00:00:39.320 --> 00:00:42.240
This picture
by Óscar's great-grandfather

00:00:42.320 --> 00:00:46.640
dates from September 27th 1893
in Mendoza, Argentina.

00:00:46.880 --> 00:00:50.600
There's a hole in the centre
made by fire.

00:00:50.720 --> 00:00:52.320
But the paper's not burnt.

00:00:52.400 --> 00:00:54.600
It's a representation of a hole.

00:00:54.680 --> 00:00:56.680
The landscape isn't really relevant

00:00:56.760 --> 00:00:58.680
it's an accompaniment.

00:00:58.960 --> 00:01:02.240
The artist's eagerness
to trick the spectators

00:01:02.320 --> 00:01:03.960
is such that
this yellow film

00:01:04.040 --> 00:01:07.520
produced by the heat on the paper
before it burns

00:01:07.640 --> 00:01:09.720
dyes the upper part of the picture.

00:01:09.920 --> 00:01:12.800
The centre of the hole
-representing the void-

00:01:12.920 --> 00:01:15.960
is white, level, and has no depth.

00:02:29.080 --> 00:02:32.000
Welcome to the Dominican Republic
on your first visit.

00:02:32.080 --> 00:02:34.880
What did you come here for?

00:02:35.480 --> 00:02:36.560
I don't know.

00:02:39.000 --> 00:02:41.240
I don't know for sure, well

00:02:41.600 --> 00:02:43.800
I've come to watch films.

00:02:44.240 --> 00:02:46.680
And what do you expect to find?

00:02:46.840 --> 00:02:51.920
I hope to find interesting films
from the Caribbean region.

00:02:52.960 --> 00:02:55.480
I presume there's a section
of that type.

00:02:55.600 --> 00:03:00.480
Do you know
any Dominican film productions

00:03:00.600 --> 00:03:03.520
which you could give us
your opinion of?

00:03:03.680 --> 00:03:05.160
No, not really.

00:03:08.760 --> 00:03:10.520
-It's decaf, isn't it?
-Yes, sir.

00:03:10.600 --> 00:03:12.720
-Thank you very much.
-Enjoy your meal.

00:03:12.800 --> 00:03:13.880
Thanks.

00:03:32.240 --> 00:03:33.840
The interior of the Cathedral.

00:03:33.920 --> 00:03:35.960
The Columbus Lighthouse.

00:03:36.040 --> 00:03:39.880
The interior of the lighthouse.
The Columbus' family house

00:03:40.000 --> 00:03:43.160
The Pantheon of the Fatherland.
The fortress.

00:03:43.240 --> 00:03:44.240
Yes.

00:03:44.320 --> 00:03:46.080
The Government Palace.

00:03:46.320 --> 00:03:49.880
The Three Eyes Park
and the map of the country.

00:03:49.960 --> 00:03:50.960
Very nice.

00:03:51.040 --> 00:03:53.720
We offer all this as tour guides.

00:03:53.800 --> 00:03:55.440
Thank you very much, but...

00:03:55.520 --> 00:03:57.760
Look, as you were talking...
Alber!

00:03:57.840 --> 00:04:01.280
This young man here
will show you these sets...

00:04:01.680 --> 00:04:03.240
-Greetings, sir.
-Hello.

00:04:03.320 --> 00:04:07.560
These are complete sets
that include the necklace...

00:04:07.640 --> 00:04:10.440
-Yes...
-And all complete.

00:04:10.520 --> 00:04:11.520
Ok.

00:04:11.640 --> 00:04:16.840
I am going to look around
and then I'll be back later.

00:04:17.040 --> 00:04:21.000
But before you go,
let me show you the magnets

00:04:21.080 --> 00:04:23.800
with Dominican figures...

00:04:24.080 --> 00:04:27.280
I'm not interested in magnets
because I get electric shocks.

00:04:27.360 --> 00:04:29.400
For your fridge...

00:04:29.680 --> 00:04:33.640
I put a magnet on my fridge
and I get a shock.

00:05:12.720 --> 00:05:14.840
What do you do when you go to Cannes?

00:05:14.920 --> 00:05:21.320
I walk along
the Boulevard de la Croisette

00:05:21.720 --> 00:05:24.040
towards the Palais des Festivals

00:05:25.040 --> 00:05:27.880
and I wake up as I walk.

00:05:29.040 --> 00:05:31.240
I try not to wake up completely

00:05:31.320 --> 00:05:35.000
because the first session
starts at 8 am

00:05:35.440 --> 00:05:38.600
and it's nice to be
half asleep when the film starts

00:05:38.680 --> 00:05:40.520
not to fall asleep during the film

00:05:40.600 --> 00:05:43.320
but to watch it
from a sleepy point of view.

00:05:43.400 --> 00:05:44.880
-Drowsy.
-Yes, drowsy.

00:05:44.960 --> 00:05:48.240
It kind of softens the film.

00:05:48.320 --> 00:05:51.720
If the film's bad,
it doesn't seem so bad.

00:05:51.800 --> 00:05:53.960
If it's good,
it doesn't seem so good.

00:05:54.040 --> 00:05:58.440
It's like a sort of golden mean,

00:05:59.040 --> 00:06:01.960
someting standard.

00:06:02.200 --> 00:06:05.600
It's very comfortable

00:06:06.200 --> 00:06:08.040
because you're not passionate.

00:06:09.800 --> 00:06:13.560
Gentlemen, friends,
thank you for this opportunity

00:06:13.640 --> 00:06:15.360
here in Confabulaciones

00:06:15.440 --> 00:06:18.080
where we've been talking to
none other than

00:06:18.160 --> 00:06:25.000
the President of the Federation
of Film Critics of Spain.

00:06:39.720 --> 00:06:42.320
Usually, there's an initial vote

00:06:42.400 --> 00:06:46.400
in which you vote for,
B and C against D and E

00:06:46.480 --> 00:06:47.480
OK.

00:06:47.560 --> 00:06:49.360
-But you don't mention A.
-Never.

00:06:49.440 --> 00:06:52.520
Very often there's a draw

00:06:53.120 --> 00:06:58.400
with positions
wich can't move.

00:06:58.480 --> 00:06:59.360
OK.

00:06:59.440 --> 00:07:02.920
so you kindly suggest
A as an alternative.

00:07:03.040 --> 00:07:06.040
Wich is your initial choice.

00:07:06.120 --> 00:07:09.200
Yes, exactly, Usually it works out

00:07:10.600 --> 00:07:14.480
It depends, because you know
there are stubborn people.

