13:40.560 --> 00:13:43.440
Well, now I have to change
lenses. What should I do?

00:13:43.440 --> 00:13:45.480
You can cut to change
lenses, but that’s it.

00:13:45.480 --> 00:13:47.520
If you have to adjust lights
move them without cutting.

00:13:47.840 --> 00:13:49.880
And the camera
and setting up?

00:13:49.880 --> 00:13:52.800
- Change positions and…
- I can’t be shooting all day.

00:13:52.800 --> 00:13:55.720
Well, that’s what we´re going to do.
We aren’t doing anything else.

00:13:55.720 --> 00:13:58.280
Well, we should have
prepared differently…

00:13:58.280 --> 00:14:00.400
But you knew we were
shooting sequence shots.

00:14:00.400 --> 00:14:02.520
Sequence shots is one thing,
but this is shooting nonstop.

00:14:02.520 --> 00:14:04.400
Well, that’s what I need.

00:14:04.400 --> 00:14:05.840
So I have to follow them
all the time…

00:14:05.840 --> 00:14:07.280
Well, yes.

00:14:08.000 --> 00:14:11.200
- I don’t know. Alright.
- I need you to do that. Can you?

00:14:12.320 --> 00:14:14.600
You mean like a reality show?

00:14:20.000 --> 00:14:23.640
Come Juli. We’ll begin
in a second, ok?

00:14:24.200 --> 00:14:25.960
Yes.

00:14:29.320 --> 00:14:33.680
We’re going to do the same now.
We have this situation...

00:14:33.680 --> 00:14:37.080
...situation in which
you´re beginning to trust her,

00:14:37.080 --> 00:14:40.840
she’s bringing you
to her space.

00:14:41.600 --> 00:14:44.440
I need you to change
abruptly and grab her.

00:14:44.840 --> 00:14:45.680
Yes.

00:14:45.680 --> 00:14:49.200
You grab her, you kiss her.
Become dominant.

00:14:49.480 --> 00:14:51.320
Right. But what…?

00:14:51.680 --> 00:14:55.600
Whatever you want.
However you feel more dominant.

00:14:55.600 --> 00:15:01.440
I want to see that clearly: suddenly
you´re full of confidence and become dominant. Ok?

00:15:01.440 --> 00:15:02.840
Right.

00:15:03.200 --> 00:15:04.600
That.

00:15:18.880 --> 00:15:26.680
Well, we´ll start with the same again and…
Can you take off your shorts?

00:15:28.200 --> 00:15:31.040
Yes. But the sheets
cover me anyway, right?

00:15:31.040 --> 00:15:35.400
Yes, but I’d need no shorts
and a bit less sheets.

00:15:35.400 --> 00:15:39.040
Maybe what you did before.
Move around a little more.

00:15:39.040 --> 00:15:42.680
Let’s try to start this take…

00:15:44.520 --> 00:15:48.160
5, 6, 7, 8, 9, 10.

00:16:00.560 --> 00:16:03.120
- Are you alright?
- Yes.

00:16:03.520 --> 00:16:06.080
- Sorry!
- You just surprised me.

00:16:06.880 --> 00:16:09.440
Cut. What happened?

00:16:10.400 --> 00:16:12.960
He surprised me.
I didn’t know…

00:16:13.520 --> 00:16:15.320
- That he was going that way?
- Right.

00:16:15.320 --> 00:16:17.840
- So what happened? You were surprised…
- No.

00:16:17.840 --> 00:16:20.360
- … but it’s fine.
- Yes, I didn’t stop.

00:16:20.800 --> 00:16:23.320
No, I freaked out.

00:16:24.040 --> 00:16:27.160
- Ok, no problem.
- It’s alright.

00:16:27.960 --> 00:16:30.280
Was it someting
like this or…?

00:16:30.560 --> 00:16:33.200
It’s fine. I asked him
to go that way.

00:16:33.200 --> 00:16:35.840
It seemed like spontaneity
was the way to go.

00:16:35.840 --> 00:16:38.480
What happened to you
was good too.

00:16:38.480 --> 00:16:42.440
Your position came out clumsy,
but I think that’s good.

00:16:44.000 --> 00:16:47.960
We could do it more
step by step.

00:16:48.520 --> 00:16:53.440
No, I think thats good. If you want
you can touch her, but in a clumsy way.

00:16:54.760 --> 00:16:58.680
This situation with
her touching you a...

00:16:58.680 --> 00:17:02.520
...and dominating you
looks good.

00:17:02.520 --> 00:17:06.120
She´s comfortable and
it’s ok if you’re clumsy.

00:17:06.680 --> 00:17:09.600
So, it’s ok if it’s abrupt.

00:17:11.640 --> 00:17:14.000
You can touch her clumsily
as a previous step, right?

00:17:17.880 --> 00:17:20.720
Maybe that
surprises you.

00:17:23.760 --> 00:17:26.800
If she’s startled,
don’t mind her.

00:17:27.120 --> 00:17:29.680
- Got it.
- Right.

00:17:29.680 --> 00:17:32.240
And go for it.

00:17:52.600 --> 00:17:54.360
Yes.

00:17:54.840 --> 00:17:57.120
When…? How?

00:17:58.880 --> 00:18:00.720
You’ll realize, trust me.

