WEBVTT

00:00:53.793 --> 00:00:57.571
THIS FICTION FILM DOES NOT
RECREATE THE HISTORY

00:00:57.691 --> 00:01:00.643
OF CINEMATECA URUGUAYA
OR ITS WORKERS

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A USEFUL LIFE

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ICELAND PROGRAMME

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Fridriksson, yours.

00:03:45.416 --> 00:03:48.416
Bragason, yours.

00:03:49.448 --> 00:03:51.729
Oddsson, that\'s mine.

00:03:56.136 --> 00:03:58.175
Gudmunsson, yours.

00:03:58.295 --> 00:04:00.549
No Martínez,
you watch Gudmunsson.

00:04:00.669 --> 00:04:02.386
No problem.

00:04:03.048 --> 00:04:05.896
Kormákur, yours.

00:04:11.432 --> 00:04:14.176
These are shorts,
some are good.

00:04:14.972 --> 00:04:18.296
Will we do a programme of shorts
or of both shorts and features?

00:04:18.416 --> 00:04:21.416
- Shorts and features.
- Very well.

00:04:22.536 --> 00:04:24.666
Martínez...

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This came in.

00:05:38.496 --> 00:05:41.496
Martínez... it\'s 5:30.

00:06:15.573 --> 00:06:17.215
\"I never truckled.

00:06:17.335 --> 00:06:19.455
\"I never took off the hat
to Fashion

00:06:19.575 --> 00:06:21.975
\"and held it out for pennies.
I told them the truth.

00:06:22.095 --> 00:06:24.096
\"They liked it or not.

00:06:24.216 --> 00:06:26.776
\"What had that to do with me?

00:06:26.896 --> 00:06:29.698
\"It was the truth then
and it\'s the truth now.\"

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Frank Norris.

00:06:39.336 --> 00:06:42.776
Gold, gold, gold!
Bright and yellow,

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hard, cold, sculpted,
hammered, rolled in.

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Hard to get,
light to hold.

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Borrowed and wasted dollars.

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That was McTeague.

00:06:59.656 --> 00:07:02.656
That was Mom McTeague.

00:07:12.656 --> 00:07:13.936
Painless.

00:07:14.056 --> 00:07:17.977
Painless tooth extractions,
fillings from $2.

00:07:18.296 --> 00:07:22.016
All work guaranteed,
absolutely no pain.

00:07:22.136 --> 00:07:24.581
Keep your teeth now.

00:07:36.136 --> 00:07:37.862
You learn to watch films.

00:07:37.982 --> 00:07:40.099
The best of all countries.

00:07:40.219 --> 00:07:42.813
The best cinema of all times.

00:07:43.096 --> 00:07:46.096
The best preview screenings.

00:07:48.510 --> 00:07:52.556
At the Cinemateca
you are now worth 2 people.

00:07:52.936 --> 00:07:55.336
Find your soulmate,

00:07:55.456 --> 00:07:58.456
and join the cinema.

00:08:08.896 --> 00:08:10.651
Cinemateca outreach:

00:08:10.948 --> 00:08:14.236
the best programming
and films d\'auteur

00:08:14.488 --> 00:08:17.056
from all over the world,
in our theaters.

00:08:17.656 --> 00:08:20.845
You are both a witness to and participant
in the cultural activities,

00:08:21.155 --> 00:08:24.536
carried out for more than
50 years in Montevideo.

00:08:25.896 --> 00:08:30.166
Today, the Cinemateca needs the
support of its members.

00:08:31.011 --> 00:08:33.936
Donation pledges are available
at the box office windows

00:08:34.256 --> 00:08:37.256
and in our administrative offices.

00:08:37.616 --> 00:08:40.616
You love great cinema.

00:08:40.736 --> 00:08:43.736
You need the Cinemateca.

00:08:43.896 --> 00:08:47.307
The Cinemateca needs you.

00:10:14.496 --> 00:10:17.456
Hello... Marga.

00:10:17.576 --> 00:10:20.576
Yes, put him through.

00:10:22.216 --> 00:10:24.152
Hello, papa?

00:10:24.456 --> 00:10:25.559
So?

00:10:26.856 --> 00:10:29.856
No... I went straight to Fernando\'s.
What happened?

00:10:33.986 --> 00:10:37.056
What did they tell her?

00:10:37.897 --> 00:10:39.067
Oh...

00:10:39.736 --> 00:10:42.736
Does mom want to stay with her?

00:10:44.376 --> 00:10:45.711
OK.

00:10:46.456 --> 00:10:48.976
I\'m projecting, papa.
I\'ve gotta go.

00:10:49.256 --> 00:10:51.335
Let\'s talk later.

00:10:51.455 --> 00:10:52.769
Ciao, papa.