00:07:14.560 --> 00:07:19.680
Which is why you have to vote,
because you can't convince anyone

00:07:19.760 --> 00:07:23.920
I remember this strategy
you mention in Puerto Rico

00:07:24.000 --> 00:07:25.680
you managed it well.

00:07:27.720 --> 00:07:29.080
You did really well.

00:07:44.520 --> 00:07:49.640
To a certain extent,
you have to buy the critics.

00:07:50.520 --> 00:07:54.240
Not with money...

00:07:55.720 --> 00:07:56.960
Well, I wish.

00:07:57.400 --> 00:08:00.560
No one offered me money,
unfortunately...

00:08:02.160 --> 00:08:06.040
For example,
try to befriend the critic.

00:08:08.400 --> 00:08:12.480
Buy them a drink.

00:08:12.600 --> 00:08:15.800
Give them a bottle of wine
or something.

00:08:16.240 --> 00:08:19.400
I say this because that's
what the big producers do.

00:08:20.000 --> 00:08:21.400
I have a film competing.

00:08:21.480 --> 00:08:25.120
I happened to have lunch next
to the jury and was told not to.

00:08:25.200 --> 00:08:26.760
I wouldn't have said anything.

00:08:26.840 --> 00:08:31.720
To hear that it's the most normal
thing to invite them for a meal.

00:08:31.800 --> 00:08:35.560
Talk about the film and
somehow sell it to them.

00:08:35.680 --> 00:08:39.280
I find it absolutely disgusting

00:08:39.800 --> 00:08:43.800
and for you to confirm
that it happens this way...

00:08:45.800 --> 00:08:48.320
It's been wonderful
listening to you.

00:08:58.600 --> 00:09:01.560
The fourth identified kamikaze
is Sami Aminur

00:09:01.640 --> 00:09:04.840
a 28 year old Frenchman
who took part in the massacre

00:09:04.920 --> 00:09:07.560
carried out in the Bataclan Theatre.

00:09:07.720 --> 00:09:11.680
According to the Paris prosecutor
he was investigated in 2012

00:09:11.760 --> 00:09:14.160
for associations
with a terrorist group.

00:11:07.440 --> 00:11:09.560
I had heard of your methodology.

00:11:09.640 --> 00:11:12.800
The idea of discussing
a film you haven't seen.

00:11:13.080 --> 00:11:16.640
It's essential to say
something interesting.

00:11:16.720 --> 00:11:21.160
Yes. You can apply it to anything.

00:11:21.400 --> 00:11:22.400
Yes.

00:11:22.480 --> 00:11:25.440
But people find it
a bit embarrassing,

00:11:25.520 --> 00:11:27.560
but it's a good method.

00:11:27.640 --> 00:11:30.920
Maybe they're conscious
that they have little time

00:11:31.000 --> 00:11:33.440
to discuss everything
they don't know.

00:11:33.520 --> 00:11:34.520
Of course.

00:11:35.080 --> 00:11:38.160
In that sense,

00:11:38.520 --> 00:11:40.640
I know we are going to be successful.

00:11:40.800 --> 00:11:43.760
Revisiting classics by David Lean,
Brief Encounter

00:11:43.880 --> 00:11:45.680
or Robert Altman's Short cuts

00:11:45.840 --> 00:11:49.720
or Werner Herzog's
Even Dwarfs Started Small

00:11:49.800 --> 00:11:52.040
But before these mini sections

00:11:52.120 --> 00:11:55.600
there's a page in which Óscar
discusses in-depth

00:11:55.680 --> 00:11:58.080
a film that he hasn't seen..

00:12:31.600 --> 00:12:33.920
I thought: "What are the elements

00:12:34.080 --> 00:12:36.240
"that aren't the film itself

00:12:38.160 --> 00:12:42.120
"and give some type of information?"

00:12:42.400 --> 00:12:44.080
There's the poster,

00:12:44.560 --> 00:12:47.000
the name of the film,

00:12:47.120 --> 00:12:51.760
the prosody,
the sound of the words in the title

00:12:52.160 --> 00:12:54.520
the sound of the actors' words.

00:12:55.080 --> 00:12:56.760
The colour...

00:12:56.840 --> 00:12:58.840
The poster in all its glory.

00:12:58.920 --> 00:13:01.720
The drawing,
the colour, the texture,

00:13:02.480 --> 00:13:04.400
the shape, everything.

00:13:04.560 --> 00:13:08.280
With these elements,
we can create a critique.

00:13:27.120 --> 00:13:29.680
What do you think of
the Las Palmas Festival?

00:13:29.760 --> 00:13:31.080
Very interesting.

00:13:31.600 --> 00:13:33.480
There are great films.

00:13:33.560 --> 00:13:36.120
They have a very
interesting programme

00:13:36.360 --> 00:13:40.120
all sections are interesting
and very good.

00:13:40.200 --> 00:13:41.920
How many have you seen?

00:13:42.000 --> 00:13:44.000
-None.
-None?

00:13:44.080 --> 00:13:47.400
-None.
-How can they seem interesting?

00:13:47.480 --> 00:13:51.600
Because of the title and the poster.

00:13:53.480 --> 00:13:56.720
The films give out a certain energy

00:13:57.400 --> 00:14:01.400
which you can see and sense.

00:14:01.600 --> 00:14:04.080
-A critique can't be invented.
-What?

00:14:04.680 --> 00:14:08.000
I don't think something invented
can be called a critique.

00:14:11.920 --> 00:14:15.720
I believe that critiques
shouldn't be taken seriously

00:14:15.800 --> 00:14:17.400
or anything really

00:14:17.760 --> 00:14:22.720
or you'll clash with stupidity

00:14:22.800 --> 00:14:24.440
and pedantry.

00:14:24.600 --> 00:14:29.040
But there's a minimum level
that shouldn't be exceeded

00:14:29.120 --> 00:14:32.600
or you begin to mislead and lie.

00:14:32.920 --> 00:14:34.480
You've said that

00:14:35.080 --> 00:14:38.440
one of the enemies
of critiques or journalism is

00:14:38.520 --> 00:14:43.040
the interest, the propaganda,
the market and political objectives.

00:14:43.640 --> 00:14:47.800
If there's something that a critique
is opposed to, it's invention.

00:14:47.960 --> 00:14:50.960
Then it's a novel or fiction,
but not journalism.

00:15:32.280 --> 00:15:33.880
You've just watched crap?

00:15:34.320 --> 00:15:36.360
That's because you watch films.

00:15:41.000 --> 00:15:42.200
How are you?

00:15:44.400 --> 00:15:46.000
I'm at the hotel.

