00:01:31.000 --> 00:01:33.870
- Good evening, it's a pleasure to be here,

00:01:35.830 --> 00:01:38.750
bringing you people from the cinema world

00:01:39.410 --> 00:01:41.660
who are doing important things.

00:01:42.870 --> 00:01:46.540
I want you to meet two filmmakers
who are doing a great job.

00:01:47.330 --> 00:01:48.250
They are:

00:01:49.000 --> 00:01:50.620
Natalia Cabrera

00:01:51.410 --> 00:01:53.040
and Oriol Estrada.

00:02:07.200 --> 00:02:09.330
- Thank you for coming.

00:02:09.950 --> 00:02:12.580
We are very happy.
It’s a very special day.

00:02:13.000 --> 00:02:16.580
"Site of Sites" is shown for the first
time in the Dominican Republic.

00:02:19.410 --> 00:02:22.950
If you have any questions,
feel free to ask.

00:02:25.160 --> 00:02:29.370
We like to know what spectators
think about our films.

00:02:32.910 --> 00:02:35.120
- Thank you very much for being here.

00:02:35.450 --> 00:02:37.290
It's very important to see

00:02:38.250 --> 00:02:40.450
that people support our films.

00:02:42.540 --> 00:02:45.120
- As Uri says,
it’s important for us...

00:02:46.620 --> 00:02:48.580
to see that Dominican spectators...

00:02:50.290 --> 00:02:52.290
support our films.

00:02:53.660 --> 00:02:56.450
Whoever has a question,
raise your hand.

00:03:02.580 --> 00:03:04.660
Anybody?
The lady over here!

00:03:13.830 --> 00:03:14.870
- Good afternoon.

00:03:15.700 --> 00:03:17.330
My concern is to know....

00:03:18.580 --> 00:03:21.160
what happened with the film’s ending.

00:03:22.540 --> 00:03:23.910
- What do you mean?

00:03:26.080 --> 00:03:29.370
- The shooting seemed to be nice
and there are nice scenes too...

00:03:29.910 --> 00:03:31.040
but the ending...

00:03:32.120 --> 00:03:33.750
feels a bit empty.

00:03:38.950 --> 00:03:41.370
- We don't like to explain so much...

00:03:42.750 --> 00:03:45.500
does anyone know,
can anyone answer?

00:03:47.000 --> 00:03:50.330
Does anyone have any idea,
did anyone understand anything...

00:03:50.620 --> 00:03:53.290
or felt anything
at the end of the film?

00:03:56.830 --> 00:03:57.750
Well...

00:04:01.410 --> 00:04:04.250
Is there another question?
The young lady…

00:04:06.040 --> 00:04:06.660
- Hi.

00:04:08.040 --> 00:04:10.040
What's it like working as a couple?

00:04:13.790 --> 00:04:15.500
- Should I start or should you?

00:04:15.700 --> 00:04:16.790
- You.
- Me?

00:04:35.290 --> 00:04:37.540
- I thought more people would show up...

00:04:42.700 --> 00:04:46.540
- You spend three, four, five years of your life
making a movie.

00:04:47.410 --> 00:04:49.160
And this is an important day.

00:04:49.580 --> 00:04:51.950
So that day comes and no one shows up.

00:04:52.870 --> 00:04:53.620
- I know.

00:04:56.200 --> 00:04:57.750
- We should go on vacation.

00:04:58.080 --> 00:04:59.250
- Let's go on vacation!

00:04:59.450 --> 00:05:01.370
- We have to go on vacation.

00:05:02.620 --> 00:05:05.250
- It's been years since we've been on vacation.

00:05:05.620 --> 00:05:07.120
- No computers!
- Listen to me!

00:05:07.500 --> 00:05:09.750
Last time we went on vacation you also said...

00:05:10.160 --> 00:05:12.580
"Let's not talk about cinema”
Did it work?

00:05:13.080 --> 00:05:15.040
- No.
- Was it a fucking vacation?

00:05:15.450 --> 00:05:16.580
- Not at all.

00:05:17.660 --> 00:05:19.450
- We only talked about problems.

00:05:19.870 --> 00:05:23.540
- People were swimming on the beach and
we were at the hotel solving a problem.

00:05:24.330 --> 00:05:28.330
- But maybe people are also on the beach
thinking about their own problems.

00:05:29.540 --> 00:05:32.540
Don't think you're so unique
and that we're so...

00:05:33.540 --> 00:05:35.790
- Miserable?
- Sad and pathetic.

00:05:46.870 --> 00:05:48.910
- I just wish more people would come.

00:05:50.700 --> 00:05:51.750
- Me too…

00:05:59.870 --> 00:06:02.870
Why do we make films?
Let's not make them anymore.

00:06:03.540 --> 00:06:07.160
People don't care about cinema
and don’t care about our films.

00:06:07.540 --> 00:06:09.870
People are no longer interested in cinema.

00:06:10.290 --> 00:06:12.660
Everyone’s on Netflix or Instagram.

00:06:13.500 --> 00:06:15.580
Aren't you on Facebook and Instagram all day?

00:06:16.580 --> 00:06:17.700
- Not all day.

00:06:19.450 --> 00:06:21.750
- Because we're doing other things.

00:06:22.330 --> 00:06:25.450
Where do you spend more time, on
social networks or watching movies?

00:06:25.750 --> 00:06:27.450
Be honest…
- On social networks.

00:06:27.750 --> 00:06:28.540
You see?

00:06:29.500 --> 00:06:30.290
- I know.

00:06:37.250 --> 00:06:39.330
- Where are we going on vacation?

00:07:31.290 --> 00:07:36.450
A FILM ABOUT COUPLES

00:07:45.040 --> 00:07:46.200
Mommy!

00:07:47.290 --> 00:07:49.330
She's coming, don't jump.

00:07:53.200 --> 00:07:56.330
- Here I go! One, two and three!

00:07:58.950 --> 00:08:00.160
It’s cold!

00:08:01.500 --> 00:08:02.620
Hi Lia!

00:08:25.830 --> 00:08:26.500
Uri,

00:08:27.790 --> 00:08:29.000
turn down the volume!

00:08:30.330 --> 00:08:31.250
- What?!

00:08:32.200 --> 00:08:33.790
- Hey! How are you?
- What?!

00:08:34.080 --> 00:08:36.790
- Give me a second...
Lower the music a little, please!

00:08:37.500 --> 00:08:39.080
Everything’s fine.
- What?!

00:08:39.660 --> 00:08:42.620
- Turn the music down a bit!
I'm giving Lia a bath.

00:08:43.000 --> 00:08:45.580
- Turn what down?!
- Yes, I can talk.

00:08:47.000 --> 00:08:48.040
How are you?

00:08:49.750 --> 00:08:51.450
- What is it?
- We're fine.

00:08:55.660 --> 00:08:56.700
Really?

00:09:02.410 --> 00:09:03.580
- You were saying?

00:09:07.330 --> 00:09:08.750
- Finish with Lia here.

00:09:09.700 --> 00:09:12.450
- Are you talking to someone?
- Yes… tell me.

00:09:25.950 --> 00:09:28.160
We finished a movie now...

00:09:28.950 --> 00:09:30.700
The premiere was yesterday…

00:09:32.250 --> 00:09:34.410
I think it's very rushed.

00:09:36.160 --> 00:09:37.790
Can't it be postponed?

00:09:38.250 --> 00:09:39.080
What?

00:09:44.950 --> 00:09:47.160
Let me talk to Uri for a moment.

00:09:48.040 --> 00:09:49.750
- Did you put soap on her?

00:09:50.750 --> 00:09:52.500
- Yes, I'm taking it off.

00:09:54.700 --> 00:09:56.410
It's Pablo, he found an investor.

00:10:00.700 --> 00:10:01.750
- Can't you talk?

00:10:06.750 --> 00:10:08.540
What’s up Pablo?
How are you?!

00:10:09.160 --> 00:10:11.830
Yes, we are willing,
we have many ideas.

00:10:12.660 --> 00:10:15.250
We have an idea for a documentary that...

00:10:17.250 --> 00:10:18.700
You're going to like it,

00:10:19.000 --> 00:10:20.250
it's a very...

00:10:20.950 --> 00:10:22.580
It's like a...

00:10:27.410 --> 00:10:29.410
I don't know how to explain it now.

00:10:29.700 --> 00:10:31.750
I'm going to prepare myself and...

00:10:34.620 --> 00:10:37.160
we can present it to your investment partner.

00:10:40.450 --> 00:10:43.620
Hi Manolo, I don't know if Pablo
told you about the project.

00:10:45.040 --> 00:10:48.620
It's a documentary, the great documentary
of the city of Santo Domingo.

00:10:49.250 --> 00:10:52.370
The documentary that
has never been made about the city.

00:10:53.330 --> 00:10:55.660
It's a choral film with many characters...

00:10:56.290 --> 00:10:58.620
A love letter to the city of Santo Domingo.

00:10:59.040 --> 00:11:00.370
- A love-hate letter,

00:11:01.580 --> 00:11:02.450
I would say.

00:11:02.660 --> 00:11:03.750
- Love and hate?

00:11:05.160 --> 00:11:09.000
A guy you're asking for money?
- You’re right. Love, absolute devotion.

00:11:12.250 --> 00:11:13.910
- That doesn't sound good.

00:11:14.450 --> 00:11:17.660
People who put money on a project
want to hear nice things.

00:11:18.450 --> 00:11:20.200
- Shall we go for a patriotic style?

00:11:21.160 --> 00:11:23.120
"My hometown, where I was born...

00:11:24.830 --> 00:11:27.450
The first city of the new world..."
- What if the guy...

00:11:27.750 --> 00:11:31.330
has a critical point of view?
I think we have to be more ambiguous.

00:11:31.700 --> 00:11:34.250
- 50/50
- We have to tell stories.

00:11:36.000 --> 00:11:37.000
Let's start again.

00:11:37.450 --> 00:11:40.080
It's a choral story, there are several characters.

00:11:40.620 --> 00:11:42.910
- Anonymous characters from this city.