00:18:00.720 --> 00:18:03.880
Should we put something…

00:18:03.880 --> 00:18:08.960
- We’re not getting there yet.
- We’re not getting there yet. Sure. I had a doubt…

00:18:08.960 --> 00:18:13.120
I need it to look like there’s
availability beforehand.

00:18:13.120 --> 00:18:14.840
- Right.
- So…

00:18:14.840 --> 00:18:19.320
I’d like to have a pillow,
like we said.

00:18:19.320 --> 00:18:21.840
Right, that was
my question…

00:18:21.840 --> 00:18:26.400
Because if we’re not getting to that yet
I understand that it’s justified…

00:18:26.400 --> 00:18:28.840
- Let’s not worry about this now.
- Because we´re not…

00:18:28.840 --> 00:18:32.040
But I already felt
a brush.

00:18:33.080 --> 00:18:36.080
Did that make you
feel uncomfortable?

00:18:36.080 --> 00:18:40.240
We’ll set everything up
so that you’re comfortable with it, ok?

00:18:40.920 --> 00:18:47.480
Now, can we try the shirt
without the bra, Male?

00:18:49.640 --> 00:18:52.240
But it’s kind of
see through.

00:18:54.120 --> 00:18:57.600
Well, we can see the bra
because of the contrast.

00:18:57.600 --> 00:18:59.960
You have a
white shirt…

00:18:59.960 --> 00:19:01.600
I want you to feel
comfortable but…

00:19:01.600 --> 00:19:04.760
- No, I know.
- …but the bra, honestly… is it black?

00:19:04.760 --> 00:19:07.200
- Yes.
- I think that’s why we can see it.

00:19:07.200 --> 00:19:10.560
... Can you see the bra?
- Yes, but it’s kind of…

00:19:10.560 --> 00:19:14.000
How does it look on camera, Yara?
Can you see her bra now?

00:19:16.160 --> 00:19:17.440
Yes, I can.

00:19:17.720 --> 00:19:20.280
Right. The bra is black.
It’s the contrast.

00:19:20.280 --> 00:19:22.120
Do you want to try?

00:19:22.520 --> 00:19:24.360
- Ok, I’ll see if it shows.
- See if it does.

00:19:24.760 --> 00:19:26.600
If you can’t see anything,
that’s fine.

00:19:26.600 --> 00:19:28.440
We won’t do it if you’re
uncomfortable,

00:19:28.440 --> 00:19:31.160
...but it seems like the bra
is showing and that´s kind of weird.

00:19:31.680 --> 00:19:33.520
Ok, let me check.

00:19:33.760 --> 00:19:35.600
Do that.

00:19:36.440 --> 00:19:40.560
I’d like you to be comfortable
with the shirt but without the bra.

00:19:40.760 --> 00:19:43.000
It’s sort of an
arbitrary decision...

00:19:43.000 --> 00:19:45.960
...to be wearing panties
and a shirt that looks...

00:19:45.960 --> 00:19:48.480
...really good on you
and the bra seems like…

00:19:48.480 --> 00:19:50.000
No. It´s fine. Yes.

00:20:04.280 --> 00:20:06.800
- Are you ok?
- Yes.

00:20:07.320 --> 00:20:10.640
Are you concerned about
the pillow or is it more about her?

00:20:10.840 --> 00:20:14.160
- No…
- Ok.

00:20:14.680 --> 00:20:18.640
I feel like it shows but
I don’t know if it’s see through.

00:20:18.960 --> 00:20:25.040
For example, I can’t see
the skin in your shoulder. I see the shirt.

00:20:25.320 --> 00:20:27.600
- Good.
- I don’t know.

00:20:28.880 --> 00:20:31.160
You’re sure you
can´t see anything?

00:20:33.760 --> 00:20:35.640
I beg your pardon?

00:20:35.640 --> 00:20:38.000
If she takes her bra off I think
we’ll only see the white shirt.

00:20:39.000 --> 00:20:41.200
- Yes.
- Ok.

00:20:41.200 --> 00:20:44.680
Because I can’t see the color
of your skin now. It’s impossible.

00:20:45.280 --> 00:20:47.320
Alright.

00:20:52.280 --> 00:20:55.280
Perfect. I can’t see
anything. Can you, Yara?

00:20:55.720 --> 00:20:57.680
No, it's fine.
The lighting is low.

00:20:58.120 --> 00:21:01.120
Great. Thanks.
Should we try that?

00:21:01.240 --> 00:21:03.640
24, 2, fifth.
Camera.

00:21:03.960 --> 00:21:06.040
Mark.

00:21:07.480 --> 00:21:11.200
Let’s try and show
more tongue when you kiss.

00:21:11.200 --> 00:21:15.600
Let that appear or at least
don’t worry about hiding it.

00:21:16.040 --> 00:21:19.440
We’re using
a tele lens.

00:21:19.440 --> 00:21:22.840
Everything shows and
it looks kind of fake. Ok?

00:21:31.960 --> 00:21:32.960
Action.

00:21:33.320 --> 00:21:37.680
I think you can start here
in the middle. Maybe go that way.

00:21:38.720 --> 00:21:41.720
- We’re going to order lunch.
- Ok.

00:21:41.720 --> 00:21:46.320
The options are: chard, mix,
pumpkin or cheese and onion pie...