00:15:47.640 --> 00:15:50.320
A film without a story
would be amazing.

00:15:51.120 --> 00:15:54.000
The non-existent film.
That'd be genius.

00:15:54.080 --> 00:15:55.040
Yes.

00:15:55.120 --> 00:15:58.280
But a black screen
for a couple of hours counts.

00:15:58.600 --> 00:16:02.080
Of course it does.
So does silence.

00:16:02.160 --> 00:16:03.240
Of course.

00:16:04.680 --> 00:16:07.880
Cinema in the end is absurd

00:16:07.960 --> 00:16:12.320
it's the return to the cave
for the primitive man

00:16:13.800 --> 00:16:17.000
contemplating emptiness.
-Of course.

00:16:17.720 --> 00:16:21.680
-Shelter.
-Darkness and everything together.

00:16:22.080 --> 00:16:26.640
It's pure deceit in the end

00:16:27.160 --> 00:16:28.800
an absurdity.

00:16:28.880 --> 00:16:33.400
I'd rather be in bed,
on my own with the computer,

00:16:33.680 --> 00:16:34.920
watching a film.

00:16:35.000 --> 00:16:37.480
Being in a place
sorrounded by people,

00:16:37.560 --> 00:16:39.240
that's not my cup of tea.

00:16:39.320 --> 00:16:41.960
So I might have evolved

00:16:42.680 --> 00:16:45.440
from a primitive man
to something else.

00:16:47.960 --> 00:16:50.520
At what time's your film?
-At nine.

00:16:50.600 --> 00:16:52.320
-At nine today.
-Yes.

00:16:53.720 --> 00:16:56.840
OK, I might go.
I should be able to.

00:16:58.120 --> 00:17:00.880
Moscow by Rafa Navarro Miñón,
Enjoy.

00:17:42.080 --> 00:17:43.800
That's it you know.

00:17:49.520 --> 00:17:51.560
It's a kind of a parabola.

00:17:53.320 --> 00:17:56.800
But they are
three clearly defined characters.

00:17:57.720 --> 00:17:59.440
Completely defined.

00:18:03.840 --> 00:18:06.720
Because it's you, you and you.

00:18:09.280 --> 00:18:12.480
It's defined by the...
-By the U.

00:18:12.800 --> 00:18:15.040
-No, by the...

00:18:15.880 --> 00:18:18.680
by their solitude.

00:18:19.680 --> 00:18:20.800
Of course.

00:18:22.640 --> 00:18:24.720
I say it if you've seen the film...

00:18:24.800 --> 00:18:27.360
They are isolated from one another.

00:18:30.320 --> 00:18:33.280
-Because you've seen the film...
-What?

00:18:33.360 --> 00:18:35.840
-Have you seen the film?
-Yes.

00:18:36.480 --> 00:18:39.440
-You didn't fall asleep...
-I don't think so.

00:18:40.600 --> 00:18:42.240
I think I saw it.

00:18:44.800 --> 00:18:46.240
You see "Moscow".

00:18:47.480 --> 00:18:51.120
-At the start...
-At what point does "Moscow" appear?

00:18:51.200 --> 00:18:52.960
At the beginning...

00:18:53.680 --> 00:18:57.480
-When does it start?
-That's the problem.

00:18:57.560 --> 00:18:59.600
When does a film start?

00:18:59.760 --> 00:19:02.760
At the beginning,
in the middle, at the end?

00:19:02.840 --> 00:19:06.280
When do you see Moscow
and know that it's Moscow?

00:19:06.720 --> 00:19:10.800
Well you see Moscow,
when you see Moscow.

00:19:13.960 --> 00:19:15.480
That's marvellous

00:19:15.560 --> 00:19:18.440
because the most important thing

00:19:18.760 --> 00:19:21.800
in the Moscow film...

00:19:23.520 --> 00:19:24.920
is seeing Moscow.

00:19:25.000 --> 00:19:27.000
-Of course.
-In any scene.

00:19:27.160 --> 00:19:31.480
-Even if it doesn't look like it.
-Exactly.

00:19:31.800 --> 00:19:35.280
Because Moscow
transcends the name "Moscow".

00:19:37.480 --> 00:19:41.200
In that way,
the film is paradigmatic.

00:19:48.400 --> 00:19:53.320
If you had to somehow rate the film,

00:19:54.600 --> 00:19:57.000
would you do it
positively or negatively?

00:19:59.520 --> 00:20:01.520
I think that...

00:20:03.320 --> 00:20:06.240
Because what I really care about

00:20:06.880 --> 00:20:10.520
is the jury's opinion,
so I can get the award.

00:20:10.600 --> 00:20:11.640
Sure.

00:20:11.720 --> 00:20:14.120
The rest is useless.

00:20:14.200 --> 00:20:17.160
-If you say...
-Yes, it doesn't matter at all.

00:20:17.800 --> 00:20:20.720
Anything I can say is useless.

00:20:20.800 --> 00:20:25.840
Unles you publish it somewhere...

00:20:25.920 --> 00:20:28.400
Or unless a member
of the jury is my friend.

00:20:29.200 --> 00:20:31.800
That's how things work,

00:20:31.880 --> 00:20:34.920
through influence and connections.

00:20:35.000 --> 00:20:37.480
One of the members
of the jury is my friend.

00:20:41.200 --> 00:20:42.600
But...

00:20:48.600 --> 00:20:53.160
I think you explore
all the possibilites from A to B.

00:21:07.200 --> 00:21:10.640
SENIOR CITIZEN

00:21:10.840 --> 00:21:14.400
President of the Spanish Association of
Film Critics and delegate of FIPRESCI

00:21:18.080 --> 00:21:20.720
ÓSCAR PEYROU
CHANGE OF ADDRESS

00:21:45.120 --> 00:21:46.840
How old was Silvia?

00:21:47.240 --> 00:21:49.280
She was...

00:21:50.040 --> 00:21:51.880
She was 70.

00:21:53.840 --> 00:21:57.000
It's a young age to die.

00:22:18.880 --> 00:22:20.600
I'm where I used to live.

00:22:21.040 --> 00:22:24.520
Until we separated,
my daughter lives here now.

00:22:25.240 --> 00:22:27.040
I came to pick up a picture

00:22:27.720 --> 00:22:30.320
I don't know how long I'll be.

00:22:30.400 --> 00:22:32.960
Shall I call you when I finish?

00:22:40.600 --> 00:22:41.920
Bye!

00:24:05.560 --> 00:24:08.200
Did you talk to her before she died?

00:24:09.160 --> 00:24:12.720
-What?
-Did you talk to her before she died?