00:11:32.216 --> 00:11:37.415
Welcome to the Cinemateca show
here on Capital Radio.

00:11:37.674 --> 00:11:40.416
The show for lovers of great cinema.

00:11:40.536 --> 00:11:43.196
The Cinemateca\'s program
for December,

00:11:43.316 --> 00:11:46.016
is a series of Uruguayan films
from this year.

00:11:46.456 --> 00:11:50.252
It consists of the most important
domestic productions

00:11:50.372 --> 00:11:53.536
to have been commercially
released in recent months.

00:11:54.547 --> 00:11:58.280
There\'s also some of Cinemateca\'s
favorite programmes.

00:11:59.184 --> 00:12:03.138
including Italian cinema
from the 1960s,

00:12:03.258 --> 00:12:05.816
and classics of silent cinema.

00:12:06.136 --> 00:12:09.709
But undoubtedly, the highlight
this month at the Cinemateca,

00:12:09.829 --> 00:12:12.896
is the retrospective on the work
of the great Portuguese filmmaker,

00:12:13.016 --> 00:12:15.096
Manoel de Oliveira.

00:12:15.448 --> 00:12:18.128
Cinema was just 12 years of age,

00:12:18.248 --> 00:12:20.911
when on December 11, 1908,

00:12:21.031 --> 00:12:24.350
Manoel de Oliveira saw for
the first time the light of Porto.

00:12:25.309 --> 00:12:29.635
We\'re celebrating 100 years
since this great filmmaker\'s birth.

00:12:29.990 --> 00:12:33.145
His works are original,
complex, personal

00:12:33.412 --> 00:12:34.864
and beyond trends.

00:12:34.984 --> 00:12:37.472
...pretty complicated.
We\'re trying...

00:12:38.850 --> 00:12:43.020
to fix the projectors in Room 2.

00:12:43.524 --> 00:12:45.168
And...

00:12:45.605 --> 00:12:48.064
We\'ve found a bunch of....

00:12:48.184 --> 00:12:50.182
...of unforseen problems.

00:12:50.538 --> 00:12:54.908
A number of parts
need to be replaced,

00:12:55.160 --> 00:12:59.174
there\'s image and sound adjustments.

00:13:00.152 --> 00:13:03.182
- Yeah.
- Will it be done before the next season?

00:13:03.302 --> 00:13:04.604
...before the next newsletter?

00:13:05.270 --> 00:13:07.241
How about the projector?

00:13:07.825 --> 00:13:10.359
- Does it need calibration?
- Not particularly...

00:13:11.048 --> 00:13:13.640
They\'re all off... it\'s a mess.

00:13:15.011 --> 00:13:17.351
They have their wear, right?

00:13:17.855 --> 00:13:18.788
Yeah.

00:13:20.596 --> 00:13:23.758
I looked at them the other day.

00:13:23.878 --> 00:13:27.240
It seems the rollers are tight.
Maybe there\'s other issues too.

00:13:27.826 --> 00:13:29.900
- Compressors?
- Yes.

00:13:31.041 --> 00:13:33.070
Yes...

00:13:33.462 --> 00:13:37.062
The film thread is off-line,
all kinds of problems.

00:13:38.106 --> 00:13:40.995
One of the Russians up there....

00:13:41.239 --> 00:13:44.483
Not the cosmonauts...
the projectors up there...

00:13:44.603 --> 00:13:46.298
- Yeah... yeah...
- ...in the attic.

00:13:46.550 --> 00:13:49.985
I\'m not sure they will work in that room.

00:13:50.105 --> 00:13:51.379
The lenses.

00:13:52.801 --> 00:13:54.964
- they could be problematic?
- Right.

00:13:55.084 --> 00:13:57.867
They\'re for short distances, right?

00:13:58.253 --> 00:14:01.260
It\'s not the focus,
they have no light.

00:14:01.380 --> 00:14:02.630
That\'s right.

00:14:03.415 --> 00:14:05.622
Is it a quartz light, or...?

00:14:05.742 --> 00:14:07.533
They require special bulbs.

00:14:07.815 --> 00:14:10.481
- Xenon?
- No, no. Russian bulbs.

00:14:10.867 --> 00:14:14.936
They require a voltage that we don\'t use.

00:14:15.056 --> 00:14:18.056
And there\'s a limited stock
of them.

00:14:18.616 --> 00:14:21.616
The projector is new,
maybe adapting a lamp?

00:14:22.303 --> 00:14:25.132
- It\'ll cost more than $15.000.
- Maybe.

00:14:25.429 --> 00:14:29.117
I think the telegram
we received is important.

00:14:31.256 --> 00:14:35.600
It\'s another telegram regarding
our 8-month rent delinquency.

00:14:37.936 --> 00:14:40.255
What I think is...