00:11:43.750 --> 00:11:45.620
Small characters in a big city!

00:11:47.410 --> 00:11:50.290
Small characters in a big city.
- Small characters?

00:11:54.540 --> 00:11:57.700
It's an ode to the city of Santo Domingo...

00:12:07.500 --> 00:12:09.000
- We're going to be late.

00:12:09.540 --> 00:12:12.040
- Very late, this is hell, unbearable.

00:12:13.870 --> 00:12:15.450
There's no way to move around.

00:12:20.620 --> 00:12:22.910
I've been standing here for half an hour, Nati.

00:12:25.160 --> 00:12:26.700
On top of that we're late...

00:12:26.950 --> 00:12:29.370
We arrive to a meeting
without a clue and late.

00:12:29.750 --> 00:12:32.080
- We have to sell what we have...

00:12:34.250 --> 00:12:35.660
with optimism...

00:12:37.700 --> 00:12:38.660
...and that's it.

00:12:39.580 --> 00:12:42.370
Later on, we'll work on making a good film.

00:12:44.160 --> 00:12:48.290
We have to put on a show like always,
like everyone else in this industry.

00:12:50.410 --> 00:12:52.540
- And in life.
- Exactly.

00:12:55.790 --> 00:12:58.200
Right now, in all these cars...

00:12:58.580 --> 00:13:02.160
I can assure you that 10%,
20% of people also know

00:13:02.540 --> 00:13:04.870
they have to go to work to tell a lie.

00:13:05.120 --> 00:13:06.620
Maybe 50%

00:13:07.450 --> 00:13:10.040
Let's do an honest version:

00:13:12.750 --> 00:13:16.000
Hello! We don't know what your name is...

00:13:17.580 --> 00:13:20.750
We don't give a damn,
we're only interested in your money.

00:13:21.120 --> 00:13:23.040
We don't really have any idea.

00:13:23.580 --> 00:13:26.200
But we're sure, because we're very proud...

00:13:26.620 --> 00:13:29.540
that when we take the camera out,
we'll find a great film.

00:13:30.080 --> 00:13:32.950
If the film doesn’t work,
we'll blame everyone else...

00:13:33.330 --> 00:13:35.450
because we are very clever.

00:13:36.790 --> 00:13:38.450
So that's the story.

00:13:42.160 --> 00:13:44.000
What do you think?

00:13:44.620 --> 00:13:46.290
- Sounds pretty interesting.

00:13:47.500 --> 00:13:50.080
How much profit will the movie make?

00:13:56.290 --> 00:13:59.160
- The film will leave an intangible benefit.

00:13:59.330 --> 00:14:00.580
That's what's important.

00:14:00.750 --> 00:14:03.040
- Intangible?
- Yes, because...

00:14:04.250 --> 00:14:08.000
How can you evaluate the benefit
of a great documentary?

00:14:08.700 --> 00:14:12.120
It's going to be an important film
in the history of Dominican cinema.

00:14:14.750 --> 00:14:18.790
- It is an emerging industry. To be part
of the rise of Dominican cinema,

00:14:20.910 --> 00:14:24.910
which has been practically non-existent
and even less in documentary.

00:14:26.040 --> 00:14:27.450
It’s a unique opportunity.

00:14:28.160 --> 00:14:30.040
In terms of economic benefits,

00:14:31.250 --> 00:14:34.200
obviously, if you are talking about benefits...

00:14:35.450 --> 00:14:36.250
- When?

00:14:38.660 --> 00:14:39.660
- Maybe never.

00:14:40.910 --> 00:14:42.700
- Well, in 50 years maybe.

00:14:43.660 --> 00:14:45.700
- Yeah, probably
- In 50 years?

00:15:23.620 --> 00:15:26.410
- It’s uncomfortable.
I’m hot with this.

00:15:31.330 --> 00:15:33.410
It went well, didn't it?

00:15:36.040 --> 00:15:39.040
- Really? I’m not sure about that.
- I think we nailed it...

00:15:40.160 --> 00:15:42.500
The problem now is this:

00:15:43.330 --> 00:15:46.450
How do we film what we just sold?

00:16:05.200 --> 00:16:07.500
- The idea we have is still very wide.

00:16:08.500 --> 00:16:10.330
We have to focus on...

00:16:12.250 --> 00:16:13.830
an aspect of the city.

00:16:17.120 --> 00:16:19.700
- How about a film
about people walking their dogs?

00:16:21.580 --> 00:16:22.910
- People with dogs.

00:16:23.200 --> 00:16:23.870
I like it.

00:16:27.790 --> 00:16:30.040
- People with dogs...
People with children!

00:16:32.080 --> 00:16:35.160
- People with living beings.
- People with children, like us.

00:16:36.450 --> 00:16:40.120
We're talking about people with dogs,
but it's weirder to have kids.

00:16:40.700 --> 00:16:43.700
- We take our kids to the park
but they walk us.

00:16:44.500 --> 00:16:45.620
- That's it.

00:16:46.330 --> 00:16:48.080
It's been naturalized...

00:16:51.330 --> 00:16:53.450
Isn't it weird?
Did you imagined this?

00:16:53.950 --> 00:16:55.410
- Not like this.

00:17:01.700 --> 00:17:02.750
Look at mommy.

00:17:06.450 --> 00:17:07.540
As I was saying...

00:17:08.160 --> 00:17:10.750
Let's do an observational
documentary on the park.

00:17:11.290 --> 00:17:12.620
Frederick Wiseman style.

00:17:12.870 --> 00:17:13.660
- Okay.

00:17:14.250 --> 00:17:17.200
How much time Wiseman spends filming?
He has two cameras.

00:17:18.160 --> 00:17:20.000
How would we do with Lia?

00:17:22.040 --> 00:17:23.330
- Lia is a challenge.

00:17:26.750 --> 00:17:30.450
- We have all those references,
but are they really interesting?

00:17:31.790 --> 00:17:34.540
- The point of view one
has makes it interesting.

00:17:41.040 --> 00:17:42.330
It’s an option.

00:17:44.250 --> 00:17:46.200
I like the mood of the park.

00:17:52.870 --> 00:17:53.660
- What if...

00:17:56.910 --> 00:17:58.410
Look, listen...

00:18:01.870 --> 00:18:04.040
Why do we always have to film people?

00:18:04.290 --> 00:18:06.080
Let's do something more poetic.

00:18:09.370 --> 00:18:10.790
- No characters?

00:18:12.410 --> 00:18:13.750
- Like Apichatpong.

00:18:14.410 --> 00:18:15.790
- An oriental vibe.

00:18:18.000 --> 00:18:20.540
- Remember Ozu,
the way he films landscapes...

00:18:21.080 --> 00:18:22.450
and the passage of time.

00:18:23.200 --> 00:18:24.660
- Like a haiku.

00:18:31.700 --> 00:18:33.950
- I'm surprised you're not more desperate.

00:18:34.330 --> 00:18:37.620
- I have to stay calm
to be able to think well, don't I?

00:18:38.910 --> 00:18:41.080
- You're not desperate now,
but you will be.

00:18:43.750 --> 00:18:46.290
- Sometimes you're angry
and I'm not, and vice versa.

00:18:47.370 --> 00:18:49.080
Everyone has a moment of crisis.

00:18:49.450 --> 00:18:51.450
- That's why I'm trying to do the job...

00:18:51.750 --> 00:18:53.330
and not just thinking about...

00:18:54.370 --> 00:18:55.910
Lia eating her banana.

00:18:57.290 --> 00:18:59.540
I'm trying to get ahead of the problems.

00:19:01.660 --> 00:19:02.660
- Me too.

00:19:03.330 --> 00:19:05.910
- And I'm also thinking about Lia’s banana.

00:19:06.790 --> 00:19:08.870
- We are up to our necks, as always.

00:19:15.080 --> 00:19:16.200
- What do we do?

00:19:23.290 --> 00:19:25.200
- We’ll do this: Prrrrr!

00:19:28.790 --> 00:19:29.700
- So?

00:19:31.790 --> 00:19:34.830
- Let me breathe, give me
five minutes, please.

00:19:37.370 --> 00:19:39.250
- Think about an idea, okay?

00:19:41.450 --> 00:19:42.000
- Okay.

00:19:49.830 --> 00:19:51.080
I'm working too.

00:20:16.830 --> 00:20:17.910
- Look,

00:20:18.120 --> 00:20:19.410
I got it.

00:20:30.540 --> 00:20:33.410
You once told me about
doing something with couples.

00:20:36.660 --> 00:20:38.000
What do you think?

00:20:40.160 --> 00:20:42.500
- It's something we know a lot about.

00:20:44.910 --> 00:20:47.450
It's something people
always want to know.

00:20:50.450 --> 00:20:52.790
How people behave in a relationship.

00:20:54.000 --> 00:20:56.330
- I think love stories interests everyone.

00:20:57.950 --> 00:21:00.500
- Romanticism gets stuck in our brains...

00:21:00.700 --> 00:21:04.410
- People in relationships who work together,
who can't stand each other...

00:21:19.370 --> 00:21:21.000
- Hello.
- Hello.

00:22:11.040 --> 00:22:13.040
- Let’s close our eyes…

00:22:17.540 --> 00:22:19.000
Let's not look.

00:22:20.080 --> 00:22:22.080
There’s no need to see everything…

00:22:35.830 --> 00:22:37.500
- Come on, Nati, I'm sleepy.

00:22:41.950 --> 00:22:42.950
Come, Nati.

00:22:43.290 --> 00:22:44.830
- I like the idea:

00:22:45.700 --> 00:22:47.410
A film about a blind couple.

00:22:48.450 --> 00:22:49.410
I like it.

00:22:52.910 --> 00:22:55.580
As if life as a couple
were not difficult enough...

00:22:56.080 --> 00:22:58.200
- Come to bed.

00:23:16.660 --> 00:23:19.540
- How many couples do you think we need?

00:23:22.450 --> 00:23:23.910
- We're talking about eight.

00:23:25.910 --> 00:23:27.250
- Maybe more than eight.