00:24:12.800 --> 00:24:14.960
No, because she was very angry.

00:24:15.040 --> 00:24:17.520
-She was still angry.
-Yes.

00:24:18.160 --> 00:24:19.480
Does it hurt you?

00:24:20.840 --> 00:24:22.880
-What?
-Does it hurt you?

00:24:24.320 --> 00:24:25.400
No.

00:24:28.120 --> 00:24:30.680
I don't know,
She didn't want to speak.

00:24:33.200 --> 00:24:34.840
I was unforgivable.

00:24:36.280 --> 00:24:40.600
I left her for a younger woman.

00:24:45.000 --> 00:24:46.680
That is unforgivable.

00:24:47.760 --> 00:24:49.000
Yes, it hurts.

00:24:54.320 --> 00:24:57.520
On top of that she became ill
right after that.

00:24:57.800 --> 00:25:00.760
It was a terrible mess.

00:25:19.920 --> 00:25:21.800
You got up without limping.

00:25:21.880 --> 00:25:24.400
You left quickly not to be seen.

00:25:24.480 --> 00:25:25.480
Yes.

00:25:25.640 --> 00:25:30.600
I thought:
"That old bastard again!"

00:25:33.040 --> 00:25:36.400
It's a good technique
to avoid queues.

00:25:36.480 --> 00:25:37.600
It's great!

00:25:37.680 --> 00:25:39.800
Especially in airports with

00:25:39.880 --> 00:25:42.760
a lot of slow immigration procedures

00:25:43.320 --> 00:25:45.960
you can spend 3 to 4 hours waiting.

00:25:46.440 --> 00:25:49.920
Or connections
where you change terminal

00:25:50.000 --> 00:25:52.440
It's difficult and time-consuming

00:25:52.520 --> 00:25:54.520
and you could get it wrong

00:25:54.600 --> 00:25:57.680
So you ask the airline
for a wheelchair,

00:25:57.760 --> 00:26:00.160
they take you, no questions asked

00:26:00.240 --> 00:26:04.360
But isn't there a disabled person
without a wheelchair?

00:26:04.440 --> 00:26:08.080
No. There are many wheelchairs
and people.

00:26:08.160 --> 00:26:11.520
-OK...
-I don't feel guilty at all.

00:26:11.600 --> 00:26:12.600
OK.

00:27:41.720 --> 00:27:43.960
-Have you seen any films?
-What?

00:27:44.040 --> 00:27:46.400
-Have you seen any films?
-No

00:27:47.600 --> 00:27:49.800
I saw a snippet on YouTube.

00:27:51.280 --> 00:27:52.360
It was really good.

00:27:52.440 --> 00:27:54.760
-But nothing at the festival?
-No

00:27:57.160 --> 00:28:00.440
20 hours on a plane
and you don't watch a film?

00:28:00.520 --> 00:28:01.640
You only came for me.

00:28:01.720 --> 00:28:03.800
I came to buy underpants.

00:28:06.480 --> 00:28:09.080
Why does no one believe me?

00:28:09.200 --> 00:28:11.080
I believe you.

00:28:15.000 --> 00:28:18.480
Some people go to the sales in London

00:28:19.520 --> 00:28:23.160
to buy a cashmere jumper, for example

00:28:23.920 --> 00:28:29.880
the cashmere jumper may cost
around €200 in the sales

00:28:30.960 --> 00:28:35.120
And people spend €500
to travel there. How about that?

00:28:35.240 --> 00:28:37.080
And you criticise them?

00:28:37.160 --> 00:28:38.160
Of course.

00:28:38.240 --> 00:28:41.400
But you and your underpants,
isn't it the same?

00:28:41.480 --> 00:28:43.160
No, I didn't pay to travel.

00:28:43.240 --> 00:28:45.320
You're a right bastard

00:28:45.400 --> 00:28:47.960
If I paid to travel, I wouldn't.

00:28:48.040 --> 00:28:50.680
-The flight, the hotel...
-Nothing.

00:28:51.160 --> 00:28:53.720
Óscar's been with us for many years.

00:28:54.400 --> 00:28:56.280
Some 15 years visiting us.

00:28:56.360 --> 00:28:59.360
-Not 15 years, 27 years.
-27 years?

00:28:59.440 --> 00:29:02.080
-I was here before you
-I can't remember.

00:29:02.600 --> 00:29:05.360
But it's a tradition we always do.

00:29:05.440 --> 00:29:07.080
I love having you here

00:29:07.160 --> 00:29:10.040
I have invited
the Argentinian Consul.

00:29:10.400 --> 00:29:11.560
-Thank you
-Very good

00:29:11.640 --> 00:29:13.360
-Welcome
-Thank you

00:29:18.120 --> 00:29:23.040
A beautiful 40-year-old woman
appeared out of the blue

00:29:23.400 --> 00:29:24.480
so...

00:29:24.560 --> 00:29:27.760
-That's never a problem
-No, never.

00:29:28.840 --> 00:29:32.400
In the end she was a psychopath,

00:29:32.480 --> 00:29:34.000
that's another story.

00:29:34.240 --> 00:29:37.560
The fact is that we separated

00:29:40.840 --> 00:29:42.400
obviously...

00:29:43.280 --> 00:29:45.600
Silvia had had various cancers

00:29:46.120 --> 00:29:48.080
and in the end...

00:29:49.000 --> 00:29:54.520
she was very scared of the scans
because of the radiation

00:29:54.640 --> 00:29:59.640
despite the doctors saying
she had to have a scan

00:29:59.920 --> 00:30:02.680
she only had a radiography a year.

00:30:02.840 --> 00:30:04.200
That's sufficient.

00:30:04.840 --> 00:30:10.760
But the last radiography didn't show
a tumour she had in her lung.

00:31:18.840 --> 00:31:20.720
I struggle to sleep.

00:31:22.200 --> 00:31:24.720
-What's wrong?
-I'm jet-lagged

00:31:25.120 --> 00:31:29.320
The time change...
I wake up at 4 a.m.

00:31:29.400 --> 00:31:31.040
then I can't sleep...

00:31:31.120 --> 00:31:33.680
It's not jet lag
or the time change.

00:31:33.760 --> 00:31:36.640
It's that conscience of ours

00:31:37.040 --> 00:31:39.240
full of things and stuff

00:31:40.960 --> 00:31:42.680
that doesn't let us sleep.

00:32:05.600 --> 00:32:08.680
-Your critique isn't objective.
-It is.

00:32:08.760 --> 00:32:11.320
No, you're inventing the film.

00:32:13.960 --> 00:32:15.560
It's based on the posters.