00:21:46.320 --> 00:21:51.320
...or breaded veal sandwich
or empanadas or salad.

00:21:51.800 --> 00:21:54.520
Can I get breaded veal
without the bun?

00:21:54.960 --> 00:21:59.720
I’m sure you can. I’ll ask.
Veal with what? Salad?

00:22:00.160 --> 00:22:02.200
Yes, salad.

00:22:02.200 --> 00:22:03.960
Alright.

00:22:03.960 --> 00:22:06.280
A Cesar salad for me,
or something like that.

00:22:06.400 --> 00:22:08.720
There’s Cesar salad,
or you can make your own.

00:22:08.960 --> 00:22:11.480
- That one.
- Cesar? Alright.

00:22:12.240 --> 00:22:14.560
Thanks.

00:22:15.480 --> 00:22:17.000
Well, alright.

00:22:20.000 --> 00:22:22.840
That’s it. Ok?
Without shorts, Malena.

00:22:23.080 --> 00:22:25.920
Yes, sorry.

00:22:26.920 --> 00:22:29.760
- Let’s start like…
- On our knees.

00:22:29.760 --> 00:22:32.600
Yes, on your knees.
Less sheets now.

00:22:32.600 --> 00:22:36.520
I don’t care if they appear later,
but let’s start without the sheets...

00:22:36.520 --> 00:22:40.440
...and maybe they’ll appear
and generate movement.

00:22:41.360 --> 00:22:45.280
Let’s go through the positions
with kind of a struggle.

00:22:45.280 --> 00:22:49.200
Wanting to be on top
or bottom. Right?

00:22:49.200 --> 00:22:50.120
Yes.

00:22:50.560 --> 00:22:54.480
Now the situation is less romantic
and more intense. Ok?

00:22:54.480 --> 00:22:58.400
We´re escalating to a
more sexual situation. Right?

00:23:18.720 --> 00:23:21.600
Right? We´re in
the next moment.

00:23:24.920 --> 00:23:28.360
So, don’t worry so much
about what comes across…

00:23:28.360 --> 00:23:30.800
what looks sexual,
it´s more…

00:23:31.480 --> 00:23:35.160
No, I think we have to try to cover
ourselves as much as we can...

00:23:35.160 --> 00:23:37.480
...otherwise it’s going
to look fake.

00:23:37.720 --> 00:23:40.720
Yes, we’re in a close up.
So I think it has to do...

00:23:40.720 --> 00:23:43.120
...with the way you
grab each other, right?

00:23:43.120 --> 00:23:45.880
I think you can be
more dominant, less shy.

00:23:46.760 --> 00:23:48.600
- More?
- Yes, more.

00:23:48.600 --> 00:23:50.440
And you can try
to control that.

00:23:50.440 --> 00:23:52.680
I think that if you
grab her like this,

00:23:52.680 --> 00:23:56.000
if you grab her with strength
that comes across more sexual. Right?

00:23:57.560 --> 00:23:59.880
The same for you,
move him.

00:23:59.880 --> 00:24:02.200
This kind of contact
is fine.

00:24:02.200 --> 00:24:04.520
That will move you
through the bed.

00:24:04.880 --> 00:24:10.040
If we can see tongues, if you go
at each other, this take will work.

00:24:10.040 --> 00:24:13.800
I don’t want to show you
how so as not to harden you. Try it your way.

00:24:13.800 --> 00:24:14.800
Yes.

00:24:14.800 --> 00:24:17.040
It’s ok if you try to take off
her shirt, if you try to lift…

00:24:17.040 --> 00:24:19.760
Sorry. If you try to lift her shirt
and you don’t want that.

00:24:19.760 --> 00:24:22.480
That’s fine,
play with that.

00:24:23.000 --> 00:24:26.320
Move his hands away,
but you’re not rejecting him.

00:24:26.720 --> 00:24:28.640
You move his hands
away to kiss him.

00:24:28.640 --> 00:24:31.120
- I need that. Ok?
- Ok.

00:24:48.600 --> 00:24:51.080
Sorry.
What are you doing?

00:24:52.120 --> 00:24:53.440
- Sorry, I was…
- Cut.

00:24:53.440 --> 00:24:54.000
- He hit me.
- What happened?

00:24:55.000 --> 00:24:57.440
- Didn’t you see it?
- I didn’t see it.

00:24:58.960 --> 00:25:04.440
I’m sorry. I was trying the movement
thing. I didn´t mean to hit you. No hitting.

00:25:05.000 --> 00:25:07.640
No hitting.
He pushed me.

00:25:09.200 --> 00:25:11.840
Maybe it… Ok, I sort of
asked for that.

00:25:11.840 --> 00:25:14.480
- Alright.
- I thought you understood.

00:25:14.480 --> 00:25:18.320
- No, it’s fine.
- I think I handled the sheets well…

00:25:22.200 --> 00:25:25.600
It’s alright, no problem. It’s something
I asked for. I take responsibility. Ok?

00:25:25.600 --> 00:25:27.600
- Ok.
- Did it surprise you?

00:25:27.600 --> 00:25:34.360
It was kind of weird, but I felt
the take was working and I tried it.

00:25:34.600 --> 00:25:36.840
- It’s fine.
- I was weird.

00:25:36.840 --> 00:25:38.520
No problem.