00:23:28.000 --> 00:23:30.120
If, for example, one couple cancels...

00:23:32.120 --> 00:23:34.950
in the middle of shooting...

00:23:35.830 --> 00:23:37.330
only seven are left.

00:23:39.620 --> 00:23:42.790
Later on, in the editing room,
another couple gets left out...

00:23:43.160 --> 00:23:44.750
we have only six couples.

00:23:46.120 --> 00:23:48.580
- So, we're talking about 12 couples...

00:23:49.290 --> 00:23:51.910
following them around in real locations.

00:23:52.620 --> 00:23:55.500
Will we always be with the same couples?

00:23:56.120 --> 00:23:59.450
Are we going to be jumping
from one couple to another?

00:24:02.120 --> 00:24:05.120
- I think it would be good to have a kind of...

00:24:05.750 --> 00:24:07.910
- Plan?
- Script?

00:24:11.500 --> 00:24:15.450
When I approach these candidates,
what are they going to do?

00:24:18.080 --> 00:24:21.700
- What are the social classes
of the couples we are looking for?

00:24:22.450 --> 00:24:26.040
That has a lot to do with
the candidate’s variety of “species”.

00:24:32.330 --> 00:24:33.830
- I would like to find...

00:24:34.450 --> 00:24:35.830
a blind couple.

00:24:36.290 --> 00:24:37.910
That could be cool.

00:24:38.370 --> 00:24:41.040
The blind couple gives us
the chance to explore

00:24:41.290 --> 00:24:43.500
the special union they may have.

00:24:43.870 --> 00:24:46.000
They share a special condition,

00:24:46.250 --> 00:24:48.620
that's why their union could be stronger.

00:24:49.330 --> 00:24:52.040
They need each other completely.

00:24:54.370 --> 00:24:57.200
They are an example of an extreme union.

00:25:04.410 --> 00:25:07.080
- We should have said
something to them that day.

00:25:08.410 --> 00:25:10.830
- That always happens,
ideas come up late...

00:25:12.250 --> 00:25:13.910
- It’s hard to react.

00:25:14.700 --> 00:25:16.500
But this time, it was easy...

00:25:16.700 --> 00:25:19.120
They had a baby, we were with Lia...

00:25:19.330 --> 00:25:22.660
- It was the perfect situation
to talk about kids.

00:25:25.700 --> 00:25:27.410
- I know what to do.

00:25:29.250 --> 00:25:31.080
“Cultural Gala”

00:25:31.660 --> 00:25:33.910
- We're back with a casting call...

00:25:34.200 --> 00:25:36.450
A lot of people might be interested.

00:25:37.290 --> 00:25:39.950
- Which camera should I talk to?
This one?

00:25:40.290 --> 00:25:43.000
We would like to reach the audience to see...

00:25:43.200 --> 00:25:46.000
if a blind couple is watching the show...

00:25:46.410 --> 00:25:49.040
If a blind couple is listening, I mean...

00:25:52.200 --> 00:25:54.790
and wants to contact us...

00:25:55.620 --> 00:25:57.160
to be part of the film.

00:26:01.250 --> 00:26:04.620
- You are not looking for
professional actors for the couples.

00:26:06.330 --> 00:26:09.200
- No, we are looking for real-life couples.

00:26:09.700 --> 00:26:13.080
They can be professional actors
who also happen to be couples.

00:26:13.290 --> 00:26:14.540
- It's a documentary.

00:26:15.040 --> 00:26:18.950
Professional actors can call if they
want to, but it's a documentary.

00:26:20.700 --> 00:26:22.700
- But the main protagonists are...

00:26:23.500 --> 00:26:25.120
- They're real people.

00:26:26.080 --> 00:26:28.120
- Real people who are blind.

00:26:28.620 --> 00:26:32.410
- In that case, we are interested in looking
for a couple who happen to be blind...

00:26:33.000 --> 00:26:36.450
but other types of couples
could also be interesting.

00:26:36.950 --> 00:26:40.120
- Couples who share a hobby,
who have a lot of time together...

00:26:40.620 --> 00:26:41.950
who have just started...

00:26:57.620 --> 00:27:00.200
- You say when, whenever you want.

00:27:02.910 --> 00:27:05.950
I'm not doing anything, I’m unemployed...

00:27:07.370 --> 00:27:08.660
I’m available.

00:27:13.700 --> 00:27:16.660
- Let me talk to Uri so we can meet tomorrow.

00:27:18.330 --> 00:27:21.000
We can come to your neighborhood...

00:27:23.200 --> 00:27:25.540
and spend the afternoon talking...

00:27:26.500 --> 00:27:28.660
about how your love life is going.

00:27:34.040 --> 00:27:37.620
- Hey, Calvita, what would the
woman of your dreams be like?

00:27:38.450 --> 00:27:40.870
The women of my dreams is like a mother.

00:27:42.000 --> 00:27:43.370
- A mother?
- Yes.

00:27:45.410 --> 00:27:48.750
A mother suffers your pain...

00:27:50.250 --> 00:27:54.330
she is unconditional, whether
it is good or bad what you do...

00:27:58.040 --> 00:28:02.160
your actions can be negative
or positive, she is always there.

00:28:03.790 --> 00:28:06.370
The best is always for you.

00:28:06.950 --> 00:28:09.410
- An ideal woman for you
is really like a mother?

00:28:10.870 --> 00:28:14.080
- Yes, like a mother. A relationship
is not only based on sex.

00:28:15.290 --> 00:28:17.790
You need understanding, communication...

00:28:19.830 --> 00:28:21.700
Cristina has a lot of those qualities.

00:28:22.080 --> 00:28:25.450
- Of all the women you've been with,
Cristina is the one that comes closer?

00:28:25.830 --> 00:28:27.370
- I've never had a woman like her.

00:28:28.450 --> 00:28:32.120
- He says life is much better with me...

00:28:33.620 --> 00:28:35.540
that he wants to come back to me.

00:28:37.120 --> 00:28:39.750
You don’t know what you have
until you lose it.

00:28:42.620 --> 00:28:44.330
He says his life changed.

00:28:46.620 --> 00:28:48.330
He's thinner now...

00:28:48.870 --> 00:28:51.160
He says he's not being served well...

00:28:51.870 --> 00:28:53.660
and he misses my food.

00:28:56.080 --> 00:28:57.200
I told him:

00:28:57.450 --> 00:29:00.830
"When you behave, you can
come back, otherwise you won’t."

00:29:01.540 --> 00:29:03.660
- We are making a documentary about couples.

00:29:05.250 --> 00:29:08.830
You know you are a favorite
character for us, we like to film you.

00:29:12.950 --> 00:29:15.330
But since you're not with Cristina...

00:29:18.200 --> 00:29:21.250
We were wondering what
you could bring to the project.

00:29:23.700 --> 00:29:26.540
How do you think your relationship
with Cristina is?

00:29:26.750 --> 00:29:27.910
- Wonderful!

00:29:28.580 --> 00:29:30.660
- Wonderful, but you're not together.

00:29:31.660 --> 00:29:33.290
- He made a complete change.

00:29:36.160 --> 00:29:38.830
He would go out with me
a lot when we started.

00:29:41.040 --> 00:29:44.160
Then he told me that
his friends would tell him...

00:29:44.540 --> 00:29:47.290
that he couldn't take me
wherever I wanted.

00:29:48.830 --> 00:29:52.580
I told him that if he went out,
I could go out too.

00:29:53.250 --> 00:29:56.410
He said no, women
have to stay home.

00:29:58.450 --> 00:30:01.950
I told him: “No, I work
as much as you do”.

00:30:04.370 --> 00:30:06.620
He has to give me my rights too.

00:30:14.580 --> 00:30:16.870
- Nati has a stronger temper than you.

00:30:19.410 --> 00:30:21.620
You're easier to digest.

00:30:22.700 --> 00:30:24.700
- Easier to digest,
what to do mean?

00:30:25.750 --> 00:30:27.040
- Easier to relate.

00:30:28.870 --> 00:30:31.200
You're easier to talk to.

00:30:37.330 --> 00:30:39.120
Your face is more likeable.

00:30:39.540 --> 00:30:42.120
- Uri and I have been together for 13 years.

00:30:42.790 --> 00:30:44.120
- That’s a long time.

00:30:44.330 --> 00:30:46.200
- We've been together for years now.

00:30:46.700 --> 00:30:47.790
- That's good.

00:30:50.540 --> 00:30:53.000
In a relationship, there is always...

00:30:57.450 --> 00:31:00.370
the aggressive type and the passive type.

00:31:00.830 --> 00:31:04.120
But you're an easy going person, Uri too.

00:31:04.660 --> 00:31:07.790
But everyone has an
aggressive and passive side.

00:31:08.000 --> 00:31:08.870
- That’s true.

00:31:09.250 --> 00:31:12.160
- There are wonderful people with faces
like machetes.

00:31:15.500 --> 00:31:18.950
But when you get to know them,
they are wonderful.

00:31:21.870 --> 00:31:23.660
- Natalia is a very nice person...

00:31:24.450 --> 00:31:27.830
but perhaps she's not so seductive
on a social level.

00:31:29.120 --> 00:31:30.370
- She’s more direct.

00:31:31.580 --> 00:31:34.200
- I'm more of a faker, I smile more.

00:31:34.830 --> 00:31:36.370
- You call that fake?

00:31:36.750 --> 00:31:38.330
- I'm more like you...

00:31:38.540 --> 00:31:40.540
From another social class, another country,

00:31:40.750 --> 00:31:42.330
but we understand each other.

00:31:42.580 --> 00:31:44.500
I don't know if the word is fake...

00:31:44.790 --> 00:31:46.500
but we are all acting in life.

00:31:48.250 --> 00:31:50.000
Don't you think?

00:31:52.450 --> 00:31:55.410
Some people show their emotions,
what they are feeling...

00:31:55.790 --> 00:31:57.750
Some people show them less.

00:31:58.200 --> 00:32:00.450
- It's like a novel and like a resort.