00:14:40.517 --> 00:14:43.525
We should inform the Foundation
about it.

00:14:45.656 --> 00:14:50.237
If you want I can contact
Iriarte Jr.

00:14:50.736 --> 00:14:53.736
and schedule a meeting.

00:14:55.816 --> 00:15:00.160
We should prepare a report
on the state of things.

00:15:02.456 --> 00:15:05.456
Include the debts,
amounts past due,

00:15:05.912 --> 00:15:08.776
film rights...

00:15:09.616 --> 00:15:11.824
Will you prepare the report?

00:15:12.091 --> 00:15:13.495
Well, yes.

00:15:13.615 --> 00:15:16.295
I can do a draft...

00:15:16.415 --> 00:15:19.296
and we\'ll look into it
at the next board meeting.

00:15:24.256 --> 00:15:28.699
The sooner the better.
Maybe next week...

00:15:37.416 --> 00:15:40.416
How long will it take to make
the new parts?

00:15:41.156 --> 00:15:44.616
Well, that\'s a bit relative...

00:15:45.171 --> 00:15:48.793
The time it takes
the turner to do things is...

00:15:49.978 --> 00:15:51.044
...flexible.

00:15:51.164 --> 00:15:53.736
At least a couple of weeks.

00:15:54.391 --> 00:15:56.169
What will we do with the room?

00:15:56.289 --> 00:16:01.257
There\'s a risk of being unable
to show films in the meantime.

00:16:05.469 --> 00:16:08.312
We can do either of two things:

00:16:08.432 --> 00:16:11.854
Not to have shows
those days...

00:16:12.121 --> 00:16:14.875
...when the equipment
is being repaired,

00:16:14.995 --> 00:16:17.663
or resort to other...

00:16:18.507 --> 00:16:22.137
other formats,
like 16mm or digital.

00:16:53.856 --> 00:16:55.164
- Alejandra...
- Yes.

00:16:55.284 --> 00:16:58.496
Do you have the membership
figures for March?

00:17:01.656 --> 00:17:04.656
4,783.

00:17:06.096 --> 00:17:09.096
- 83?
- Yes.

00:17:09.216 --> 00:17:10.648
April?

00:17:12.496 --> 00:17:14.426
4,330.

00:17:18.096 --> 00:17:19.226
May?

00:17:21.736 --> 00:17:23.655
3,687.

00:17:27.436 --> 00:17:28.428
And June?

00:17:29.413 --> 00:17:31.176
3,254.

00:19:05.336 --> 00:19:08.336
URUGUAYANS OF THE YEAR
MANOEL DE OLIVEIRA CENTENNIAL

00:19:08.656 --> 00:19:11.656
DEMAND YOUR RIGHTS

00:19:28.776 --> 00:19:31.094
- Jorge.
- Hi there.

00:19:31.214 --> 00:19:33.256
- How are you?
- Good.

00:19:33.376 --> 00:19:36.495
- Becoming a member?
- No... to see the film you mentioned.

00:19:36.615 --> 00:19:38.775
Oh, yes. Perfect.
It\'s about to start.

00:19:38.895 --> 00:19:41.776
It\'s a bit delayed,
please come in.

00:19:43.896 --> 00:19:46.896
Go ahead.

00:19:53.816 --> 00:19:55.695
A white ticket please.

00:19:55.815 --> 00:19:57.396
Sure thing.

00:19:58.936 --> 00:19:59.900
- Thanks.
- Yes.

00:20:00.020 --> 00:20:02.336
- It\'s on the house.
- Oh, thanks.

00:20:02.456 --> 00:20:04.375
Hey Gonzalo.

00:20:04.495 --> 00:20:07.376
- Sorry about the delay.
- No problem.

00:20:07.536 --> 00:20:10.536
It\'s all set up. We can
do the introduction now.

00:20:12.056 --> 00:20:15.056
- As you wish.
- Come on in.

00:20:15.423 --> 00:20:18.223
- All good?
- Yes, all is good.

00:20:18.531 --> 00:20:19.686
Great.

00:20:24.616 --> 00:20:26.615
Cinemateca outreach:

00:20:26.735 --> 00:20:29.739
The best programming
and films d\'auteur,

00:20:29.859 --> 00:20:32.576
from all over the world
in our theaters.

00:20:33.056 --> 00:20:36.378
You\'re both a witness to and participant
in these cultural activities,

00:20:36.778 --> 00:20:39.936
carried out for more
than 50 years in Montevideo.

00:20:40.976 --> 00:20:44.787
Today, the Cinemateca needs
the support of its members.

00:20:45.896 --> 00:20:49.515
Donation pledges are available
at the box office windows

00:20:49.766 --> 00:20:52.496
and in our administrative offices.