00:25:38.520 --> 00:25:40.960
Maybe it was a misunderstanding
with what I asked for.

00:25:40.960 --> 00:25:43.400
Do you want to step out
for a moment, Malena?

00:25:43.400 --> 00:25:45.840
- Yes.
- Go.

00:25:54.000 --> 00:25:57.120
Azul, do we have
some water for Malena?

00:25:57.120 --> 00:25:59.200
There she goes.

00:26:00.320 --> 00:26:02.160
Thanks.

00:26:02.640 --> 00:26:04.480
- Easy.
- No, but I saw…

00:26:04.480 --> 00:26:06.880
Yes, I hurt her.

00:26:06.880 --> 00:26:09.280
She’s skinny,
like a twig.

00:26:10.040 --> 00:26:13.320
I wanted to try
the movement.

00:26:13.320 --> 00:26:15.400
I pushed her and
almost broke her.

00:26:15.920 --> 00:26:21.240
Ok, easy. I do need
some of that. It’s alright.

00:26:21.760 --> 00:26:24.200
She’ll forget about it
in a moment.

00:26:24.200 --> 00:26:26.640
In 15 minutes
it will have blown over.

00:26:27.600 --> 00:26:30.040
- Are you ok?
- Yes.

00:26:30.040 --> 00:26:32.160
- You kind of like her, right?
- Uh?

00:26:32.160 --> 00:26:34.160
Do you have a crush on her?

00:26:36.160 --> 00:26:38.600
I don’t know. Why?

00:26:39.520 --> 00:26:42.840
It’s fine if you do.
I think it’s fine.

00:26:43.440 --> 00:26:48.000
I would if I were you.
You can go for it.

00:26:50.040 --> 00:26:51.000
No.

00:26:51.200 --> 00:26:56.800
I feel like she’s a bit nervous
and you’re sort of stuck because of it.

00:26:56.800 --> 00:27:00.080
I have that feeling.
Am I right?

00:27:00.080 --> 00:27:02.120
- I don’t know.
- It doesn’t matter.

00:27:02.720 --> 00:27:08.240
It’s not a problem.
What we’re doing is delicate.

00:27:10.200 --> 00:27:14.160
Don’t worry. What you did
was fine. I asked for it.

00:27:15.440 --> 00:27:17.680
Don’t beat yourself up, ok?

00:27:17.680 --> 00:27:19.920
Alright.

00:27:20.160 --> 00:27:22.400
I need that.

00:27:22.400 --> 00:27:25.960
If she… well, she was startled now.
It will wear off.

00:27:27.520 --> 00:27:28.000
Ok?

00:27:32.400 --> 00:27:35.520
Can you move that tripod?

00:27:38.760 --> 00:27:41.760
Maybe we could…
shorten the distance,

00:27:41.760 --> 00:27:44.440
...to prevent that.
Right?

00:27:44.440 --> 00:27:48.040
If you’re far apart,
movements can be abrupt.

00:27:48.960 --> 00:27:52.560
So I think it’s fine for Julian
to dominate, but…

00:27:53.240 --> 00:27:54.760
maybe the upper…
Sorry.

00:27:54.760 --> 00:27:56.960
If you push her in her
upper body, she´s more fragile,

00:27:56.960 --> 00:27:59.840
...so maybe grab her legs.
Right?

00:28:00.480 --> 00:28:07.320
Maybe she’s lying down and you can
sit up and manage heights.

00:28:07.840 --> 00:28:12.600
So it’s like… maybe
you can rotate her.

00:28:12.600 --> 00:28:16.480
But if you grab… sorry,
if you grab her by her waist.

00:28:16.480 --> 00:28:17.640
Yes.

00:28:17.640 --> 00:28:21.120
Fine. Perfect. Ok?
That’s it. Right?

00:28:21.120 --> 00:28:22.280
Yes.

00:28:39.880 --> 00:28:41.920
Cut!

00:28:45.760 --> 00:28:52.240
Let’s forget the pillow.
It’s clearly not working.

00:28:52.600 --> 00:28:58.400
Yes. And it’s everything…

00:28:58.480 --> 00:29:04.600
He’s a disaster. I can’t understand
a thing he’s saying to me.

00:29:05.040 --> 00:29:08.440
- Let’s do it our way.
- Yes.

00:29:08.840 --> 00:29:11.360
- With feeling.
- Yes. Relaxed.

00:29:11.440 --> 00:29:15.280
- Yes, without rushing it.
- Ok.

00:29:15.440 --> 00:29:17.960
So we can
get it right once and for all.

00:29:18.320 --> 00:29:22.600
Yes, besides he’s getting
hung up over some shit...

00:29:22.600 --> 00:29:28.000
that doesn’t work and
that makes everything longer.

00:29:30.280 --> 00:29:33.600
Let’s do a normal one,
a good one.

00:29:33.880 --> 00:29:36.520
If you can still
manage the sheets…

00:29:37.320 --> 00:29:39.560
Yes. It will be easier...

00:29:39.560 --> 00:29:44.040
...if I don’t have to spin you
around like you were…

00:29:45.520 --> 00:29:47.640
... a "boleadora".

00:29:48.080 --> 00:29:51.400
Yes. Let’s forget
about the pillow.

00:29:53.720 --> 00:29:57.040
Yes. Let's tidy up
the sheets.