00:32:01.910 --> 00:32:06.250
One day we will all be called Perez.
One day we will all perish.

00:32:08.700 --> 00:32:09.950
- What a bad joke...

00:32:11.000 --> 00:32:12.540
I have to laugh falsely.

00:32:13.290 --> 00:32:15.200
Natalia wouldn't have laughed.

00:32:36.450 --> 00:32:37.330
Nati!

00:32:42.040 --> 00:32:44.120
What are the characters' names?

00:32:44.450 --> 00:32:46.540
- Francisca and Nelson.

00:32:46.790 --> 00:32:48.410
- Did you talk to them?

00:32:48.700 --> 00:32:50.750
- I said hi in the morning.

00:32:53.330 --> 00:32:55.120
- We should talk to them.

00:32:58.330 --> 00:33:00.040
- We will interview them now.

00:33:00.500 --> 00:33:04.160
- Should I tell them or should you?
- I’ll tell them.

00:33:06.250 --> 00:33:07.160
- Bless you!

00:33:08.790 --> 00:33:11.250
- But how are we going to do it?

00:33:11.870 --> 00:33:14.500
I do camera? You're with Lia?

00:33:15.040 --> 00:33:16.950
- I'll try to breastfeed her.

00:33:19.160 --> 00:33:20.200
- I'll go.

00:33:22.950 --> 00:33:24.580
- So, Francisca...

00:33:26.500 --> 00:33:28.950
Tell me how you two met.

00:33:29.700 --> 00:33:33.290
- I already told you that.
- We need to repeat it for the camera.

00:33:33.620 --> 00:33:36.290
- Sorry.
- We repeat everything in movies.

00:33:37.250 --> 00:33:39.700
Shall we cut or continue?
- Let’s continue.

00:33:40.700 --> 00:33:42.580
- There are women...

00:33:45.200 --> 00:33:47.830
who comment with other women...

00:33:48.830 --> 00:33:51.370
what their men are doing.

00:33:55.450 --> 00:33:58.000
- He doesn't like that?
- He doesn't like it.

00:33:58.700 --> 00:34:01.660
- Does he have any friend
that you don't like?

00:34:03.000 --> 00:34:05.040
- No, his friends are good friends.

00:34:07.290 --> 00:34:10.870
- What was the reason
you two fought last time?

00:34:14.870 --> 00:34:16.330
- That's personal.

00:34:16.700 --> 00:34:18.500
- Don't be nervous, Francisca.

00:34:19.830 --> 00:34:22.830
Imagine that you and I are lifelong friends...

00:34:23.500 --> 00:34:25.790
we're telling each other some gossip...

00:34:28.200 --> 00:34:29.540
- Shall I tell?

00:34:32.830 --> 00:34:33.950
- Why not?

00:34:35.830 --> 00:34:37.580
Was it a big fight?

00:34:38.250 --> 00:34:40.370
- No.
- Really?

00:34:40.870 --> 00:34:43.500
- Stop for a second, Nelson...

00:34:44.450 --> 00:34:45.830
- If you can!

00:34:49.500 --> 00:34:51.330
- I have to talk to Nati.

00:34:52.660 --> 00:34:54.370
It's not working.

00:34:56.160 --> 00:34:58.080
- Really?
- No.

00:34:58.950 --> 00:35:00.160
- What do I do?

00:35:00.580 --> 00:35:04.120
- Let's do something observational.
Everything is: "yes” or “no".

00:35:06.540 --> 00:35:07.450
- Okay.

00:35:10.580 --> 00:35:12.700
- No customer has boarded yet...

00:35:13.120 --> 00:35:15.450
Let’s try something more atmospheric...

00:35:16.500 --> 00:35:19.830
We can repeat the interview
in a more intimate space.

00:35:23.200 --> 00:35:26.950
- Maybe with him.
- Yes, let's try other things.

00:35:30.750 --> 00:35:32.370
- Trip 1, take 2.

00:35:52.750 --> 00:35:56.040
- Come on, girls, get in, come on!

00:36:17.540 --> 00:36:19.120
- Watch the head!

00:36:37.250 --> 00:36:40.620
Hi, I'm going to film you!
Don't look at the camera, please.

00:36:53.700 --> 00:36:56.500
- What's that for?
- It's a documentary.

00:36:58.450 --> 00:37:00.700
- What do you think went wrong?

00:37:03.410 --> 00:37:06.450
- There are people who open up
and tell you everything...

00:37:06.790 --> 00:37:08.290
There are people who don't.

00:37:09.500 --> 00:37:14.750
“Imagine that we are lifelong friends
and we are telling each other gossip.”

00:37:17.000 --> 00:37:19.870
- Imagine that we are lifelong friends?

00:37:20.330 --> 00:37:22.580
You asked her name two minutes ago.

00:37:22.950 --> 00:37:26.620
- What would you have said?
- Could she really imagined that?

00:37:32.790 --> 00:37:34.950
We are focusing this all wrong.

00:37:38.540 --> 00:37:40.790
But I don't know how to focus it

00:37:45.750 --> 00:37:46.620
Lia!

00:37:49.410 --> 00:37:51.080
She'll break something.

00:37:51.250 --> 00:37:54.200
- It's not enough that she's
a woman bus collector,

00:37:54.910 --> 00:37:56.370
and he's the driver.

00:37:57.000 --> 00:37:58.200
It’s atypical,

00:37:58.370 --> 00:38:02.000
but they have to be interesting
characters themselves.

00:38:03.000 --> 00:38:04.500
- Why is that atypical?

00:38:05.040 --> 00:38:07.580
- We talked about it already...

00:38:09.080 --> 00:38:11.700
You don’t see a woman
collector every day.

00:38:12.870 --> 00:38:16.290
- What I find most interesting
about that day is this...

00:38:33.450 --> 00:38:35.080
- It looks like Africa.

00:38:35.750 --> 00:38:38.950
- But it's Dominican Republic...
What do you think about it?

00:38:39.580 --> 00:38:43.200
- I like it, but what does it have to do
with a film about couples?

00:38:44.250 --> 00:38:48.080
It's festival material for sure,
European critics will go crazy.

00:38:49.700 --> 00:38:51.330
- It's cinematic...

00:38:52.700 --> 00:38:55.250
- It's great, but what can we do with it?

00:39:03.620 --> 00:39:05.500
- A trip around the city.

00:39:09.830 --> 00:39:12.040
- The search for couples.

00:39:13.370 --> 00:39:15.250
- I can make beautiful shots...

00:39:17.790 --> 00:39:20.660
But as co-director,
I don't know what we're doing.

00:39:22.040 --> 00:39:23.290
Do you know?

00:39:23.790 --> 00:39:25.660
- Yes.
- Okay, explain it to me.

00:39:26.410 --> 00:39:28.410
- We're making a film about couples...

00:39:30.040 --> 00:39:31.830
who have something in common.

00:39:32.250 --> 00:39:36.870
Not only do they have a love life in common,
but they also have a hobby, a job.

00:39:37.080 --> 00:39:38.200
Just like us.

00:39:38.500 --> 00:39:41.830
We can talk about that.
- But why is that interesting?

00:39:42.620 --> 00:39:44.200
Who wants to see that?

00:39:45.200 --> 00:39:47.830
We see it and it doesn’t interest us.

00:39:51.410 --> 00:39:52.870
What do we do?

00:39:56.700 --> 00:39:59.200
How can you sleep?
I don't understand.

00:40:00.500 --> 00:40:02.620
- I'm very tired.
- Me too.

00:40:06.870 --> 00:40:10.040
- You have more endurance than I do.
- That's not true.

00:40:15.370 --> 00:40:18.370
- Let's do credits, it's more relaxed...

00:40:21.120 --> 00:40:23.160
even if it's just for a few hours.

00:40:23.620 --> 00:40:24.830
- What?

00:40:26.160 --> 00:40:28.290
- Without thinking too much.

00:40:30.620 --> 00:40:31.580
- Okay.

00:40:32.830 --> 00:40:34.620
It's fun to make credits.

00:40:37.620 --> 00:40:38.500
All right.

00:40:42.290 --> 00:40:45.290
- But it has to read:
"Natalia Cabral and Oriol Estrada"

00:40:48.950 --> 00:40:49.700
- Why?

00:40:51.540 --> 00:40:54.160
- "Natalia Cabral" always comes first.

00:40:56.910 --> 00:40:57.790
- Always?

00:40:59.290 --> 00:41:01.450
- The signature of our films is always:

00:41:02.870 --> 00:41:05.700
"A film by Natalia Cabral and Oriol Estrada".

00:41:08.950 --> 00:41:10.660
Why change?

00:41:12.450 --> 00:41:15.370
It's always been
"Natalia Cabral and Oriol Estrada"

00:41:17.790 --> 00:41:19.040
Do you understand?

00:41:19.540 --> 00:41:21.370
That's how we are known.

00:41:21.870 --> 00:41:23.290
- Nobody knows us.

00:41:23.830 --> 00:41:25.200
- You know what I mean.

00:41:25.370 --> 00:41:28.790
Every time they talk about us it's:
"Natalia Cabral and Oriol Estrada".

00:41:29.000 --> 00:41:33.450
What do you mean every time they talk about us
it's "Natalia Cabral and Oriol Estrada"?

00:41:33.790 --> 00:41:37.370
Some people on the Internet write:
"Oriol Estrada and Natalia Cabral”.

00:41:37.660 --> 00:41:40.330
But if they always say:
"Natalia Cabral and Oriol Estrada",

00:41:40.660 --> 00:41:44.330
it would be nice if sometimes they said:
"Oriol Estrada and Natalia Cabral".

00:41:44.660 --> 00:41:47.200
I mean, it’s good they say:
"Natalia Cabral and Oriol Estrada",

00:41:47.540 --> 00:41:50.700
but it’s just as good if they say:
"Oriol Estrada and Natalia Cabral".

00:41:51.160 --> 00:41:52.910
Why can't it be like that?

00:41:53.450 --> 00:41:56.910
- A brand can't change:
"Natalia Cabral and Oriol Estrada".