00:20:52.856 --> 00:20:55.856
You love great cinema.

00:20:55.976 --> 00:20:58.976
You need the Cinemateca.

00:20:59.496 --> 00:21:02.496
The Cinemateca needs you.

00:21:15.085 --> 00:21:18.136
Good afternoon,
thank you for coming.

00:21:18.256 --> 00:21:21.256
For the Cinemateca,
it is great pleasure...

00:21:21.616 --> 00:21:24.095
to present today the film \"Febrero,\"

00:21:24.215 --> 00:21:27.096
by Uruguayan director
Gonzalo D. Galiana.

00:21:27.928 --> 00:21:32.536
This film was shown commercially
with great success.

00:21:32.656 --> 00:21:35.656
It was awarded at
international festivals.

00:21:36.181 --> 00:21:38.855
Today it\'s shown along with...

00:21:38.975 --> 00:21:41.499
a short film,

00:21:42.536 --> 00:21:45.255
which Gonzalo made at the...

00:21:45.375 --> 00:21:47.975
San Antonio Film School in Cuba:

00:21:48.095 --> 00:21:50.215
\"Zacaría é morto.\"

00:21:50.216 --> 00:21:54.205
Please welcome the film director.

00:21:58.376 --> 00:22:01.095
Thanks a lot.
It\'s important for me,

00:22:01.215 --> 00:22:03.735
it\'s an honor
being in this house,

00:22:03.855 --> 00:22:07.888
the Cinemateca,
where I saw the first films,

00:22:08.480 --> 00:22:11.767
the ones that encouraged me
to pursue a film career,

00:22:11.887 --> 00:22:15.250
so thanks a lot,
I hope you enjoy them.

00:22:41.576 --> 00:22:44.576
- Name of the deceased?
- Zacaría.

00:22:52.656 --> 00:22:55.535
Marcos?
It\'s Jorge...

00:22:55.655 --> 00:22:58.536
Can you turn up the volume
1.5 points?

00:22:58.974 --> 00:23:01.896
Which plates are we using?

00:23:02.529 --> 00:23:05.335
Perfect, thanks.

00:23:05.455 --> 00:23:07.495
The aperture plates were...

00:23:07.615 --> 00:23:10.240
filed down,
and we reduced the frame.

00:23:10.360 --> 00:23:13.495
But it\'s barely noticeable.

00:23:13.796 --> 00:23:16.816
You do notice,
but it\'s OK.

00:23:17.189 --> 00:23:19.695
OK Gonzalo, thanks a lot.

00:23:19.815 --> 00:23:22.415
- Thanks you.
- So long.

00:23:22.535 --> 00:23:24.420
- See you later.
- Later.

00:23:25.932 --> 00:23:28.736
Thanks Marga.

00:24:00.569 --> 00:24:02.377
Let\'s go for a coffee.

00:24:08.376 --> 00:24:11.376
Wanna go for a coffee?

00:25:08.736 --> 00:25:10.656
- Paola.
- Jorge.

00:25:10.776 --> 00:25:12.376
You saw it again?

00:25:12.496 --> 00:25:14.175
No, I had things to do.

00:25:14.295 --> 00:25:16.735
And I wanted your opinion.
Did you like it?

00:25:16.855 --> 00:25:20.073
Interesting.
A bit long, but I liked it.

00:25:20.456 --> 00:25:25.052
It\'s good.
It\'ll grow on you, you\'ll see.

00:25:25.456 --> 00:25:27.975
Do you work right here
or in another office?

00:25:28.095 --> 00:25:32.456
No, no. Right here...
every day... for 25 years.

00:25:32.576 --> 00:25:35.069
- Incredible.
- Yes.

00:25:36.576 --> 00:25:37.865
Care for a coffee?

00:25:37.985 --> 00:25:39.455
- Now?
- Yes.

00:25:39.575 --> 00:25:42.456
I have some exams to grade
for tomorrow.

00:25:42.856 --> 00:25:45.376
- Some other day?
- Sure.

00:25:45.496 --> 00:25:47.575
Here\'s the new newsletter.

00:25:47.695 --> 00:25:50.255
- Oh, thanks.
- In case you want to come.

00:25:50.375 --> 00:25:53.756
- Thanks again for the invitation.
- No... please. It\'s my pleasure.

00:25:55.057 --> 00:25:57.816
I\'ll go do those exams now.

00:25:59.536 --> 00:26:02.255
- See you some other day.
- Yes, sure.

00:26:02.375 --> 00:26:03.437
- Ciao.
- Ciao.

00:26:03.557 --> 00:26:05.689
- Have fun.
- Thanks.

00:27:01.376 --> 00:27:02.655
Good evening.

00:27:02.775 --> 00:27:05.376
Welcome to the Cinemateca\'s show,

00:27:05.496 --> 00:27:07.456
here on Capital Radio.