00:32:15.640 --> 00:32:20.320
If I see the film, it's subjective
because it's my opinion.

00:32:20.400 --> 00:32:22.280
That's completely subjective.

00:32:22.520 --> 00:32:25.720
You don't need to watch the film
to be objective.

00:32:26.360 --> 00:32:28.360
You should discuss objective things.

00:32:28.440 --> 00:32:31.960
The poster, the actors,
the name of the actors,

00:32:32.080 --> 00:32:36.640
the prosody;
the sound of the words of the names...

00:32:37.120 --> 00:32:39.040
Then you draw conclusions.

00:32:39.920 --> 00:32:42.840
So you're the only film critic
who doesn't watch films

00:32:42.920 --> 00:32:46.000
you just look at the posters?
-No, there's another one.

00:32:53.000 --> 00:32:56.600
Everyone has a shell.
Even those who think they don't.

00:32:56.680 --> 00:32:58.600
The shell is what you built

00:32:58.680 --> 00:33:03.120
from the fear
that structures and governs you.

00:33:03.200 --> 00:33:04.760
You know? Shells are...

00:33:04.840 --> 00:33:07.640
That's why shells are linked to fear.

00:33:07.720 --> 00:33:10.560
Yes, but you don't let fear take over

00:33:10.640 --> 00:33:11.680
your feelings.

00:33:11.760 --> 00:33:15.040
Initially, it's a process
not a sudden change.

00:33:15.120 --> 00:33:20.320
Exactly. But you are yourself only
when you bury your head in the pillow

00:33:20.400 --> 00:33:23.360
and you're no longer
in day-to-day life.

00:33:23.440 --> 00:33:26.040
Fear won't allow you to enjoy life

00:34:06.680 --> 00:34:08.480
-Blink first.
-OK.

00:34:08.560 --> 00:34:09.840
What letter is it?

00:34:11.240 --> 00:34:12.680
I can't see it well.

00:34:14.560 --> 00:34:17.000
I think the other glasses work better.

00:34:17.520 --> 00:34:20.080
G or D, or...

00:34:20.640 --> 00:34:21.920
And now?

00:34:37.480 --> 00:34:39.720
UKIP's celebration
didn't wait

00:34:39.800 --> 00:34:42.360
and Nigel Farage, far-right leader

00:34:42.440 --> 00:34:45.440
has already proclaimed
Britain's independence day

00:34:45.520 --> 00:34:47.400
and asked
Cameron to resign.

00:35:05.960 --> 00:35:07.840
-Here, here, below.
-At the bottom.

00:35:10.320 --> 00:35:11.720
You've deleted it.

00:35:14.200 --> 00:35:16.240
-I'll use my thumb.
-OK

00:35:20.200 --> 00:35:22.720
-Here's your pass.
-OK

00:35:35.480 --> 00:35:36.480
Yes...

00:35:37.280 --> 00:35:39.800
Yes, I can see that film tomorrow.

00:35:41.680 --> 00:35:43.040
OK, fine.

00:35:43.640 --> 00:35:46.840
We can meet in half and hour
at the theatre.

00:35:48.680 --> 00:35:50.240
There's no one left.

00:35:50.480 --> 00:35:52.840
It's really unbelievable.

00:35:54.960 --> 00:35:57.800
I feel like a sort of alien,

00:35:57.880 --> 00:36:00.040
someone from another planet

00:36:00.520 --> 00:36:04.440
or a man who lives for 500 years

00:36:04.520 --> 00:36:07.400
and is in the same place
500 years later.

00:36:08.880 --> 00:36:11.560
It's odd not seeing anyone.

00:36:11.920 --> 00:36:13.840
There could be one, two, three...

00:36:14.160 --> 00:36:18.080
Maybe not many,
because many might have retired,

00:36:18.800 --> 00:36:21.160
but it's odd not to see anyone.

00:36:21.240 --> 00:36:22.960
It's like day and night.

00:36:39.080 --> 00:36:40.880
-Good morning.
-Hello.

00:36:40.960 --> 00:36:42.840
-Orange juice?
-Yes please.

00:36:47.240 --> 00:36:49.360
-Coffee?
-Solo decaf.

00:36:49.440 --> 00:36:51.280
-Americano?
-Yes, please.

00:36:56.520 --> 00:36:57.600
Thanks.

00:37:04.560 --> 00:37:05.680
Next question.

00:37:05.760 --> 00:37:09.840
Mr McGregor,
McEwan, sorry...

00:37:10.920 --> 00:37:14.960
Do you think that
the posters promoting your film

00:37:15.240 --> 00:37:20.520
clearly and intimately reflect

00:37:20.600 --> 00:37:22.440
the sense of the film?

00:37:22.560 --> 00:37:23.720
In other words,

00:37:23.800 --> 00:37:27.160
do you think a film review
could be done

00:37:27.240 --> 00:37:29.160
with the poster alone?

00:37:54.960 --> 00:37:58.520
You should never forget that

00:37:59.040 --> 00:38:03.080
you are someone valuable
as long as you express yourself.

00:38:03.400 --> 00:38:04.400
If you don't...

00:38:04.480 --> 00:38:07.400
No, of course.
If you don't, it's no use

00:38:07.480 --> 00:38:08.440
and you're nobody.

00:38:08.520 --> 00:38:10.280
If a great tenor...

00:38:10.960 --> 00:38:14.560
or a mezzo soprano lose their voice
no one will contact them.

00:38:14.640 --> 00:38:16.080
That's how it is.

00:38:16.160 --> 00:38:19.840
It's good that
you can get away from journalism.

00:38:19.920 --> 00:38:22.200
-Yes
-You are there for years

00:38:22.560 --> 00:38:24.600
working, fighting...

00:38:24.760 --> 00:38:27.360
But you need to leave
at some stage.

00:38:47.360 --> 00:38:50.120
He defends the invented critic.

00:38:50.200 --> 00:38:53.520
How do you define
this idea of Óscar Peyrou?

00:39:25.560 --> 00:39:28.280
Thank you Mr Klaus Eder,
president of FIPRESCI.

00:39:34.720 --> 00:39:37.680
What interests me the most
are the people bothered

00:39:39.360 --> 00:39:41.760
by the articles in Canibaal.

00:39:44.200 --> 00:39:45.200
Who...?

00:39:45.280 --> 00:39:48.600
Receiving praise
is the least important.

00:39:48.920 --> 00:39:52.600
I much prefer to be slandered.

00:39:53.360 --> 00:39:57.400
I think of defamation
as a mark of honesty.