00:30:00.480 --> 00:30:02.360
Ok. How
are we doing?

00:30:02.360 --> 00:30:04.120
- Fine.
- Fine.

00:30:04.240 --> 00:30:08.160
That’s it. Let me see
these movements clearly.

00:30:08.160 --> 00:30:09.080
Yes.

00:30:09.080 --> 00:30:11.440
Sitting up, go to horizontal,
sit up again and that…

00:30:11.440 --> 00:30:13.800
Up to that. Ok?

00:30:13.800 --> 00:30:16.800
We’ll put it toghether
like that. Alright?

00:30:16.800 --> 00:30:20.480
- Yes.
- Perfect.

00:30:20.480 --> 00:30:21.000
- Got it?
- Let’s go.

00:30:22.000 --> 00:30:24.920
Cool. Fine, we´re fine.

00:30:25.880 --> 00:30:28.800
It has to work
in the editing.

00:30:28.800 --> 00:30:31.200
What we did
was perfect.

00:30:31.200 --> 00:30:33.600
Let’s have
those details, ok?

00:30:35.000 --> 00:30:37.400
Lift it up a bit

00:30:39.600 --> 00:30:41.240
Let’s go.

00:30:41.240 --> 00:30:44.480
Silence please, we’re shooting!
Sound.

00:30:44.480 --> 00:30:46.120
Recording.

00:30:46.120 --> 00:30:49.320
- 25, 3, fourth. Camera.
- Mark.

00:30:51.080 --> 00:30:54.560
You guys start and I’ll say
action to the camera.

00:31:02.680 --> 00:31:04.800
Action.

00:31:23.240 --> 00:31:24.960
Did you like it?

00:31:25.160 --> 00:31:28.040
Weird, right? There’s something
weird about them that…

00:31:28.160 --> 00:31:31.400
I think that too,
but I don’t know what to…

00:31:32.440 --> 00:31:33.440
Let’s do another one.

00:31:33.480 --> 00:31:36.840
I can’t hear what they’re saying but…
does it look kind of stiff?

00:31:36.960 --> 00:31:38.520
Yes, right. Yes.

00:31:45.720 --> 00:31:48.040
- Are you ok?
- Yes.

00:31:48.760 --> 00:31:52.040
- I felt this one was better.
- Yes, it was more natural.

00:31:52.040 --> 00:31:54.840
The grabbing thing wasn’t there,
but it was more…

00:31:55.480 --> 00:31:58.280
...specially if we’re
talking foreplay.

00:31:58.280 --> 00:32:02.120
Later, if we go for
the moment when we…

00:32:25.200 --> 00:32:29.040
- Ok, cut.
- We don’t know what else to do.

00:32:32.240 --> 00:32:34.440
Cut.

00:32:35.720 --> 00:32:37.040
Done.

00:32:37.040 --> 00:32:39.880
Very good.

00:32:40.560 --> 00:32:43.680
We’ll take a break
for lunch now.

00:32:44.480 --> 00:32:47.600
Very good.
Thanks.

00:32:58.000 --> 00:33:01.240
- Well. Are you tired?
- A bit, yes.

00:33:01.240 --> 00:33:03.280
Alright.

00:33:05.320 --> 00:33:07.640
We’ll go again
but what I need…

00:33:08.480 --> 00:33:13.240
I need you to advance more
into sexual grounds.

00:33:13.240 --> 00:33:15.680
I need you
to fuck.

00:33:17.840 --> 00:33:20.280
How do we
do that?

00:33:23.040 --> 00:33:26.440
I don’t know. It’s like advancing
over what we accomplished,

00:33:26.440 --> 00:33:30.640
...but I need to see
you fuck now.

00:33:33.440 --> 00:33:37.560
We can try in any position,
I don’t mind.

00:33:37.560 --> 00:33:40.440
We need to advance,
but I need you to fuck...

00:33:40.440 --> 00:33:43.640
...because that’s what we
need to do. This is it.

00:33:43.640 --> 00:33:46.840
Alright. I wanted to
know how, in what way…

00:33:47.320 --> 00:33:50.520
Right. How.

00:33:50.880 --> 00:33:53.600
You mean in
which position?

00:33:53.600 --> 00:33:56.320
- Yes.
- What are you unsure of?

00:34:09.480 --> 00:34:11.800
Sure, we do this…

00:34:12.040 --> 00:34:15.160
Look for a starting
position if you like.

00:34:15.160 --> 00:34:17.920
So that you’re
not far apart.

00:34:17.920 --> 00:34:21.000
Let’s pretend the scene
started before.

00:34:21.880 --> 00:34:25.360
Maybe if you’re
on top.

00:34:27.280 --> 00:34:28.360
- Alright?
- Yes.

00:34:28.360 --> 00:34:30.520
- It seems… I don’t know.
- I don’t know.

00:34:30.520 --> 00:34:32.680
That´s fine by me.

00:34:32.680 --> 00:34:34.840
- I do this.
- Yes.

00:34:40.240 --> 00:34:46.480
Maybe you can be closer and you
don’t need to cover up because he does.

00:34:46.480 --> 00:34:48.040
Ok.

00:34:49.680 --> 00:34:52.520
- Alright? Does it look ok, Yara?
- Yes.

00:34:53.280 --> 00:34:55.160
Are we alright?