00:27:07.576 --> 00:27:10.342
The show for lovers
of great cinema.

00:27:10.736 --> 00:27:14.016
We have a special show today...

00:27:14.136 --> 00:27:16.575
about an important topic:

00:27:16.695 --> 00:27:19.215
The spectator\'s education.

00:27:19.335 --> 00:27:21.616
Joining us today,

00:27:21.736 --> 00:27:24.056
is our director: Martínez.

00:27:24.176 --> 00:27:27.776
He will discuss how the Cinemateca

00:27:27.896 --> 00:27:31.536
has addressed this task
of educating...

00:27:31.656 --> 00:27:34.656
...of somehow cultivating...

00:27:34.776 --> 00:27:37.023
an audience of cinephiles.

00:27:37.973 --> 00:27:39.484
Martínez...

00:27:40.199 --> 00:27:41.547
Let\'s see...

00:27:42.732 --> 00:27:47.088
People think knowing about film
is being able to memorize

00:27:47.376 --> 00:27:52.239
the works of an actor,
director or producer.

00:27:53.374 --> 00:27:57.922
In such cases
they confuse erudition...

00:27:58.552 --> 00:28:01.618
...the dictionary with its contents.

00:28:02.456 --> 00:28:05.763
It\'s may well be important to know...

00:28:06.376 --> 00:28:10.462
the great film auteurs careers,

00:28:11.096 --> 00:28:13.826
but not as a memory exercise,

00:28:15.440 --> 00:28:17.633
or as superfluous trivia.

00:28:18.176 --> 00:28:21.320
That\'s the first thing
important to distinguish.

00:28:21.736 --> 00:28:24.736
Cinema is neither...

00:28:24.976 --> 00:28:29.646
a collection of cards nor
a collection of trivia.

00:28:30.856 --> 00:28:33.856
Trivia tends to conceal reality.

00:28:35.656 --> 00:28:40.426
Ultimately,
what trivia does is to consolidate,

00:28:40.896 --> 00:28:44.529
to crystallize information,
and nothing else.

00:28:46.115 --> 00:28:50.655
It is more difficult to...
understand...

00:28:50.907 --> 00:28:55.294
...how the enrichment
of the spectator occurs.

00:28:56.216 --> 00:28:59.509
It certainly occurs through...

00:28:59.938 --> 00:29:04.464
accessing and viewing film works,

00:29:05.042 --> 00:29:07.095
creative works.

00:29:07.361 --> 00:29:09.228
And how do you...

00:29:09.348 --> 00:29:15.635
How do you explain the way
it echoes in a spectator...

00:29:18.656 --> 00:29:23.771
Maybe we could call them...
an educated spectator,

00:29:24.082 --> 00:29:25.975
but that\'s the wrong term.

00:29:26.095 --> 00:29:29.591
It\'s an alert,
sensitive spectator.

00:29:30.256 --> 00:29:37.136
Let\'s say... Alexander Nevsky\'s
Battle of the Ice

00:29:37.256 --> 00:29:41.675
Sergei Eisenstein\'s movie
with music by Sergei Prokofiev.

00:29:43.376 --> 00:29:45.415
What we have is...

00:29:45.802 --> 00:29:49.388
an apparently cold,
formal exercise,

00:29:50.331 --> 00:29:54.553
where the camera doesn\'t move
but there seems to be motion,

00:29:55.056 --> 00:29:59.475
and there are 6 or 7
lines of melody,

00:29:59.776 --> 00:30:04.728
from Shostakovich,
I mean Prokofiev composition,

00:30:05.246 --> 00:30:08.794
and the relationship between
the framing of each image.

00:30:09.327 --> 00:30:12.135
To such extent that,

00:30:12.255 --> 00:30:15.135
if you compare the music sheet...

00:30:15.384 --> 00:30:20.309
and its movements to the images,
the movements coincide.

00:30:21.880 --> 00:30:25.496
This is to explain how it is made
and why that sequence...

00:30:25.850 --> 00:30:31.016
has such an overwhelming
impact on the spectator.

00:30:31.361 --> 00:30:33.461
It is explained in that manner.

00:30:33.965 --> 00:30:36.575
But when the fifes
kick in for instance,

00:30:36.839 --> 00:30:38.495
there\'s a relationship...

00:30:38.763 --> 00:30:41.215
of who is at that time...

00:30:41.335 --> 00:30:43.975
getting
the spectator\'s attention.

00:30:44.095 --> 00:30:46.976
They underline
and magnify that tension.

00:30:47.387 --> 00:30:51.056
All of this is impossible
to perceive in a first viewing,

00:30:51.176 --> 00:30:55.702
as you don\'t see Citizen Kane\'s
structure in a first viewing.