00:39:57.480 --> 00:39:59.800
-Like a praise
-It's an honest expression

00:39:59.880 --> 00:40:03.080
of interest in what you do.
-It's a negative praise.

00:40:03.160 --> 00:40:03.720
Yes.

00:40:13.600 --> 00:40:19.200
These newspapers are part
of a large global company

00:40:19.280 --> 00:40:24.640
which has film producers,
publishing houses...

00:40:25.000 --> 00:40:29.840
And the critics of these newspapers
have to express a favourable critique

00:40:30.320 --> 00:40:34.160
of the films produced
by their company.

00:42:35.720 --> 00:42:37.280
The awakening was...?

00:42:37.360 --> 00:42:39.000
The first one.

00:42:39.120 --> 00:42:44.000
The character who decides
not to disconnect his mobile

00:42:44.080 --> 00:42:48.880
who sees them all hooked.
It had something, the music.

00:42:49.080 --> 00:42:53.120
And the other one?
Start over?

00:42:53.560 --> 00:42:55.560
Start over is with the woman

00:42:55.640 --> 00:42:59.280
who talks about Instagram
and the guy who's into gaming.

00:42:59.360 --> 00:43:01.400
-It was long.
-With the dream.

00:43:01.480 --> 00:43:04.680
They went back in the past
and met in the street.

00:45:43.800 --> 00:45:48.120
-He really liked this morning's film
-Yes

00:45:48.200 --> 00:45:54.280
I'm a bit undecided but the argument
of the first film is significant.

00:45:54.360 --> 00:45:58.640
Anne Fontaine already has
a long career.

00:45:58.720 --> 00:46:02.840
Yes, I think it's a good film too.

00:46:02.920 --> 00:46:08.600
It's correct, but I don't know
which is better between

00:46:09.000 --> 00:46:10.920
The innocents and Clash.

00:46:11.000 --> 00:46:14.640
That's the issue obviously,

00:46:14.720 --> 00:46:17.320
how do we decide?

00:46:17.640 --> 00:46:21.880
The innocents is complexer
than the other one.

00:46:21.960 --> 00:46:25.280
I think it's the most beautiful.

00:46:25.360 --> 00:46:27.600
- The Innocents?
-Yes, The innocents

00:46:27.720 --> 00:46:31.680
I tolk René that

00:46:31.880 --> 00:46:38.360
the film this morning
doesn't present a particular film.

00:46:38.480 --> 00:46:41.640
It can give more visibility to

00:46:41.720 --> 00:46:44.800
a new young director...

00:46:44.880 --> 00:46:48.800
-A beginner.
-Your point of view is interesting.

00:47:31.640 --> 00:47:38.200
And the International Federation
of Film Critics award...

00:47:41.240 --> 00:47:43.480
And the award for...

00:47:46.480 --> 00:47:50.320
the International Film Fest...

00:47:50.720 --> 00:47:51.800
No...

00:47:51.880 --> 00:47:54.920
And the International...

00:48:03.880 --> 00:48:05.360
-This way.
-Thanks.

00:48:22.960 --> 00:48:24.200
Óscar...

00:48:25.960 --> 00:48:30.920
The jury of the International
Federation of Film Critics

00:48:31.120 --> 00:48:35.640
composed of
Salvatore Marfella, from Italy,

00:48:35.880 --> 00:48:38.360
René Marx, from France,

00:48:38.600 --> 00:48:43.080
and Óscar Peyrou,
I think that's me, from Spain,

00:48:44.480 --> 00:48:50.160
have decided to award
the FIPRESCI prize to

00:48:50.400 --> 00:48:53.120
the French-Polish co-production

00:48:53.480 --> 00:48:57.200
Les innocentes,
The Innocents,

00:48:58.760 --> 00:49:01.320
directed by Anne Fontaine.

00:49:12.400 --> 00:49:16.120
Give a warm welcome to

00:49:17.760 --> 00:49:21.200
Enrique González Kühn
form Caramel, the distributor.

00:49:42.280 --> 00:49:44.360
-Done?
-A few words please.

00:49:44.880 --> 00:49:46.240
You come this way please.

00:49:46.320 --> 00:49:47.880
Hello, good evening.

00:49:48.280 --> 00:49:50.040
I'll be brief.

00:49:50.280 --> 00:49:53.080
Anne Fontaine was with us here

00:49:53.160 --> 00:49:56.200
with the media
but had to return to France.

00:49:56.400 --> 00:49:59.280
The Innocents is a true story

00:49:59.360 --> 00:50:02.720
directed by a woman,
played by women too.

00:50:02.880 --> 00:50:07.120
It's a film about faith,
love and maternity.

00:50:48.240 --> 00:50:52.600
They give a 95% chance of victory

00:50:52.680 --> 00:50:54.640
to the Republican candidate.

00:50:54.720 --> 00:50:56.760
Trump has been the whole evening

00:50:56.840 --> 00:51:00.040
accompanied by his wife
and family members.

00:51:00.120 --> 00:51:02.680
We guess he'll soon want to appear

00:51:02.760 --> 00:51:05.080
to announce his victory.

00:52:10.280 --> 00:52:14.520
You were closer
to dad than mum.

00:52:14.920 --> 00:52:19.800
For me it was the opposite,
I was closer to mum than dad.

00:52:19.880 --> 00:52:22.400
Perhaps a product of the same...

00:52:23.880 --> 00:52:26.720
I didn't feel
like dad didn't love me,

00:52:29.080 --> 00:52:32.080
but I felt that he preferred you.

00:52:32.880 --> 00:52:35.760
-Oh, really?
-He had his reasons.

00:52:37.760 --> 00:52:39.880
Two days after arriving in Madrid

00:52:40.160 --> 00:52:42.920
I suddenly woke up one morning

00:52:43.000 --> 00:52:47.520
with a really terrible
sense of sadness

00:52:47.680 --> 00:52:51.240
and I thought:
"Nobody's persecuting me".

00:52:51.720 --> 00:52:54.880
I realised that politics
didn't interest me

00:52:54.960 --> 00:52:56.400
as much as adventure.

00:53:15.960 --> 00:53:18.200
The state's firing
workers with cancer,

00:53:18.280 --> 00:53:22.280
disabilities, pregnant women,
It's a disaster.

00:53:22.360 --> 00:53:25.000
The only way to stop this

00:53:25.080 --> 00:53:27.680
is for all workers
to strike on the 29th

00:53:27.760 --> 00:53:32.000
and gather
in defence of those jobs.

00:53:33.120 --> 00:53:36.400
-For the number to show?
-Well the door.

00:53:40.560 --> 00:53:41.760
Here we go.