00:41:57.200 --> 00:42:00.200
- It's not a brand, it's two people.
- It's like a brand!

00:42:01.120 --> 00:42:02.120
You know?

00:42:04.500 --> 00:42:06.750
There are brands that are two names...

00:42:07.830 --> 00:42:11.910
It's always "A and B".
If you change it to "B and A" it's something else.

00:42:12.450 --> 00:42:13.870
- It's not a brand, Nati...

00:42:16.250 --> 00:42:18.500
We are just changing it a bit.

00:42:19.950 --> 00:42:21.830
Do you really think someone will notice?

00:42:22.120 --> 00:42:26.000
"Oh no, it's not their film because it says:
"Oriol Estrada and Natalia Cabral"

00:42:26.200 --> 00:42:28.370
Whose is it?
I can't recognize that movie!"

00:42:31.000 --> 00:42:32.540
- Okay, leave it like that.

00:42:33.700 --> 00:42:35.330
But I don't agree...

00:42:35.580 --> 00:42:38.700
Leave it like that, I don't agree,
but leave it like that.

00:42:38.950 --> 00:42:40.160
- Let's change it.

00:42:40.370 --> 00:42:40.950
- No.

00:42:42.200 --> 00:42:43.700
"Natalia Cabral and...

00:42:45.370 --> 00:42:46.910
Oriol Estrada".

00:42:47.290 --> 00:42:49.580
Okay, I feel relieved, you see?

00:42:50.410 --> 00:42:54.830
Someone will say: "Ah, it's one of their films,
it'll be good, for sure!".

00:43:11.620 --> 00:43:12.750
- Hello!

00:43:20.370 --> 00:43:21.330
Hi!

00:43:38.790 --> 00:43:39.910
No one’s there.

00:43:40.450 --> 00:43:43.330
- What do you mean?
- Nobody's in that house...

00:43:43.660 --> 00:43:45.370
no one opens the door...

00:43:45.660 --> 00:43:48.580
- Ask the neighbors if they know
a blind couple.

00:43:49.790 --> 00:43:51.750
- They've never seen anyone there.

00:43:52.450 --> 00:43:55.660
- The blinds can’t see,
the neighbors should see them.

00:43:56.000 --> 00:43:58.410
- Nobody knows, but
the location comes out here.

00:43:59.160 --> 00:44:00.620
- Who sent you this location?

00:44:03.950 --> 00:44:07.450
Someone obviously took their
cell phone and sent it.

00:44:10.660 --> 00:44:12.290
- Okay, I'll go ring the bell.

00:44:28.750 --> 00:44:29.870
Hello?

00:44:37.160 --> 00:44:38.080
Hello!

00:44:38.540 --> 00:44:40.500
- What can I do for you?

00:44:41.200 --> 00:44:44.790
- We're looking for a blind couple
who live around here.

00:44:46.500 --> 00:44:49.540
We thought this is where they live
and rang the bell…

00:44:49.790 --> 00:44:53.120
- It's not there.
Nobody lives in that apartment.

00:44:54.120 --> 00:44:55.870
We don't really know…

00:44:56.370 --> 00:44:57.290
- Okay.

00:45:07.790 --> 00:45:09.160
- This is incredible.

00:45:14.790 --> 00:45:17.040
Helen, get the camera, please!

00:45:17.580 --> 00:45:19.700
- We must stay aware...

00:45:22.200 --> 00:45:24.830
Maybe is not exactly here,
but it's around here.

00:45:29.250 --> 00:45:30.290
- Could be…

00:45:30.580 --> 00:45:31.620
- With the tripod.

00:45:31.910 --> 00:45:34.410
- Maybe they're lost, maybe we're lost.

00:45:34.790 --> 00:45:37.290
Maybe they're lost and so are we...

00:45:44.200 --> 00:45:45.160
- Thank you.

00:45:46.790 --> 00:45:48.120
- What are you shooting?

00:45:49.330 --> 00:45:50.790
- We're making...

00:45:53.910 --> 00:45:55.330
interesting shots.

00:45:57.500 --> 00:45:58.830
Let me do this.

00:46:01.040 --> 00:46:03.330
- The interview is outdoors?

00:46:05.200 --> 00:46:07.790
- Helen! Get the mattebox out, please.

00:46:09.120 --> 00:46:10.200
- What?

00:46:13.450 --> 00:46:14.790
- What are you saying?

00:46:15.000 --> 00:46:17.750
- The interview with the blind couple,
if they show up…

00:46:17.950 --> 00:46:19.750
- Can you move away a little bit?

00:46:20.620 --> 00:46:24.450
- We'll shot outdoors,
this is like an insert shot, isn't it?

00:46:26.950 --> 00:46:29.410
- It can be very useful in the editing room.

00:46:34.000 --> 00:46:35.620
Do you like it or not?

00:46:36.700 --> 00:46:39.410
It doesn't seem very brilliant to me.

00:46:39.700 --> 00:46:42.370
- Can you move away?
- I'm out of the way...

00:46:43.080 --> 00:46:45.620
I know where I stand.
- Just for a moment...

00:46:47.290 --> 00:46:48.790
the light's going out...

00:46:51.950 --> 00:46:55.370
- If the blind couple doesn’t show up,
what good will this be?

00:46:57.250 --> 00:46:58.620
- Just a second...

00:47:07.450 --> 00:47:10.000
There you go, see?
That wasn’t so dramatic.

00:47:10.660 --> 00:47:13.250
- We need to focus on the blind couple.

00:47:13.790 --> 00:47:15.620
Why aren't they here?

00:47:17.160 --> 00:47:19.160
Let's look for an alternative.

00:47:19.410 --> 00:47:21.700
- I'm filming, it's part of the job.

00:47:22.410 --> 00:47:26.160
- It's the most important thing,
not a shot of a fucking cactus.

00:47:30.290 --> 00:47:32.200
- That cactus in the middle of the city...

00:47:34.200 --> 00:47:36.000
Brings loneliness…

00:47:38.700 --> 00:47:42.700
We're going to end up
with a documentary for television.

00:47:44.660 --> 00:47:47.450
I think it's better if we create ambiguity.

00:47:48.410 --> 00:47:53.120
And not explain what a relationship is,
or what love is or what nothing is.

00:47:53.620 --> 00:47:56.580
Because we don't know
anything really. You know?

00:47:59.370 --> 00:48:01.500
- It’s good you bring that up...

00:48:01.870 --> 00:48:05.200
in our films people always
want us to explain everything.

00:48:05.950 --> 00:48:09.750
They preferred closed endings,
they resent all our endings.

00:48:14.290 --> 00:48:17.410
- We are not ready yet
to start thinking about the end, but...

00:48:22.660 --> 00:48:27.830
I'm very happy, Lia is throwing everything
and it's not breaking my concentration.

00:48:28.580 --> 00:48:30.620
That means there's something here.

00:48:31.950 --> 00:48:34.410
Did you see that look on that girl's face?

00:48:37.250 --> 00:48:39.080
Look at her gaze.

00:48:42.450 --> 00:48:46.580
These people don't know how to talk
but they sure have presence.

00:48:48.950 --> 00:48:50.790
Look at those eyes!

00:48:53.500 --> 00:48:55.870
She tells you everything with her eyes.

00:48:56.450 --> 00:48:57.450
- Lia!

00:49:26.910 --> 00:49:30.660
I'll leave you alone, keep resting.

00:49:31.120 --> 00:49:32.330
I'm going to edit...

00:49:34.000 --> 00:49:36.290
so we can go forward a little.

00:49:45.580 --> 00:49:47.160
- What are you going to edit?

00:49:48.700 --> 00:49:49.910
- Relax.

00:49:53.120 --> 00:49:55.750
- What are you doing?
Save your own project.

00:49:56.330 --> 00:49:59.080
- I know.
- Don't erase what I've done.

00:49:59.580 --> 00:50:02.580
- I'm not going to edit over what you've done.

00:50:04.500 --> 00:50:06.750
- Save it as another project.

00:50:16.950 --> 00:50:18.790
- I do facial hair.

00:50:20.290 --> 00:50:22.410
I give therapeutic massages...

00:50:23.250 --> 00:50:24.250
Thank God...

00:50:24.790 --> 00:50:29.290
I’ve put many people who
could not walk on their feet.

00:50:31.080 --> 00:50:31.870
- Wao!

00:50:32.080 --> 00:50:34.910
- I give massages for arm injury too.

00:50:37.660 --> 00:50:40.700
I have my machine that helps me a lot.

00:50:43.080 --> 00:50:44.500
It has ultrasound...

00:50:47.200 --> 00:50:48.580
ultra-frequency...

00:50:52.120 --> 00:50:54.410
I have a device that I call "The Pen"...

00:50:54.790 --> 00:50:58.790
that gives a few short strokes that
are excellent for relaxing muscle aches.

00:51:00.200 --> 00:51:01.660
We work on that...

00:51:02.870 --> 00:51:05.950
thank God, who blesses us with clients.

00:51:10.790 --> 00:51:12.290
- I saw you dance too.

00:51:13.250 --> 00:51:15.500
Yes, it's my passion...

00:51:16.330 --> 00:51:17.750
It's my hobby...

00:51:19.580 --> 00:51:21.910
and my husband’s passion too.

00:51:22.580 --> 00:51:23.910
- You dance together?

00:51:25.750 --> 00:51:29.540
- Sure, we have good chemistry
on the dance floor.

00:51:30.040 --> 00:51:31.580
People love us.

00:51:32.200 --> 00:51:34.000
- Scene 11E/2, take 1

00:51:41.040 --> 00:51:44.620
- To begin with, we'd like you
to tell us how you met.

00:51:46.040 --> 00:51:47.790
- Tell them, my love.

00:51:48.700 --> 00:51:51.450
- He has known me since I was 5 years old.

00:51:52.040 --> 00:51:55.910
- You were 20 and she was 5?
- Yes... when I met her.

00:51:57.660 --> 00:51:58.950
- Yes, of course.

00:52:01.160 --> 00:52:04.200
- We've been married for thirty-two years.