00:34:57.440 --> 00:35:00.120
Perfect.
Close up.

00:35:00.600 --> 00:35:03.280
Don’t worry,
we can’t see that.

00:35:03.560 --> 00:35:05.280
Alright.

00:35:07.720 --> 00:35:09.560
Do I… move.

00:35:09.560 --> 00:35:11.920
- Do we move like this?
- Yes.

00:35:54.000 --> 00:35:59.920
Cut. Good. Alright.
Was that too weird?

00:36:01.040 --> 00:36:09.520
No. Maybe a bit long.
Feels like that. A bit long.

00:36:10.160 --> 00:36:11.680
I doesn’t matter,
it feels long now...

00:36:11.680 --> 00:36:13.200
...but we’ll cut it
later, ok?

00:36:13.200 --> 00:36:15.080
I need to have it,
we’ll cut it later.

00:36:15.080 --> 00:36:17.280
Right, our clothes
are going to show.

00:36:17.280 --> 00:36:19.480
Well, that’s a problem.

00:36:21.040 --> 00:36:23.800
That’s why
we could try…

00:36:23.800 --> 00:36:25.760
I’d prefer if you didn’t
have any clothes on...

00:36:25.760 --> 00:36:27.240
...but I’m allowing it
because of you.

00:36:27.240 --> 00:36:28.880
Sure, yes.
That´s why.

00:36:28.880 --> 00:36:30.720
No, that´s what
we had agreed on.

00:36:30.720 --> 00:36:32.360
That´s why I’m respecting it.

00:36:32.360 --> 00:36:34.880
- 25, 1, third.
- Mark.

00:36:39.600 --> 00:36:41.240
Action.

00:36:56.240 --> 00:36:58.760
Is the arm thing
necessary?

00:36:58.760 --> 00:37:01.880
No. I’m just saying that because
he was stretching his arm.

00:37:01.880 --> 00:37:05.640
It’s not necessary. I just need
more violence in the movement.

00:37:06.080 --> 00:37:07.960
Ok?

00:37:11.080 --> 00:37:12.960
That’s it.

00:37:14.440 --> 00:37:17.160
Ready?
Go. Action.

00:37:18.960 --> 00:37:22.040
- Sorry.
- It’s ok.

00:37:29.480 --> 00:37:35.480
No, sorry. I can’t. It feels
like porn… You understand…

00:37:36.960 --> 00:37:41.680
It doesn´t feel like porn, Julián.
We can only see your back.

00:37:41.960 --> 00:37:43.000
Yes.

00:37:43.240 --> 00:37:45.320
I just need you to
grab her like this.

00:37:45.320 --> 00:37:47.400
Ok, ok, ok.

00:37:47.840 --> 00:37:50.880
I thought it was more romantic.
They have a love story.

00:37:50.880 --> 00:37:53.920
Yes, and that’s fine,
but we already have that.

00:37:53.920 --> 00:37:56.480
At some point the
characters come too.

00:37:56.480 --> 00:37:59.040
I need you to be at
a climax. Ok?

00:37:59.640 --> 00:38:02.200
That’s it. Let’s cut
for a bit.

00:38:03.040 --> 00:38:06.600
See? I have to…
Sorry guys, but I mean…

00:38:07.080 --> 00:38:09.080
Don’t worry,
we’re working.

00:38:09.080 --> 00:38:12.880
I have to… see… I have to
pump and I don’t know…

00:38:13.840 --> 00:38:16.600
Neither of us knew
this would happen.

00:38:20.280 --> 00:38:23.040
Well. If you like you
can start with a kiss.

00:38:27.360 --> 00:38:30.120
- Ready, Sole?
- Yes.

00:38:32.320 --> 00:38:36.800
Ready? Is that pillow thing
comfortable? Perfect.

00:38:39.720 --> 00:38:41.520
- Can you see it?
- Yes.

00:38:41.520 --> 00:38:43.680
- Sound.
- Recording.

00:38:43.680 --> 00:38:46.480
- 25,1, fourth. Camera.
- Mark.

00:38:49.960 --> 00:38:52.120
Action.

00:39:23.560 --> 00:39:24.760
Cut, cut, cut.

00:39:24.960 --> 00:39:26.760
- Please!
- Cut.

00:39:29.080 --> 00:39:34.120
- Are we done?
- Yes. I just need to try something.

00:39:34.360 --> 00:39:36.760
- One more take.
- One take.

00:39:36.960 --> 00:39:39.440
I’m fucking
sick of this.

00:39:40.800 --> 00:39:43.280
I’ve never shot
someting like this, really.

00:39:43.280 --> 00:39:47.840
The only information I had was that
it was supposed to be fast and simple.

00:39:47.840 --> 00:39:54.640
It’s like a fight scene. You can’t be…
I mean a fight… you do it and that’s it.

00:39:54.640 --> 00:39:56.600
And the same here.

00:39:57.000 --> 00:40:00.160
I want to get the hell
out of here right now.

00:40:04.760 --> 00:40:10.360
You do it, you give it
your best, and that’s it.

00:40:16.920 --> 00:40:23.360
Let’s do another one. Let’s try…
nothing. Like the one before.

00:40:26.400 --> 00:40:31.400
I don’t really know what to tell you.
Let’s do another one. Try whatever you like.

00:40:31.880 --> 00:40:33.520
Just because.