00:30:56.576 --> 00:30:58.576
This isn\'t erudition at all.

00:30:58.696 --> 00:31:01.915
It\'s putting a finger
on certain things

00:31:02.035 --> 00:31:06.056
such as the structure
of a cinematic work...

00:31:06.176 --> 00:31:10.609
the same as with a novel,
a sculpture or a music composition.

00:31:10.936 --> 00:31:13.935
What does it mean?

00:31:14.055 --> 00:31:17.071
It means a film
is not just telling a plot,

00:31:17.191 --> 00:31:20.346
but what the plot motivates...

00:31:20.613 --> 00:31:23.536
Certain film expressions
which ultimately...

00:31:23.656 --> 00:31:26.615
will either move the spectator or not.

00:31:26.931 --> 00:31:30.189
OK, we\'ll be right back with...

00:31:30.309 --> 00:31:33.803
here on the Cinemateca\'s show
on Capital Radio,

00:31:33.923 --> 00:31:36.152
discussing
these interesting topics

00:31:36.272 --> 00:31:41.016
and we\'ll also talk about the programme
at the Cinemateca\'s for this month.

00:31:45.344 --> 00:31:48.296
Gorostiza?
How are you?

00:31:49.226 --> 00:31:51.581
Yes.
Should I read it?

00:31:52.536 --> 00:31:56.976
In eviction proceedings initiated
by Benitez & Benitez Associates

00:31:57.355 --> 00:32:01.336
against the Cinemateca
requested by the plaintiff,

00:32:01.456 --> 00:32:04.296
and under this court
decision as such,

00:32:04.416 --> 00:32:07.255
I require eviction
of the property

00:32:07.375 --> 00:32:10.256
located at Baldomir 2429
within a period of 10 days.

00:32:11.576 --> 00:32:17.254
You\'ve also been given
10 days to file an appeal,

00:32:17.496 --> 00:32:20.920
but we\'ve been unable
to notify you in person,

00:32:21.040 --> 00:32:23.415
in spite of attempts
to contact you at your domicile,

00:32:23.535 --> 00:32:26.416
You are therefore hereby served this notice.

00:32:27.408 --> 00:32:29.230
Yes, that\'s what it says.

00:32:41.016 --> 00:32:42.978
- Hello.
- Hello.

00:33:19.576 --> 00:33:23.356
We\'ve met with the rest
of the Foundation members,

00:33:23.476 --> 00:33:25.776
in an unscheduled meeting,

00:33:25.896 --> 00:33:28.896
because the situation
is truly critical.

00:33:29.470 --> 00:33:31.815
You may have noticed,

00:33:31.935 --> 00:33:36.005
we\'ve reduced our support
for the Cinemateca as of late.

00:33:36.816 --> 00:33:42.820
Since we began supporting
Cinemateca 10 years ago...

00:33:43.296 --> 00:33:46.055
we\'ve tried to accommodate

00:33:46.175 --> 00:33:49.268
and satisfy all of your requests.

00:33:49.976 --> 00:33:52.775
The situation has now changed,

00:33:52.895 --> 00:33:57.120
and the Foundation needs to make
a decision that we regret.

00:33:57.376 --> 00:34:00.376
It\'s a decision we\'ve been
considering for some time,

00:34:00.669 --> 00:34:04.376
and now we are forced
to implement it.

00:34:04.936 --> 00:34:07.936
We won\'t be able
to support the Cinemateca,

00:34:08.406 --> 00:34:12.243
as we can no longer
support cultural institutions

00:34:12.724 --> 00:34:16.087
that are not economically profitable.

00:34:18.180 --> 00:34:19.069
I...

00:34:19.416 --> 00:34:21.775
I repeat,
it is in spite of me,

00:34:21.895 --> 00:34:24.776
and other members
of the Foundation.

00:34:25.696 --> 00:34:30.034
Unfortunately, we will not
continue to support...

00:34:30.336 --> 00:34:33.015
the Cinemateca since it is not...

00:34:33.135 --> 00:34:37.316
a profitable project
from a financial point of view.