00:53:51.760 --> 00:53:53.240
-Thank you.
-You're welcome.

00:53:53.320 --> 00:53:54.320
Bye.

00:54:23.640 --> 00:54:25.320
No work for three months,

00:54:25.400 --> 00:54:28.000
but it's not Macri's fault.

00:54:28.080 --> 00:54:30.480
He's taking harsh measures

00:54:30.560 --> 00:54:32.920
to lower inflation.
-It's against the people.

00:54:33.000 --> 00:54:35.520
Lowering it isn't easy,
someone has to.

00:54:35.600 --> 00:54:37.120
Corruption is rife.

00:54:37.520 --> 00:54:39.240
An account in Switzerland...

00:54:39.760 --> 00:54:41.520
-Hi.
-Hi. How are you?

00:54:41.600 --> 00:54:43.160
Wanna talk about corruption?

00:54:49.120 --> 00:54:54.440
The thing with you is that
you were disrespectful

00:54:54.520 --> 00:54:59.280
or someone who didn't adhere
to any rules

00:54:59.800 --> 00:55:05.960
You created a lot of exasperation.

00:55:06.400 --> 00:55:09.240
If you never swept when you had to

00:55:09.320 --> 00:55:12.960
when you had a task,
you didn't do it...

00:55:13.040 --> 00:55:17.680
Why should I work, if I was in jail?

00:55:18.360 --> 00:55:23.360
Yes,
but as the Stalinists went about

00:55:23.720 --> 00:55:25.640
sharing the tasks

00:55:25.720 --> 00:55:28.560
commission for this,
commission for that,

00:55:29.040 --> 00:55:31.600
you were
an element that was....

00:55:31.680 --> 00:55:34.640
-Provocative.
-Provocative, against all of that

00:55:35.480 --> 00:55:37.640
and you only redeemed yourself

00:55:37.880 --> 00:55:41.960
in the way

00:55:42.720 --> 00:55:44.320
you'd read stories.

00:55:45.800 --> 00:55:48.280
You started telling stories,

00:55:48.360 --> 00:55:50.640
they were very funny.

00:55:51.120 --> 00:55:55.280
People would gather
to listen to you and...

00:55:55.360 --> 00:55:58.360
-I don't remember any of that.
-Yes.

00:55:59.000 --> 00:56:04.080
Well, it was your way
of integrating yourself in the group.

00:56:04.440 --> 00:56:09.000
That's how your "Count",
your nickname, came about.

00:56:45.080 --> 00:56:47.360
We inform the people
that as of 10 o'clock

00:56:47.440 --> 00:56:51.720
the country is under the operational
control of the military junta.

00:56:52.360 --> 00:56:54.800
We recommend to all inhabitants

00:56:54.880 --> 00:56:58.720
stric compliance with
the provisions and directives

00:56:58.880 --> 00:57:01.040
emanating from the military,

00:57:01.120 --> 00:57:03.360
security or police authorities,

00:57:03.680 --> 00:57:05.680
and to be extremely careful

00:57:05.800 --> 00:57:09.680
to avoid individual or group
actions and attitudes

00:57:09.800 --> 00:57:14.480
that may require drastic intervention
from the operating personnel.

00:57:14.560 --> 00:57:18.240
Signed: Jorge Rafael Videla,
Lieutenant General

00:57:18.320 --> 00:57:20.280
army commander-in-chief.

00:57:38.760 --> 00:57:41.600
-When you left and not me.
-Yes

00:57:42.320 --> 00:57:44.120
I always thought of

00:57:45.320 --> 00:57:48.760
the option to escape this way

00:57:49.560 --> 00:57:52.160
to Carmelo and to Uruguay.
-Uruguay

00:57:54.600 --> 00:57:57.040
It's the principles that live on.

00:57:57.120 --> 00:57:59.680
-I still believe in a better society.
-Yes.

00:58:00.600 --> 00:58:03.240
-The collective dream.
-The collective dream.

00:58:03.320 --> 00:58:08.240
That was the idea
beyond the mistakes made

00:58:08.320 --> 00:58:10.160
even the nonsense

00:58:10.480 --> 00:58:13.080
that was beautiful.

00:58:14.160 --> 00:58:16.720
There could be differences

00:58:16.800 --> 00:58:19.160
but in theory
it was a better world

00:58:19.240 --> 00:58:20.320
a different society.

00:58:20.400 --> 00:58:23.280
That was our dream
and the collective worked.

00:58:23.360 --> 00:58:28.240
It was beautiful
to be part of a large collective

00:58:28.440 --> 00:58:31.600
a large proportion of
youths in the 70s.

00:58:32.120 --> 00:58:34.960
Now we say
we won't do the revolution

00:58:35.040 --> 00:58:37.240
but we'll still mess around,
-Yes.

00:58:50.520 --> 00:58:52.560
Why were you being followed, Óscar?

00:58:52.840 --> 00:58:55.880
I'm not sure I was, I though I was.

00:58:55.960 --> 00:58:57.760
In that newspaper...

00:58:57.840 --> 00:58:59.200
What did you write about?

00:58:59.280 --> 00:59:03.640
I used to write about
foreign affairs and so...

00:59:03.720 --> 00:59:05.840
Not about politics?

00:59:05.920 --> 00:59:09.160
Well, I wrote about politics
for some time,

00:59:09.240 --> 00:59:11.640
but it was just information,

00:59:11.720 --> 00:59:15.760
I wouldn't give my opinion,
pure information only.

00:59:15.840 --> 00:59:16.840
Reports.

00:59:16.920 --> 00:59:18.720
Yes, I'd report what people said,

00:59:18.800 --> 00:59:22.880
Juventud Peronista,
Juventud Radical, and so...

00:59:23.000 --> 00:59:24.960
Maybe it was
because you were a journalist.

00:59:25.080 --> 00:59:26.760
Maybe...

00:59:27.280 --> 00:59:32.560
Three or four journalists
had been hijacked and killed.

00:59:32.720 --> 00:59:36.560
I'd flee every time
they killed one.

00:59:36.920 --> 00:59:39.800
Maybe it was just my imagination.

00:59:39.880 --> 00:59:42.160
No, it was because
you were a journalist.

00:59:42.240 --> 00:59:45.440
That was more like
a Russian roulette.

01:00:53.880 --> 01:00:55.440
-Hello.
-Hello.

01:00:56.640 --> 01:00:58.240
-How are you?
-How are you?

01:00:58.320 --> 01:01:00.960
-How are you?
-Nice to meet you.