00:40:33.960 --> 00:40:36.280
Yes, let’s keep looking.

00:40:36.280 --> 00:40:38.000
You can try whatever
makes you comfortable.

00:40:39.000 --> 00:40:41.720
I don’t know.
I don´t want to stiffen you.

00:40:42.400 --> 00:40:46.640
You try it and we´ll see.

00:40:48.240 --> 00:40:52.480
If I was acting
I would really go for it.

00:40:53.240 --> 00:40:57.080
I’m trying to help you
look better.

00:42:05.800 --> 00:42:08.960
- Are we done or…?
- Cut.

00:42:11.360 --> 00:42:14.520
Good guys, really good.
Great.

00:42:16.480 --> 00:42:18.160
Finally.

00:42:18.160 --> 00:42:20.200
Very good.
Is it ok, Yara?

00:42:20.200 --> 00:42:22.240
Yes.

00:42:25.000 --> 00:42:27.600
Ok. Very good.
That’s it.

00:42:28.040 --> 00:42:29.600
Good.

00:42:30.320 --> 00:42:32.160
Are my pants around?

00:42:33.800 --> 00:42:35.000
Here they are.

00:42:35.000 --> 00:42:37.240
Is it ok then?
Are we done?

00:42:40.400 --> 00:42:43.560
Ok. Thanks, yes.

00:42:49.160 --> 00:42:51.960
Ok guys.

00:42:51.960 --> 00:42:54.280
Good, we’re good.

00:42:54.280 --> 00:42:57.040
We have time for one more
and we’re done.

00:42:57.040 --> 00:42:59.880
The last one was very good.
Did it feel good to you?

00:42:59.880 --> 00:43:03.400
- Good.
- Perfect. It felt good to me too.

00:43:03.400 --> 00:43:05.000
I think it’s really good.

00:43:06.000 --> 00:43:09.080
The atmosphere
you reached is good.

00:43:09.600 --> 00:43:12.720
I need the same,
let’s try to reach...

00:43:12.720 --> 00:43:15.960
...something similar,
but with that intensity.

00:43:17.880 --> 00:43:20.200
I need to see
less clothes.

00:43:21.200 --> 00:43:22.920
That’s it.

00:43:22.920 --> 00:43:26.560
We have the sheets,
that’s ok, that’s bearable.

00:43:26.920 --> 00:43:29.320
But we need
less clothes.

00:43:29.320 --> 00:43:31.720
We need you to take off
your t-shirt, Malena.

00:43:31.720 --> 00:43:34.040
What?
Show my boobs?

00:43:34.040 --> 00:43:35.880
The shot is mostly
from behind.

00:43:35.880 --> 00:43:38.200
No, we talked about this
and it’s not going to happen.

00:43:38.200 --> 00:43:40.520
I know we talked about this,
but what I’m asking is…

00:43:40.520 --> 00:43:43.800
The scene is good, it’s really
good, you’re very good.

00:43:43.800 --> 00:43:45.840
We worked hard
to get here.

00:43:45.840 --> 00:43:48.720
- Right, it’s perfect.
- But we can achieve excellence.

00:43:48.720 --> 00:43:51.240
And have a very good
scene, a very good...

00:43:51.240 --> 00:43:53.240
...performance and you
looking very good as well.

00:43:53.240 --> 00:43:54.960
You look really beautiful
on camera.

00:43:54.960 --> 00:43:58.240
What has excellence has to do with
me taking my shirt off? It’s nonsense.

00:43:58.240 --> 00:44:00.800
The scene is better, it looks better.
It looks as if you’re fully clothed.

00:44:00.800 --> 00:44:03.320
- Ok, no.
- You’re covered by sheets...

00:44:03.320 --> 00:44:05.960
...we can´t see your legs, we can't
see your naked torso.

00:44:05.960 --> 00:44:09.000
It looks like you are fucking
with your clothes on.

00:44:09.440 --> 00:44:12.600
People do fuck with
their cothes on sometimes.

00:44:13.280 --> 00:44:16.360
Well, it’s more interesting when they
don’t fuck with their clothes on...

00:44:16.360 --> 00:44:18.360
...especially when it’s in a
movie...

00:44:18.360 --> 00:44:22.560
But this is not the case. Juan,
I told you: “Pick bra or t-shirt”.

00:44:22.560 --> 00:44:25.800
- You picked t-shirt.
- We had a costume fitting…

00:44:25.800 --> 00:44:28.080
- I know.
- You can ask the assistant...

00:44:28.080 --> 00:44:30.360
...the dresser.
They were all there.

00:44:30.360 --> 00:44:33.160
We said I wasn’t going
to show my boobs.

00:44:33.160 --> 00:44:35.680
I know what we said.

00:44:35.680 --> 00:44:38.840
- Respect what we agreed.
- Let’s do it like we agreed.

00:44:38.840 --> 00:44:40.480
I’m not disrespecting
our agreement...

00:44:40.480 --> 00:44:42.680
I’m just proposing
something for the scene.

00:44:42.680 --> 00:44:44.320
I think the work that
you’ve done is really good...

00:44:44.320 --> 00:44:46.320
...we got to this place, the scene
was really good just now…

00:44:46.320 --> 00:44:48.320
So, you’re proposing this
and I’m saying no.