00:35:01.891 --> 00:35:03.934
No thirst, no hunger,

00:35:04.054 --> 00:35:07.223
synthesis of all horses in the world

00:35:07.343 --> 00:35:09.269
My horse with no ribs,

00:35:09.389 --> 00:35:12.543
My one-line horse

00:35:13.416 --> 00:35:19.096
My wooden horse gallops untiring
between two matinées

00:35:19.368 --> 00:35:22.523
It got lost with childhood,
it got lost

00:35:22.976 --> 00:35:26.212
It got lost with childhood,
it got lost

00:35:26.656 --> 00:35:29.656
It got lost with childhood,
it got lost

00:35:30.021 --> 00:35:33.414
I had another later...
another later... another later

00:35:33.736 --> 00:35:36.655
I had another horse later

00:35:36.775 --> 00:35:39.656
The horse born on the beach

00:35:39.776 --> 00:35:44.112
Seafaring horse, nocturnal,
stay-up-all-night horse

00:35:50.776 --> 00:35:54.176
Tied-up in the jungle mane

00:35:54.296 --> 00:35:57.055
Galloping Tom Mix

00:35:57.175 --> 00:35:59.351
Jungle-beard

00:35:59.656 --> 00:36:03.936
My green horse
my dream gripped to its beard

00:36:04.056 --> 00:36:07.749
The seafaring horse
one, two, three

00:36:09.376 --> 00:36:12.376
Building the day
the horse, the vigor

00:36:12.736 --> 00:36:16.264
Of all horses
all horses in the world

00:36:16.384 --> 00:36:19.776
Building the day
the horse, the vigor

00:36:19.896 --> 00:36:23.324
Of all horses
all horses in the world

00:36:23.576 --> 00:36:26.576
Building the day
the horse, the vigor

00:36:26.776 --> 00:36:30.069
Of all horses
all horses in the...

00:36:33.216 --> 00:36:37.738
So much distance now
so much distance

00:36:38.176 --> 00:36:41.176
And I am out of legs

00:36:41.456 --> 00:36:44.866
Useless and still
like a mutilated wind

00:36:44.986 --> 00:36:47.856
With my two lost horses

00:36:48.656 --> 00:36:53.297
So much distance now
so much distance

00:36:53.776 --> 00:36:56.776
And I am out of legs

00:36:56.976 --> 00:37:00.456
Useless and still
like a mutilated wind

00:37:00.576 --> 00:37:03.576
With my two lost horses

00:37:04.376 --> 00:37:08.869
So much distance now
so much distance

00:37:09.446 --> 00:37:12.376
And I am out of legs

00:37:12.736 --> 00:37:16.216
Useless and still
like a mutilated wind

00:37:16.336 --> 00:37:19.336
With my two lost horses

00:37:20.067 --> 00:37:24.526
So much distance now
so much distance

00:37:24.976 --> 00:37:27.976
And I am out of legs

00:37:28.736 --> 00:37:31.816
Useless and still
like a mutilated wind

00:37:31.936 --> 00:37:34.936
With my two lost horses

00:37:35.776 --> 00:37:40.476
So much distance now
so much distance

00:37:40.736 --> 00:37:43.736
And I am out of legs

00:37:43.936 --> 00:37:47.456
Useless and still
like a mutilated wind

00:37:47.576 --> 00:37:50.576
With my two lost horses

00:37:51.256 --> 00:37:55.660
So much distance now
so much distance

00:37:56.496 --> 00:37:59.496
And I am out of legs

00:37:59.696 --> 00:38:03.176
Useless and still
like a mutilated wind

00:38:03.296 --> 00:38:06.296
With my two lost horses

00:38:07.096 --> 00:38:11.500
So much distance now
so much distance

00:38:12.096 --> 00:38:15.096
And I am out of legs

00:38:15.216 --> 00:38:18.536
Useless and still
like a mutilated wind

00:38:18.656 --> 00:38:21.656
With my two lost horses

00:38:22.319 --> 00:38:26.785
So much distance now
so much distance

00:42:18.741 --> 00:42:20.384
- Hello.
- Hello.

00:42:20.504 --> 00:42:22.356
- Phone book?
- Yes.

00:42:23.674 --> 00:42:24.770
Here.

00:43:03.351 --> 00:43:05.662
Hello,
Law School?

00:43:06.303 --> 00:43:09.136
Criminal Law Department please.

00:43:11.256 --> 00:43:12.691
Criminal Law Department?

00:43:12.811 --> 00:43:16.536
I need to speak to Paola Galván please.

00:43:26.696 --> 00:43:28.256
Hello, Paola?

00:43:28.376 --> 00:43:31.376
Jorge here,
from the Cinemateca.

00:43:31.976 --> 00:43:33.222
Sure, fine.

00:43:33.342 --> 00:43:37.652
Look... I wanted to know
if you had class today.

00:43:39.216 --> 00:43:42.216
Ah. Sorry. No. No...
they didn\'t say anything.

00:43:43.455 --> 00:43:45.144
What time you get out?

00:43:46.016 --> 00:43:47.529
9:00?

00:43:50.216 --> 00:43:52.092
OK.
I\'m sorry again.

00:44:22.176 --> 00:44:23.774
Hello, papa?

00:44:24.336 --> 00:44:27.703
Yes. Yes, everything\'s fine.
Any news?

00:44:30.052 --> 00:44:31.074
Good.