00:52:08.040 --> 00:52:10.160
We are a complete couple.

00:52:10.580 --> 00:52:12.750
We're happy. Aren't we?
- Sure.

00:52:12.950 --> 00:52:14.330
- Say yes, my love!

00:52:14.540 --> 00:52:15.790
Give me a kiss!

00:52:18.120 --> 00:52:21.370
It's a blessing to be married for
thirty-two years and still be happy.

00:52:22.040 --> 00:52:23.450
- You are a team,

00:52:24.580 --> 00:52:26.080
there’s no boss.

00:52:28.540 --> 00:52:29.700
- She's my boss.

00:52:32.290 --> 00:52:34.700
We are hired for private parties...

00:52:38.450 --> 00:52:40.660
She's the one who deals with it.

00:52:41.580 --> 00:52:44.540
When we get calls on the
phone and I pick it up...

00:52:44.950 --> 00:52:46.750
I pass it on to her.

00:52:47.370 --> 00:52:49.000
- She's the producer.

00:52:49.750 --> 00:52:52.080
- Yes.
- Who’s the artist?

00:52:52.750 --> 00:52:54.330
- The both of us.

00:52:55.620 --> 00:52:56.660
Fifty-fifty.

00:52:57.790 --> 00:52:59.660
- I hope everything is going well...

00:53:00.750 --> 00:53:04.620
I send good vibes and
a kiss to that lovely baby.

00:53:04.950 --> 00:53:07.000
She’s a real character...

00:53:13.370 --> 00:53:14.790
- Here's the thing, Nati.

00:53:18.200 --> 00:53:20.000
We have to make him confess.

00:53:22.500 --> 00:53:25.580
- But how?
We tried and it didn't come out.

00:53:25.910 --> 00:53:28.870
But he said it
when we weren't shooting:

00:53:29.250 --> 00:53:30.910
"I’m the artist."

00:53:40.200 --> 00:53:42.450
- Be careful, don’t cut a piece of flesh.

00:53:43.830 --> 00:53:47.500
- I won’t cut a piece of flesh.
- Don’t leave a blank spot.

00:53:50.540 --> 00:53:52.750
- I've been doing this all my life.

00:53:53.580 --> 00:53:56.160
- How can we make him confess? Seriously.

00:53:56.450 --> 00:53:58.040
- I'm serious, Uri.

00:54:00.080 --> 00:54:02.830
- We need a strategy to make him say it.

00:54:03.200 --> 00:54:05.580
- I suggested one, now you suggest another.

00:54:06.000 --> 00:54:07.830
- What, get them to dance?

00:54:08.290 --> 00:54:11.200
That’s how we will make him confess?

00:54:11.700 --> 00:54:13.200
- Give me a better idea.

00:54:18.750 --> 00:54:21.120
- Natalia, how’s everything, my dear?

00:54:22.410 --> 00:54:24.660
- You could say things are going well.

00:54:25.450 --> 00:54:27.660
- Uri, tell me, how’s that stress?

00:54:28.200 --> 00:54:30.040
You want your massages because...

00:54:31.580 --> 00:54:33.830
stress kills all organisms.

00:54:36.080 --> 00:54:37.790
You have to try to relax.

00:54:38.370 --> 00:54:41.830
- Hasn't there ever been a conflict
about who dances better?

00:54:42.200 --> 00:54:43.620
- No, never.

00:54:46.080 --> 00:54:47.830
Bienvenido is very humble.

00:54:48.250 --> 00:54:50.750
He says nobody dances
better than anyone else.

00:54:51.500 --> 00:54:54.120
- I have an incredible story about him.

00:54:54.500 --> 00:54:55.250
- What is it?

00:54:55.870 --> 00:54:57.910
He had a son...

00:54:58.200 --> 00:55:00.450
who sadly passed away.

00:55:02.250 --> 00:55:05.620
Back then, he would say
he was going to die too.

00:55:06.750 --> 00:55:08.700
He couldn’t eat or sleep.

00:55:11.410 --> 00:55:13.620
That situation lasted 4 months.

00:55:16.700 --> 00:55:19.750
One day, his family advised me
to take him dancing.

00:55:20.580 --> 00:55:24.540
He loves dancing so much,
they though that could be a solution.

00:55:25.040 --> 00:55:28.660
Well, I took him out dancing
and that man came back to life.

00:55:55.870 --> 00:55:57.910
- She’s going along with him...

00:55:58.540 --> 00:56:01.000
because he's an egomaniac.

00:56:02.870 --> 00:56:05.250
- The guy's having fun, no big deal.

00:56:06.370 --> 00:56:07.330
- Go back.

00:56:09.500 --> 00:56:11.950
- We are going to make him confess,
you'll see.

00:56:12.330 --> 00:56:15.160
- Why can't we just film them being happy?

00:56:15.580 --> 00:56:17.370
- That's not interesting.

00:56:19.700 --> 00:56:21.910
- I want some happiness, Nati.

00:56:22.910 --> 00:56:24.620
- We need conflict, Uri...

00:56:25.910 --> 00:56:27.500
Cinema is conflict.

00:56:36.950 --> 00:56:38.040
- Watch out for Lia.

00:56:38.540 --> 00:56:39.250
- Lia!

00:56:43.700 --> 00:56:46.000
- Don't worry, try to concentrate.

00:56:46.830 --> 00:56:48.370
I'll take care of Lia.

00:56:50.580 --> 00:56:52.330
- Yes, that's what I thought.

00:56:59.620 --> 00:57:00.830
- Come, Lia.

00:57:07.500 --> 00:57:11.200
- Is that all or it's just a scene?
Are they divided by sequences?

00:57:11.660 --> 00:57:16.000
- I'm working with several scenes, but
this one is ready, I want you to see it.

00:57:16.580 --> 00:57:18.330
- That’s all?

00:57:19.410 --> 00:57:20.160
- Yes.

00:57:22.410 --> 00:57:25.750
Why?
- There's only one scene here.

00:57:26.080 --> 00:57:26.790
- What?

00:57:27.950 --> 00:57:29.200
- It's just a scene.

00:57:30.620 --> 00:57:33.250
- What you're about to see is one scene.

00:57:34.540 --> 00:57:35.870
- Is there more?

00:57:36.870 --> 00:57:39.160
- There's more, but it's not ready.

00:57:40.160 --> 00:57:42.200
- But you've been working for days.

00:57:42.410 --> 00:57:43.500
- For days?

00:57:46.200 --> 00:57:49.290
- I have editing crisis too
and I don't blame you.

00:57:50.910 --> 00:57:52.660
That’s the way it is.

00:57:53.540 --> 00:57:56.290
You think it's easy
and then it's too hard.

00:58:00.700 --> 00:58:04.500
If you need help, if you need to
talk about the footage, I'm here.

00:58:12.370 --> 00:58:14.580
- Let me move forward in my own way...

00:58:16.040 --> 00:58:18.250
when I have it ready, I'll show you.

00:58:19.870 --> 00:58:22.540
- Have I said anything?
I think it's fantastic.

00:58:23.200 --> 00:58:24.080
- That’s it.

00:58:26.950 --> 00:58:29.370
- We're here, quietly playing.

00:58:35.000 --> 00:58:36.330
I'm super calm.

00:58:39.500 --> 00:58:40.200
- Okay.

00:58:41.500 --> 00:58:42.620
- I'm super cool...

00:58:48.790 --> 00:58:50.000
Relaxed...

00:58:57.000 --> 00:58:59.910
Maybe you were right
about not making films.

00:59:01.580 --> 00:59:03.450
When you take a break from that...

00:59:08.120 --> 00:59:12.080
I feel so calm, not having that responsibility,
that pressure right now.

00:59:13.910 --> 00:59:14.790
I'm happy.

00:59:16.660 --> 00:59:18.910
- Like John Lennon who gave up music...

00:59:20.450 --> 00:59:24.870
and took care of his son and
Yoko was the one who worked...

00:59:25.450 --> 00:59:28.040
and brought in the money.
- I agree gladly.

00:59:30.700 --> 00:59:32.540
If you want, we can do that.

00:59:35.080 --> 00:59:36.200
- I don't know.

00:59:38.200 --> 00:59:39.910
- You want it all, Nati.

00:59:48.620 --> 00:59:50.250
You want to be the best mother...

00:59:52.410 --> 00:59:54.660
and you want to be the best professional.

00:59:55.500 --> 00:59:57.370
- That's wanting it all?

01:00:11.120 --> 01:00:14.750
Now that you have this strength
and I have a certain weakness...

01:00:15.040 --> 01:00:16.750
because I am a mother…

01:00:17.200 --> 01:00:21.080
- Why do you feel you are weak
because you are a mother?

01:00:36.450 --> 01:00:39.540
I don't want people to stop calling me
because I have a baby.

01:00:39.910 --> 01:00:41.870
- Lia's crying, I'll go.

01:00:56.370 --> 01:00:58.620
Bud, bring the witches!

01:01:04.540 --> 01:01:06.410
- He's the perfect person for me.

01:01:06.950 --> 01:01:08.750
We are both the same.

01:01:09.080 --> 01:01:10.580
We have the same tastes...

01:01:12.410 --> 01:01:14.160
what he likes, I like.

01:01:14.660 --> 01:01:17.620
Although we have little problems,
but nothing serious.

01:01:17.950 --> 01:01:19.450
- Like what, for example?

01:01:20.580 --> 01:01:24.580
- Little differences, sometimes.
- Small differences...

01:01:25.120 --> 01:01:26.830
but nothing out of the ordinary.

01:01:27.120 --> 01:01:30.250
- Who's the dominant figure?
Who dominates who?

01:01:30.790 --> 01:01:33.660
- It could be male or female.
- I mean, in your relationship.

01:01:35.040 --> 01:01:36.500
Who dominates who?

01:01:36.950 --> 01:01:39.040
- Who do you think?

01:01:40.200 --> 01:01:42.080
- It has to be me, I'm the man!

01:01:43.040 --> 01:01:44.660
- A woman can't be dominant?

01:01:46.200 --> 01:01:48.950
- Biblically, from the beginning of time...