00:44:48.320 --> 00:44:49.680
Think of something else.

00:44:49.680 --> 00:44:51.040
Don’t get hung up
on that Malena.

00:44:51.040 --> 00:44:52.360
It’s better for the scene
and for your performance.

00:44:52.360 --> 00:44:53.960
No. You’re getting hung up
on shooting my boobs!

00:44:53.960 --> 00:44:55.560
I’m not getting hung up.

00:44:55.560 --> 00:44:57.640
I don’t want to shoot your boobs.
Nobody will see your boobs.

00:44:57.640 --> 00:44:59.280
Everybody is going
to see my boobs!

00:44:59.280 --> 00:45:02.920
The crew won’t see your boobs.
Nobody wants to see your boobs.

00:45:02.920 --> 00:45:05.560
You get naked then and
let people see your dick.

00:45:05.560 --> 00:45:07.920
- You want me to get naked?
- No

00:45:07.920 --> 00:45:09.600
Well. What you’re
suggesting is stupid.

00:45:09.600 --> 00:45:12.840
Nobody wants to see your boobs.
How much are your boobs worth, Malena?

00:45:12.840 --> 00:45:16.080
You’re an asshole.
A giant asshole.

00:45:16.080 --> 00:45:17.160
Malena.

00:45:17.160 --> 00:45:19.200
Don’t follow me, leave.

00:45:19.200 --> 00:45:21.240
Malena, we have half
an hour to finish this.

00:45:21.240 --> 00:45:23.760
- I’m not asking for something difficult.
- What the fuck to I care.

00:45:23.760 --> 00:45:25.800
What I’m asking for is not that hard.
I’m telling you I’m going...

00:45:25.800 --> 00:45:28.400
...to look after you, we’ll only
see your back most of the time.

00:45:28.400 --> 00:45:30.000
Is it so hard for you to understand
that I’m not showing my boobs?

00:45:31.000 --> 00:45:34.520
I’m not asking you to show your boobs,
only your naked back. That’s all.

00:45:34.520 --> 00:45:36.760
But I have to be naked, asshole!

00:45:36.760 --> 00:45:39.880
What’s the problem? Nobody is
looking at your boobs. Don’t be a kid.

00:45:39.880 --> 00:45:42.400
- Everybody is looking at my boobs.
- It’s better for your performace…

00:45:42.400 --> 00:45:45.040
- Are you filming me? Are you crazy?
- She’s not filming you.

00:45:45.040 --> 00:45:47.440
She’s filming me,
the camera is moving.

00:45:47.440 --> 00:45:49.960
She’s not filming you.

00:45:49.960 --> 00:45:52.840
- She´s moving the focus.
- Did you tell her to shoot this?

00:45:52.840 --> 00:45:55.400
Yes, I told her to keep the
camera running sometimes.

00:45:55.400 --> 00:45:57.120
You’re insane.

00:45:57.120 --> 00:45:59.280
That footage is no good,
we’ll erase it.

00:45:59.280 --> 00:46:01.000
I don’t care! You can’t film
me without my consent.

00:46:02.000 --> 00:46:03.920
You have to warn us, Juan.

00:46:03.920 --> 00:46:05.840
I’m the director of this film
and you’re the actors.

00:46:05.840 --> 00:46:08.080
You don´t get to tell me
what I can do.

00:46:08.080 --> 00:46:12.440
The work is fine, all I’m asking
is that you take your shirt off.

00:46:12.440 --> 00:46:15.120
- Director? You can’t ask me…
- Be a professional, Malena.

00:46:15.120 --> 00:46:18.040
- Who do you think you are?
- Perform! The only thing I ask...

00:46:18.040 --> 00:46:20.960
...is that you act a sex scene.
A fucking sex scene.

00:46:20.960 --> 00:46:23.040
I need your naked
back, Malena.

00:46:23.040 --> 00:46:25.360
We’ve been pretending to
fuck for 6 hours, give it a rest.

00:46:25.360 --> 00:46:29.040
That’s your job, you’re an actress
and you have to do that job.

00:46:29.040 --> 00:46:31.040
- I am doing my job.
- I chose to work as a director...

00:46:31.040 --> 00:46:33.040
...and I do this job.
Do yours.

00:46:33.040 --> 00:46:34.640
My job is not
showing my boobs.

00:46:34.640 --> 00:46:36.400
Why don’t you make use of it
and learn how to fuck, little girl?

00:46:36.400 --> 00:46:37.760
Ok. You’re an asshole.

00:46:37.760 --> 00:46:39.440
You went too far, jerk.

00:46:40.400 --> 00:46:42.080
Ok.

00:46:43.920 --> 00:46:45.600
Let´s take a short break.

00:46:45.600 --> 00:46:47.880
- No, we’re not going to “take a short break”.
- I’m talking to the crew.

00:46:47.880 --> 00:46:50.160
I’m not working here
anymore, it’s over.

00:46:50.160 --> 00:46:52.920
Guys, can you give me a minute?
Shall we go out?

00:46:54.560 --> 00:46:56.920
Shall we go out?

00:47:01.040 --> 00:47:03.400
I ask that you think of what
you’re doing, it’s shameful.

00:47:03.400 --> 00:47:05.760
You should be ashamed
of being in this stance.

00:47:05.760 --> 00:47:07.280
No.