01:01:04.320 --> 01:01:08.480
We've lowered the light
because I have something to read

01:01:08.560 --> 01:01:11.240
I get a bit dazzled,
I don't see too well.

01:01:11.320 --> 01:01:14.040
-Oh, OK.
-But it's fixed.

01:01:14.240 --> 01:01:15.440
Perfect.

01:01:15.720 --> 01:01:18.800
"Manuel was my master and adviser.

01:01:19.120 --> 01:01:22.000
"He's an expert
in women and literature

01:01:22.080 --> 01:01:24.440
"which is all I am
interested in at the time.

01:01:24.520 --> 01:01:27.240
"Maybe politics was important
for me at the time,

01:01:27.320 --> 01:01:29.160
"or maybe it was
just an excuse.

01:01:29.240 --> 01:01:31.400
"We had a violent argument once.

01:01:31.480 --> 01:01:35.440
"From then on,
I despised him excessively.

01:01:36.040 --> 01:01:38.280
"It's hot in the cemetery.

01:01:38.360 --> 01:01:41.520
"There are many people
around the coffin.

01:01:41.760 --> 01:01:44.960
"I stand back near a cypress tree

01:01:45.040 --> 01:01:48.320
"and think that his friends
look at me and whisper:

01:01:48.400 --> 01:01:50.520
"That's the nephew who hated him.

01:01:51.360 --> 01:01:53.560
"Borges talks seated

01:01:53.680 --> 01:01:56.120
"in a voice so low
that few hear him.

01:01:56.320 --> 01:02:00.360
"It seems he'll continue
chatting to Manuel about something

01:02:00.440 --> 01:02:02.760
"that death couldn't stop."

01:02:03.360 --> 01:02:06.640
"OH, YOU WHO CRY FOR US,
DON'T LET THE PAIN HAUNT YOU,

01:02:06.720 --> 01:02:10.000
"LOOK AT THE NEW LIFE,
NOT THE ONE PASSED".

01:02:10.080 --> 01:02:11.200
SAINT AUGUSTINE

01:02:12.080 --> 01:02:13.840
Where's the Perón family?

01:02:13.960 --> 01:02:15.520
-The Perón familiy?
-Yes

01:02:16.000 --> 01:02:17.760
-Dead, I think.
-What?

01:02:17.840 --> 01:02:19.080
Dead.

01:02:19.200 --> 01:02:23.040
-Where are they here?
-Oh, I have no idea.

01:02:40.920 --> 01:02:43.120
-Antonio Óscar Peyrou?
-Yes.

01:02:48.320 --> 01:02:51.920
-The festival ends soon, right?
-Yes, in three days.

01:02:52.000 --> 01:02:53.120
It ends on Sunday.

01:02:54.000 --> 01:02:56.320
It's a bit late
to pick up your pass.

01:02:56.480 --> 01:02:57.680
Yes, well...

01:02:58.280 --> 01:03:00.040
given what there is.

01:03:47.000 --> 01:03:51.280
We're currently descending
towards Madrid

01:03:51.360 --> 01:03:53.880
where we'll be landing
in 15 minutes.

01:04:12.680 --> 01:04:14.200
It all started...

01:04:33.960 --> 01:04:36.400
This book has a lot to do
with scepticism.

01:04:36.480 --> 01:04:37.400
Yes.

01:04:37.880 --> 01:04:41.440
There's some tragicomedy
in all these stories.

01:04:41.760 --> 01:04:43.760
There's something evasive

01:04:45.000 --> 01:04:46.160
Yes, yes...

01:04:46.240 --> 01:04:50.520
Personally, I liked seeing
that there was a lot of

01:04:50.600 --> 01:04:54.160
comedy of serious topics,
comedy of things.

01:04:54.240 --> 01:04:55.560
Yes...

01:04:57.600 --> 01:05:01.320
I don't want to bother you
with a date.

01:05:01.400 --> 01:05:03.920
When could you give us
an approximate date

01:05:04.000 --> 01:05:06.240
for us to calculate the next steps?

01:05:06.360 --> 01:05:11.440
I think it'd be ready
in a couple of weeks or a month.

01:05:25.320 --> 01:05:26.680
Did you watch Arctic?

01:05:28.000 --> 01:05:30.440
-Is that the opening film?
-Yes.

01:05:30.520 --> 01:05:32.040
-No, I didn't.
-OK

01:05:32.120 --> 01:05:34.760
-I don't think it was good?
-It was.

01:05:35.040 --> 01:05:36.400
-Was it good?
-Very good.

01:05:36.480 --> 01:05:38.400
I was told it wasn't.

01:05:38.480 --> 01:05:40.920
No, it was really good.

01:05:41.000 --> 01:05:46.000
A real independent film,
fixed shots, frontality, close-ups.

01:05:57.240 --> 01:05:59.880
For fuck's sake!

01:06:10.600 --> 01:06:11.720
Good afternoon.

01:06:11.880 --> 01:06:14.560
Thank you for coming
to the presentation

01:06:14.640 --> 01:06:18.800
of Óscar Peyrou's book
Al entrar en el río: una antología,

01:06:18.880 --> 01:06:20.360
published by Cannibaal.

01:06:20.960 --> 01:06:24.480
When I was reading the short stories,

01:06:24.560 --> 01:06:27.920
stories or texts,
I don't know what they are,

01:06:29.320 --> 01:06:31.720
to be published in this book

01:06:32.720 --> 01:06:35.560
I discovered that...

01:06:36.320 --> 01:06:40.760
It was like a broken mirror.

01:06:41.600 --> 01:06:45.000
Each piece of that mirror

01:06:45.520 --> 01:06:48.440
was... a text.

01:06:49.040 --> 01:06:54.240
If they were put together
like a puzzle

01:06:55.320 --> 01:06:56.480
they revealed...

01:06:58.800 --> 01:07:01.520
my face or me

01:07:01.600 --> 01:07:04.080
as if it were an autobiography.

01:07:05.080 --> 01:07:09.080
"One morning, two weeks
after reachinig Madrid, I discovered

01:07:10.160 --> 01:07:13.800
"with a feeling of surprise mixed with

01:07:14.680 --> 01:07:17.640
"the prestige of adventure
and horror

01:07:18.240 --> 01:07:21.760
"that perhaps it was only a game.

01:07:22.760 --> 01:07:26.640
"That day I woke up
with an immense sadness

01:07:27.240 --> 01:07:30.320
"as if I had lost all hope,

01:07:30.760 --> 01:07:33.320
"as if my life had no purpose.

01:07:34.000 --> 01:07:37.720
" 'It's horrible', I thought
'No one's following me' ".