01:01:49.250 --> 01:01:51.120
man is dominant in his home.

01:01:51.790 --> 01:01:54.870
But he has to fulfill his obligations,
as he should.

01:01:57.120 --> 01:02:00.290
- Does he comply, Miguelina?
- Yes, my love, totally.

01:02:00.620 --> 01:02:01.830
- I have to comply.

01:02:02.160 --> 01:02:04.370
- You're happy.
- I'm happy with my partner.

01:02:04.620 --> 01:02:06.580
- No complaints.
- I have no complaints.

01:02:15.620 --> 01:02:17.290
What happened with Andrés?

01:02:23.910 --> 01:02:25.290
He went to the salon?

01:02:29.330 --> 01:02:30.700
Tell me about Andrés.

01:02:33.750 --> 01:02:34.660
What did he do?

01:02:35.620 --> 01:02:40.160
I told you he's not living with that woman.
They have a son together, that’s it.

01:02:48.750 --> 01:02:50.250
What time did she called?

01:02:52.120 --> 01:02:54.870
He's into you, he's not into her.

01:02:56.000 --> 01:02:59.620
I see he’s fine with you,
he’s quiet at home, I see a removal.

01:03:05.500 --> 01:03:09.330
When he comes back from Los Angeles,
I see a new project for you.

01:03:14.910 --> 01:03:16.040
- I ask you this:

01:03:18.040 --> 01:03:19.950
Even if you record what happens...

01:03:22.080 --> 01:03:23.330
don’t talk to me.

01:03:25.700 --> 01:03:28.290
I have no control of certain things.

01:03:29.370 --> 01:03:31.040
I am not like my wife...

01:03:32.250 --> 01:03:34.160
Spirits take over my body.

01:03:35.330 --> 01:03:36.750
I transform myself...

01:03:48.330 --> 01:03:49.870
- Thank you, have mercy.

01:03:57.040 --> 01:03:59.000
Take it easy, man.

01:03:59.620 --> 01:04:01.040
- Don't laugh at me...

01:04:01.910 --> 01:04:03.330
I'm not your horse.

01:04:07.410 --> 01:04:09.790
Watch out how you behave with me.

01:04:11.200 --> 01:04:13.040
- Thank you, have mercy.

01:04:17.000 --> 01:04:18.620
He's your husband, I'm not.

01:04:21.910 --> 01:04:24.200
Watch out how you behave with me.

01:04:40.160 --> 01:04:41.870
- I didn't ask for this.

01:04:42.290 --> 01:04:45.330
- It's all right, my love. It’s over.

01:04:46.410 --> 01:04:47.950
Come, let's go.

01:04:50.870 --> 01:04:52.120
Come, my love.

01:04:59.910 --> 01:05:03.200
- It's important for you to film those ghosts.

01:05:05.580 --> 01:05:08.410
I think we have everything.

01:05:09.450 --> 01:05:10.540
- So what?

01:05:11.160 --> 01:05:13.500
- I think we have everything we need.

01:05:16.540 --> 01:05:19.080
- I wanted to capture this.
- So, do it.

01:05:19.950 --> 01:05:21.200
Hurry up!

01:05:23.120 --> 01:05:25.500
- I don’t want to rush it.

01:05:28.200 --> 01:05:31.700
- Actually, we do have to rush,
If we're going to do it.

01:05:32.080 --> 01:05:33.500
- Homer, what do you say?

01:05:33.790 --> 01:05:36.950
- I heard something within a hundred meters.

01:05:37.410 --> 01:05:39.250
And they have a good idea too.

01:05:39.620 --> 01:05:42.000
- What idea?
- To drink some rum...

01:05:42.660 --> 01:05:44.370
- I'm going to tell you the truth.

01:05:45.040 --> 01:05:47.910
We are in the ravine,
the central part of the cemetery

01:05:48.370 --> 01:05:51.750
where all the murdered ones are buried.

01:05:54.160 --> 01:05:57.830
At this hour, they all come out to play tag...

01:05:58.160 --> 01:05:59.870
and tic tac toe.

01:06:00.830 --> 01:06:03.660
If you record it even the camera gets fucked.

01:06:03.950 --> 01:06:05.410
- They throw stones too.

01:06:05.910 --> 01:06:07.410
- Uri, let's go.

01:06:07.660 --> 01:06:09.250
- What!?
- We're going back.

01:06:09.450 --> 01:06:10.950
You're leaving?
- Yes.

01:06:12.080 --> 01:06:13.450
- You're leaving me?

01:06:14.200 --> 01:06:16.830
- Yes, stay with your cactus and your shit.

01:06:21.250 --> 01:06:22.910
You're staying with me, Helen.

01:06:28.200 --> 01:06:29.700
- You stay with me, Bud?

01:06:30.410 --> 01:06:32.580
- Yes, Sir.
If you stay, I stay.

01:06:32.790 --> 01:06:34.290
- Perfect, that's it.

01:07:22.580 --> 01:07:26.160
- The sound comes from over there.
- Sounds good. Let's go.

01:07:34.950 --> 01:07:37.500
- It came from around here.
- Here?

01:07:38.290 --> 01:07:40.330
It’s an interesting news program.

01:07:43.120 --> 01:07:44.700
- But we don’t see it now.

01:07:45.790 --> 01:07:47.500
This kitchen is interesting.

01:07:49.790 --> 01:07:51.660
- Who stepped in shit back there?

01:07:52.540 --> 01:07:53.790
- Me.
- Homer.

01:07:54.200 --> 01:07:55.040
- Uri.

01:07:55.870 --> 01:07:56.700
- Wait.

01:08:16.120 --> 01:08:17.330
- Uri!

01:08:20.700 --> 01:08:21.910
- Yes?

01:08:23.200 --> 01:08:24.500
- I'm calling you.

01:08:24.830 --> 01:08:26.700
- I heard you.

01:08:27.000 --> 01:08:28.910
- Aren't I the director too?
- Obviously.

01:08:29.160 --> 01:08:30.540
- So?
- So what?

01:08:30.830 --> 01:08:33.160
- What are you doing?
- You know.

01:08:35.410 --> 01:08:37.790
Insert shots, interesting shots...

01:08:38.620 --> 01:08:39.910
of the environment...

01:08:40.330 --> 01:08:42.450
capturing life in the neighborhood.

01:08:42.870 --> 01:08:45.200
That's what making a film is, isn't it?

01:08:45.580 --> 01:08:47.870
Don't you like atmospheric films?

01:08:48.620 --> 01:08:52.660
I can name a thousand
documentary directors that we like.

01:08:53.200 --> 01:08:56.040
I'm trying to make a film, okay?

01:08:58.000 --> 01:08:59.290
Well, that's it.

01:08:59.500 --> 01:09:02.950
- We are running out of time
with the ice cream vendors.

01:09:05.950 --> 01:09:07.870
- We are running out of time...

01:09:08.200 --> 01:09:10.450
working. What were you doing?

01:09:10.950 --> 01:09:14.080
- Calling the other couples
so we can film them.

01:09:14.410 --> 01:09:15.950
- We're making progress.

01:09:16.250 --> 01:09:19.330
Keep calling and I'll
keep on making the film.

01:09:20.040 --> 01:09:21.450
- You're making the film?

01:09:24.660 --> 01:09:25.750
Unbelievable!

01:09:27.200 --> 01:09:29.700
- Scene 43-6 Take 1. Second clap.

01:09:31.540 --> 01:09:34.160
- See if they're there.
But I doubt it.

01:09:35.410 --> 01:09:38.500
When you take them out of
Gallery, they stay in Google.

01:09:40.540 --> 01:09:42.750
- Here are the ones from the field trip.

01:09:43.370 --> 01:09:46.250
- But you are not there.
- Don't you have an album?

01:09:47.160 --> 01:09:49.410
Don’t you take pictures with that camera?

01:09:51.000 --> 01:09:52.950
- But we don't organize it.

01:09:53.790 --> 01:09:57.160
We take the pictures and that’s it.
- We didn't organize that.

01:09:59.330 --> 01:10:01.580
- There are a lot of pictures here.

01:10:01.950 --> 01:10:03.700
- Whenever you want, Nati...

01:10:05.000 --> 01:10:07.000
Your hand is inside the frame.
- Okay.

01:10:09.500 --> 01:10:11.660
Remember you're in...

01:10:13.790 --> 01:10:15.080
- Hide your hands…

01:10:18.330 --> 01:10:19.200
Move back.

01:10:19.580 --> 01:10:20.700
- Like this?

01:10:21.750 --> 01:10:25.910
- All of the sudden, I see one finger,
part of your head... as you wish...

01:10:26.290 --> 01:10:28.160
We are recording... as you wish...

01:10:28.830 --> 01:10:30.370
Right now we have a finger.

01:10:31.040 --> 01:10:31.910
- A finger?

01:10:32.160 --> 01:10:33.580
- Yes, that finger.

01:10:35.830 --> 01:10:37.040
Now it’s clear.

01:10:42.120 --> 01:10:45.040
- There’s your arm. Ah, no, it's José.

01:10:48.870 --> 01:10:51.700
You're on another one.
- José stole my camera.

01:10:53.790 --> 01:10:55.580
- But you're on another one.

01:10:56.080 --> 01:10:57.870
- Nati, when does the interview start?

01:10:59.580 --> 01:11:01.830
- She's showing me the picture and I'm...

01:11:02.870 --> 01:11:06.250
Now, when she shows me the picture
I'm going to start...

01:11:08.290 --> 01:11:10.370
- You're in charge. As you wish.

01:11:12.080 --> 01:11:14.160
- There are a few pictures…

01:11:14.660 --> 01:11:16.950
- Do you like going to the river a lot?

01:11:17.370 --> 01:11:18.950
- Yeah, it's fun.

01:11:19.500 --> 01:11:20.540
- What do you do?

01:11:22.000 --> 01:11:23.620
- We bring food, we eat.

01:11:24.200 --> 01:11:26.910
- We bring rice and beans, fried chicken...