00:44:31.194 --> 00:44:33.993
And... papa... don\'t expect
me for dinner, okay?

00:44:34.528 --> 00:44:36.439
No... I have things to do.

00:44:37.609 --> 00:44:38.854
Fine.

00:44:40.054 --> 00:44:42.815
I have to go now, papa. Yes.

00:44:43.086 --> 00:44:45.086
Yes.
Ciao papa.

00:47:11.296 --> 00:47:14.296
STATE UNIVERSITY
SCHOOL OF LAW

00:49:28.016 --> 00:49:30.346
- Thanks.
- You\'re welcome.

00:50:01.856 --> 00:50:03.424
Excuse me.

00:50:04.150 --> 00:50:06.579
Are you the substitute teacher?

00:50:07.779 --> 00:50:08.851
Yes.

00:50:48.984 --> 00:50:51.117
Lying is universal.

00:50:54.296 --> 00:50:56.108
Lying is universal.

00:50:57.085 --> 00:50:58.434
We all lie.

00:50:59.234 --> 00:51:00.874
We all must lie.

00:51:01.776 --> 00:51:04.948
The wise thing is to lie
with a good end in mind.

00:51:06.513 --> 00:51:09.376
We must lie to ensure
that others profit.

00:51:10.976 --> 00:51:13.976
In other words, we must lie
charitably...

00:51:14.639 --> 00:51:15.854
... humanely.

00:51:17.336 --> 00:51:20.066
We must lie frankly, squarely.

00:51:20.186 --> 00:51:22.155
With the head held high.

00:51:23.776 --> 00:51:27.350
We must not lie out of self interest
or out of cruelty.

00:51:27.936 --> 00:51:30.936
We must not lie...

00:51:31.056 --> 00:51:33.614
...haltingly or tortuously.

00:51:34.536 --> 00:51:37.536
We must not lie as if
ashamed of our lying.

00:51:41.576 --> 00:51:43.461
Lying is noble.

00:51:45.016 --> 00:51:48.016
Let\'s rid the world of the truth
that is rotting it.

00:51:49.696 --> 00:51:51.818
Lying shall make us great,

00:51:52.485 --> 00:51:53.626
and good...

00:51:54.115 --> 00:51:55.166
...and beautiful.

00:51:56.227 --> 00:51:59.635
We\'re worthy dwellers on a planet
where even Nature lies.

00:52:01.176 --> 00:52:06.350
But I am a new, feeble student
in this gracious art.

00:52:08.336 --> 00:52:11.717
I cannot instruct this fine society.

00:52:14.679 --> 00:52:17.701
Let us lie,
but knowingly.

00:52:18.249 --> 00:52:21.096
Lying is an inescapable law.

00:52:21.216 --> 00:52:24.427
But let us know when
to lie and when not to lie.

00:52:28.679 --> 00:52:34.590
Who can tell when to lie
is fitting or it must be avoided?

00:52:35.795 --> 00:52:37.943
This law is inescapable.

00:52:38.336 --> 00:52:41.676
Lying may only be performed
thoroughly

00:52:42.056 --> 00:52:44.347
by a association such as yours...

00:52:44.936 --> 00:52:47.936
...composed of people...

00:52:48.656 --> 00:52:51.656
whose long
professional experience...

00:52:51.776 --> 00:52:54.856
...proves them masters
in the art of lying.

00:54:30.116 --> 00:54:32.146
You can\'t do that.

00:55:15.829 --> 00:55:17.963
Come this way, please.

00:56:34.997 --> 00:56:36.775
This way, please.

00:56:53.776 --> 00:56:55.178
- Good afternoon.
- Afternoon.

00:56:55.298 --> 00:56:57.222
- A trim?
- Yes.

00:58:00.138 --> 00:58:01.753
What do you think?

00:58:10.789 --> 00:58:12.818
Yes, yes. Perfect.

00:58:18.216 --> 00:58:21.216
- How much is it?
- 200 pesos.

00:58:24.016 --> 00:58:27.264
- Here you go.
- Thanks a lot.

01:00:51.616 --> 01:00:52.856
Paola.

01:00:53.169 --> 01:00:54.335
Jorge?

01:00:54.455 --> 01:00:57.336
- What\'s up?
- How are you?

01:00:59.415 --> 01:01:02.526
I wondered if you were free
to go to the movies.

01:01:03.416 --> 01:01:04.935
The movies?

01:01:05.055 --> 01:01:05.947
Yes.

01:01:10.016 --> 01:01:13.457
- OK, I\'ll call you.
- OK.

01:01:14.968 --> 01:01:15.907
Now.

01:01:16.496 --> 01:01:17.507
Now?

01:01:18.129 --> 01:01:19.018
Yes.

01:01:24.465 --> 01:01:25.976
All right. Let\'s go.