01:11:28.200 --> 01:11:29.410
- Nati...

01:11:33.830 --> 01:11:34.910
- I'll be back.

01:11:37.700 --> 01:11:40.040
- Put a little more energy into it.

01:11:40.450 --> 01:11:43.160
They're off, you're off.

01:11:45.080 --> 01:11:48.250
They're talking about things
they like to do together...

01:11:48.790 --> 01:11:51.200
fun things and it feels like a...

01:11:52.080 --> 01:11:53.410
Funeral.

01:11:54.200 --> 01:11:55.540
You know?

01:11:56.660 --> 01:11:58.790
There's a lack of energy.

01:11:59.950 --> 01:12:00.910
- Okay.

01:12:04.540 --> 01:12:07.540
- Where did Mari go?
- She's turning off the coffee.

01:12:08.870 --> 01:12:10.950
- We sure need a coffee, right?

01:12:15.790 --> 01:12:17.200
- Can you see?

01:12:19.790 --> 01:12:21.700
What do you think of this interview?

01:12:23.580 --> 01:12:25.290
Maybe you can help Natalia.

01:12:25.660 --> 01:12:27.410
She has questions too.

01:12:29.660 --> 01:12:30.580
Get over here…

01:12:31.410 --> 01:12:33.120
- Shall I do the interview?

01:12:34.040 --> 01:12:35.500
- Quiet, please!

01:12:45.410 --> 01:12:47.620
- Mari, are you ready?
- Yes.

01:12:48.830 --> 01:12:50.750
- Have you ever been sick?

01:12:52.910 --> 01:12:54.700
- Yes, we have had the flu.

01:12:55.200 --> 01:12:58.160
- Flu, headache, neck pain, leg pain...

01:12:58.370 --> 01:12:59.500
- Oh, yes.

01:13:01.040 --> 01:13:02.450
- Or heartache?

01:13:02.870 --> 01:13:03.370
- No.

01:13:04.620 --> 01:13:06.330
- No heart pain?

01:13:09.660 --> 01:13:11.830
- I don't know... this is...

01:13:13.120 --> 01:13:14.910
I don't understand anything.

01:13:15.500 --> 01:13:17.700
- Go on, don't worry.

01:13:18.500 --> 01:13:20.540
- Although Natalia is not there...

01:13:20.870 --> 01:13:24.200
pretend that the questions are asked by her.

01:13:27.250 --> 01:13:29.500
- Uri, come here!

01:13:34.790 --> 01:13:36.040
- What is it?

01:13:36.790 --> 01:13:38.580
- How could you do that to me?
- What?

01:13:38.830 --> 01:13:41.370
- How dare you do that to me?
- Do what to you, Nati?

01:13:41.580 --> 01:13:45.870
- Putting that girl to do the interview!
- What? Speak up, I can't hear you.

01:13:46.330 --> 01:13:50.250
- I don't want the team to notice and
I don't want the neighborhood to notice.

01:13:50.750 --> 01:13:53.750
- To notice what? Don't we make reality films?

01:13:54.000 --> 01:13:57.500
Let them find out.
I'm not ashamed. What are you ashamed of?

01:13:57.750 --> 01:13:59.450
- Even though the interview’s bad...

01:13:59.700 --> 01:14:03.000
how dare you put someone else
in my place, especially a little girl?

01:14:03.160 --> 01:14:05.370
- What's the problem?
It was turning out nice.

01:14:07.620 --> 01:14:09.700
- But I was doing the interview.

01:14:10.790 --> 01:14:13.620
You have disrespected me during this project.

01:14:14.750 --> 01:14:16.330
- You have disrespected me too...

01:14:16.700 --> 01:14:19.000
What is the team going to say?

01:14:19.330 --> 01:14:22.450
You treat me like an idiot
because I'm making a shot of a cactus.

01:14:22.830 --> 01:14:26.120
- I'm not treating you like an idiot.
- You are treating me like an idiot...

01:14:26.620 --> 01:14:29.200
just because I'm making
a shot that interests me.

01:14:29.500 --> 01:14:31.160
What's the problem?

01:14:33.040 --> 01:14:36.450
- What's the problem?
- You tell me, what's the problem.

01:14:37.290 --> 01:14:40.910
- Why are we working together
if we don't understand each other?

01:14:44.410 --> 01:14:47.200
Everyone should make their own film.

01:14:51.830 --> 01:14:53.500
It doesn't seem so dramatic to me.

01:14:53.790 --> 01:14:57.950
- A girl came, she wanted to do the interview.
You're not excited.

01:14:58.290 --> 01:15:01.410
- You weren't enjoying the fucking interview.

01:15:01.750 --> 01:15:05.160
- What if I had put someone else there,
to do the camera for you?

01:15:07.370 --> 01:15:09.040
Would you have liked that?

01:15:11.580 --> 01:15:13.330
You wouldn't have liked that.

01:15:17.540 --> 01:15:19.250
- I don't see it so dramatic.

01:15:24.910 --> 01:15:26.250
- Let's cancel this.

01:15:27.330 --> 01:15:28.250
- Cancel?

01:15:28.580 --> 01:15:30.700
- For today.
- Okay, let's cancel.

01:15:31.120 --> 01:15:32.370
- No party, no nothing.

01:15:33.250 --> 01:15:36.540
- No party, no nothing…
We won't film their dance.

01:15:38.540 --> 01:15:40.580
- Do what you want.
- Do what you want?

01:15:40.830 --> 01:15:41.750
- Yes.

01:16:08.250 --> 01:16:09.620
- I can’t sleep.

01:16:51.330 --> 01:16:53.790
- Good morning, hello Uri.

01:16:54.450 --> 01:16:57.370
I want to talk to you about an idea I have.

01:16:57.790 --> 01:16:59.950
My idea is that, from this moment on...

01:17:03.290 --> 01:17:08.620
there must be a pointing break, a distance
between the character of Oriol and my character.

01:17:11.200 --> 01:17:12.450
We can suggest...

01:17:13.080 --> 01:17:14.790
that we stop talking.

01:17:16.290 --> 01:17:18.450
We can create this scene:

01:17:20.450 --> 01:17:22.870
I am folding the laundry in our room,

01:17:23.160 --> 01:17:24.370
Lia is sleeping.

01:17:26.250 --> 01:17:28.120
Oriol has gone to the park.

01:17:30.370 --> 01:17:35.000
There is a very nice image of Oriol
contemplating the lake in the park.

01:17:40.040 --> 01:17:42.410
We could record a message...

01:17:46.620 --> 01:17:50.330
it could be something like a reconciliation...

01:17:52.040 --> 01:17:54.580
a way to explain why my character
is so unhappy.

01:17:54.870 --> 01:17:57.120
Why I have so many problems with Oriol.

01:17:57.580 --> 01:17:59.950
I could start saying that...

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What I look for in cinema is for
people to love me, but they don't.

01:18:07.790 --> 01:18:09.200
Something like that.

01:18:10.000 --> 01:18:13.370
I believe that my confession
can go something like this...

01:18:15.500 --> 01:18:18.660
Uri could send me a message in response…

01:18:23.160 --> 01:18:25.120
- Let's finish the film, Nati.

01:18:28.040 --> 01:18:29.160
You're right.

01:18:33.500 --> 01:18:34.950
It's all pure ego...

01:18:36.120 --> 01:18:38.160
I don't know, I don't care anymore.

01:18:49.750 --> 01:18:51.040
Whatever you say.

01:18:53.500 --> 01:18:55.790
It's a way of saying I’m sorry.

01:18:58.870 --> 01:19:02.160
- Afterwards, at home, we
can create another scene:

01:19:03.750 --> 01:19:06.160
I'm inside the house, Oriol is on the balcony.

01:19:07.910 --> 01:19:10.200
We have the glass door...

01:19:11.500 --> 01:19:12.580
between us...

01:19:14.120 --> 01:19:16.750
we're playing around
without saying anything...

01:19:17.870 --> 01:19:20.080
it could be a nice transition.

01:20:41.000 --> 01:20:42.200
I'm warm here.

01:20:42.540 --> 01:20:43.620
- Me too.

01:22:04.910 --> 01:22:06.200
- It's almost over.

01:22:40.120 --> 01:22:42.000
We have an audience, right?

01:22:42.290 --> 01:22:44.700
Is a tiny audience,
but it's loyal...

01:22:45.120 --> 01:22:46.910
- That sounds nice.

01:23:05.700 --> 01:23:07.450
- What if we film each other?

01:23:09.330 --> 01:23:10.910
Us making movies...

01:23:11.290 --> 01:23:12.830
our routine. Us with Lia...

01:23:17.290 --> 01:23:18.410
our life.

01:23:23.160 --> 01:23:26.160
- It couldn't get more real or intimate than that.

01:23:29.200 --> 01:23:31.120
- Or not. It could be all a lie.

01:23:32.830 --> 01:23:34.290
- We can make a...

01:23:34.790 --> 01:23:35.790
a fiction.

01:23:38.200 --> 01:23:41.080
- I like the idea of filming us.
I don't know why...

01:23:43.290 --> 01:23:44.950
What should it be about?

01:23:45.620 --> 01:23:47.250
Us making a film?

01:23:48.580 --> 01:23:50.910
- I think the best way to talk about oneself...

01:23:51.910 --> 01:23:53.410
is to film oneself.

01:23:54.370 --> 01:23:57.160
Do you remember the film "Amateur" by Kieslowski?

01:23:57.620 --> 01:23:59.000
- Yeah, I love it.

01:23:59.290 --> 01:24:02.540
- At the end of the film the guy
who was filming...

01:24:02.870 --> 01:24:06.040
goes into crisis and turns
the camera and films himself.

01:24:09.200 --> 01:24:10.910
- We could film our breakfasts.

01:24:11.370 --> 01:24:12.370
- Yes, all.

01:24:13.870 --> 01:24:16.040
- Conversations that don't make any sense.

01:24:21.450 --> 01:24:24.080
Suddenly, we film something
that makes sense.

01:24:26.790 --> 01:24:28.330
Don't you think?
- Yes.